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I attend every Danzig show I can, no matter the incarnation. Glenn’s music is a church of sorts for me, I unapologetically worship the man. For Misfits, I’ll travel across state-lines. For Danzig, I’ll stay in traffic for hours and end up home the next morning. For Samhain, fuck it, I’ll sell an organ to get through the door. For all Glenn Danzig’s done for punk, metal, and dark aesthetics in general, if it wasn’t for him, I would be on a completely different course in life. related content: The Misfits At Riot Fest Chicago 2016: Bats In The Press Tent Danzig I was the first record I ever bought. For months before buying it, I would just stare at the Crystal Skull on the cover until my curiosity and fear got the best of me and I bought it almost to test myself and see if I could handle this dark, evil force. Lately, Danzig has been playing shows to celebrate what might be his most iconic album Danzig III: How the Gods Kill. It’s an album any true fan has to love but it’s Danzig II: Lucifuge that I find is often underrepresented but features a few of my