
Tag: ty segall

The Rally To Save The Smell And The Horrid History of DIY Venues in L.A.
This past Saturday night Ty Segall headlined a sold out benefit show at The Teragram Ballroom. Save the Smell was organized by the two 19 year old musical entrepreneurs of Penniback Records. Penniback represents the 3rd wave of scene kids that have had their DIY awakening at The Smell and with the help of Julian Montano and Luis Ho and so many others, it MIGHT just ensure that the legend of the humble but vital venue continue to be written. But even with the outpouring of support that recently extended an extra year for The Smell community to save itself from being demolished, the ambitious strategy to do so is to raise $1.4 million to buy a permanent home somewhere in a close proximity to it’s current iconic Main Street location. Some scoff, some scowl, some cry foul but The Smell has such few haters for a DIY venue of it’s kind. The kind that always seems to spawn legions of outsiders that feel scorned or slighted. Because those folks are so few and far between, maybe that can explain why the Smell is in the midst of an unprecedented run. If history has taught us anything it’s that DIY

In the Red Records’ 25th Anniversary Party: Weekend at Larry’s
A quarter century ago, Larry Hardy formed In the Red Records in Los Angeles, California to release garage and punk records for an underground that is thriving now more than ever. Some call this scene the garage rock revival, in which case In the Red Records was the scene’s Lazarus. So with 25 years of releasing music ranging from down tuned stoner rock to twangy blues garage, from bands in Los Angeles to Detroit, Portland and NYC, how does Larry Hardy decide to celebrate? A three night festival taking The Echo and Echoplex hostage to host a slew of bands spanning In the Red’s sonic history. As soon as I crept down those pissed stained stairs from Sunset to Glendale blvd and checked in, it was nonstop rock. Wounded Lion’s party rock launched the festivities and loosened me up for the debauchery to come. Dancing and prancing around the stage, cramming the jams down our throats, I picked up a sweat bouncing and bobbing and dashed out the Echo down to its bottom-bitch Siamese sister venue. A man eyeballed me suspiciously and asked for my papers, so I showed him my Zig Zags. Zig Zags were the first of many

New Album Review: GOGGS is Damn Good Gravy on The Ty Segall Catalog
Ty Segall’s new project GØGGS doesn’t feel like a side project. GOGGS is being touted as “Ty’s new Punk Album” by many publicists and suits and probably just relayed simply that way by frontman, Chris Shaw in a non ambiguous and lyrical manner. And it’s punk. Not like Bad Brains or Black Flag punk but it’s punk rock like Fugazi and Parquet Courts; It dares you to put a label on what they do. When you attach the punk moniker to your music, authenticity is the single biggest pre requisite and that comes from the purity of your intentions with your music. GOGGS innovate in the increasingly nebulous punk rock genre by experimenting with and finding a unique and original guitar and production tone and organizing the bands thoughts into an appropriately confrontational demeanor. Charles Moothart went vintage effect pedal shopping and created something special. Sharp guitar tones with jagged, distorted edges and high mid range. It has an “early catalog Ty Segall” tonal vibe ala Melted and Twins but it’s more abrasive and percussive. It is the most prominent feature on this album and I say that in a good way. The bulbous bottom end bass guitar by committee, (Segall, Moothart,

Ty Segall And The Secret Show: A New Tradition in Los Angeles
I caught wind of the secret—and free—Ty Segall and the Muggers show at the Griffin from a Mikal Cronin tweet around 10pm. It turned out being a hushed triumph for the community, the local scene—now largely represented in the hip enclave of working class L.A. artists that arches across Los Feliz, Atwater Village, Eagle Rock, Highland Park, and Mt. Washington. Luckily I don’t live too far, otherwise I would’ve just as easily succumbed to the old Angeleno proverb of “I’m staying in tonight.” I’m glad I decided to go, it provided some much needed reenergizing, and highlighted our special moment of L.A. music history. Even L.A. Weekly (that old, tired whore of a culture rag) was sage enough (however contrived) to dub Segall “L.A.’s most prolific and enigmatic rock star”—which would put him in the running for such a tag worldwide—and he doesn’t need ticket sales to prove it. I showed up to the Griffin maybe 5 or 10 minutes late, tops, sauntering to the back of a line that was definitely sizeable for a Wednesday night, and the Muggers were already wellinto their set. This was my view for a good portion of it. As it turned out, never

Ty Segall Redefines Himself Again With The Muggers at Teragram Ballroom
Ty “Baby Face” Segall & The Muggers Get Emotional at the Teragram Ballroom Before entering the Teragram Ballroom (“No Ins and Outs!”) I dragged my boots along 7th street past the Mexican skater boys popping ollies and into Monty Bar for a cheap drink. Janky tensions were high as we were scrambling for a last minute photographer and I buried myself along the crowded bar of black leather and wild makeup. Behind me on the wall, a mounted deer head was engulfed in a stark spotlight, and for a minute I was in The Roadhouse from Twin Peaks, waiting for Julee Cruise to appear onstage and serenade me straight into the Red Room; which all seemed appropriate considering there was a David Bowie/Lemmy tribute show slated for the night. I could feel the static in the air on my tongue. I got the photog confirmation, downed my Old Fashioned and bounced. In the Teragram, chattering skulls flooded the two parallel bars in the foyer—the early effects of a sold out show. Blue, silver, and black guitar picks embedded in the walls made up a Mediterranean mosaic of sacred geometric patterns as Charles Moothart took a seat next to me at

Take This: Ty Segall and The Muggers Ticket Giveaway in LA
What the fuck, Ty Segall? When do you sleep? Ty Segall unveiled his new band on Tuesday night at The Silverlake Lounge during a secret, warm up show. There has been much anticipation and excitement around the new “The Muggers” moniker attached to his name on the upcoming tour schedule. It was revealed Tuesday that along with regular bassist, Mikal Cronin, there will be a few other familiar faces on stage with Ty Segall on his upcoming tour. Emmet Kelly of The Cairo Gang on lead guitar, Wand singer Cory Hanson on Keyboard, Evan Burrows of Wand on Drums, and Kyle Thomas of King Tuff on second guitar. This will be the band touring with Ty Segall during the upcoming tour supporting the new “Emotional Mugger” album that is dropping January 22nd. Janky Smooth is giving away two tickets to each night of sold out shows at The Teragram Ballroom on January 15th and 16th. Contest Rules: Follow Janky Smooth on Facebook, Instagram and Twitter. Share or Retweet our Ty Segall and The Muggers Ticket Giveaway Posts. Leave a comment on this post telling us what your favorite Ty Segall album is and why. Winners will be selected on Thursday Jan 14th

Ty Segall And The Muggers Play Secret Warm Up Gig at Silverlake Lounge
“Secret shows” are not a rare thing in LA. Ty Segall seems to have one every few months. Previously, Segall had been booking the secret, Monday shows at the Griffin with Jason Finazzo of The Birth Defects. Last night I had the pleasure of attending a secret show with Ty Segall and his new band, The Muggers. I heard about this show last minute and rushed over to the Silverlake Lounge. I thought I was on time when I got there at 8:50 and got a parking spot right in front of the bar. There was a line of about 10 people so again, I thought I had won. I soon realized the line was a result of the show already reaching capacity from all the ticket sales. Secret shows are never actually a secret here in LA. I got lucky and met a guy who’s girl friend bailed so I bought him a beer in exchange for his ticket. I got in just in time to catch the end of the opening band by the name of “the band”. “The Band”, in fact, turned out to be none other than shredder Charles Moothart’s outfit, CFM and will be joining

Ty Segall Announces New Album “Emotional Mugger”
Ty Segall and his creative output are unstoppable forces in independent music. Today, Ty Segall and his team have announced the forthcoming release of his 13th LP called “Emotional Mugger”, with a release date of January 22nd on Drag City Records. Emotional Mugger Track Listing: 01. Squealer 02. Californian Hills 03. Emotional Mugger/Leopard Priestess 04. Breakfast Eggs 05. Diversion 06. Baby Big Man (I Want A Mommy) 07. Mandy Cream 08. Candy Sam 09. Squealer Two 10. W.U.O.T.W.S. 11. The Magazine Pre-order Emotional Mugger: Via Drag City – http://www.dragcity.com/products/emotional-mugger via iTunes – https://itunes.apple.com/album/id1057677898 via Amazon – http://amzn.to/1PCmNw3 Also announced, an extensive, North American tour that stretches from January 13th through April 29 of 2016, so far. Ty Segall- Emotional Mugger Tour Dates: Wed. Jan. 13 – Solano Beach, CA @ Belly Up Tavern * Fri. Jan. 15 – Los Angeles, CA @ Teragram Ballroom Sat. Jan. 16 – Los Angeles, CA @ Teragram Ballroom * Mon. Jan. 18 – San Francisco, CA @ The Fillmore * Tue. Jan. 19 – San Francisco, CA @ The Fillmore Thu. Jan. 21 – Seattle, WA @ Neptune Theatre * Fri. Jan. 22 – Vancouver, BC @ Vogue Theatre * Sat. Jan. 23 –

Ty Segall and The Birth Defects Play a Gig In a Tiny Room
It was a real treat to attend a secret Ty Segall show this past Monday- you feel privileged to have stepped into some well-guarded party. The show was at The Griffin and I wondered how these other people knew about it? Are they personal friends of the bands? I could not find any information about the show on social media and I couldn’t help but wonder how long these Mondays at the Griffin are gonna stay a secret. Last night, The Birth Defects and Ty Segall performed in front of a few happy people. The last time Segall did a show at The Satellite, I was not fast enough to get a ticket. However, I managed to see him with his band, Fuzz at the Troubadour two weeks ago and now, this show at the Griffin! It was completely unexpected and a lot of fun. Birth Defects started the show a bit after 10 pm and, as they did when they opened for Fuzz at the Troubadour. They slaughtered the place, raising a monster at each song with their propulsive, raw and very loud sound. Their album ‘First 8 Mistakes’ was produced by Ty Segall, which explains the connection, and whatever they put

Meatbodies Lay Waste to The Echo With Spectacular Theatrics
Around five minutes before the Meatbodies took the stage, I realized it was all about to go down. There was a mysterious Ty Segall in the corner, suiting up in god knows what, who seemed to be reading lines off his phone. Chad Ubovich, head honcho at the Meatbodies, wearing an epic red cape and face paint to match, gave Ty a pat on the back as he walked onstage to put his guitar down. Onstage, there were two drum kits. Which was weird, because as far as I knew, the Meatbodies only had one drummer. The Echo started to fill out as the crowd slowly came to the realization that they were about to witness something different, and hopefully, something memorable. The Meatbodies, who released their debut album earlier this year to critical acclaim, had obviously been planning this tour kick off for a little bit. Like any band that faces rampant success, the pressure to step up their game is always on, as the audience expects a little something more each time. As always, the Meatbodies seemed up to the challenge, and likewise, the crowd was roaring to go, laying waste to each other before the band even

Birth Defects Unleash Debut Album at the Troubadour alongside Fuzz and Carletta Sue Kay
Sandwiched between killer sets by Carletta Sue Kay and Fuzz, The Birth Defects album release bash for “First 8 Mistakes” at the Troubadour was one for the books. Everyone who was in the sold-out, jam-packed, iconic venue got slapped with an array of musical talent many, or just I, wouldn’t expect from a West Hollywood show on another Thursday night. It’s an endangered time for relics of bygone eras like the Troubadour—an attic-like setting that incubated the legendary statuses of Jim Morrison and Axl Rose alike (even Cheech and Chong were discovered there by Lou Adler). Nudged between the border of Beverly Hills and where Ron Jeremy and Bret Easton Ellis were eating dinner next door at Dan Tana’s, the Troub stands like an old ruin among the gated anti-communities of WeHo; a stark juxtaposition to the Laurel Canyon days of magical hills, liquor corner store blues, and free-lovin’ gutter artists. If this were the 80s, I would’ve hated it for being such a glam rock establishment whore house (and I probably would’ve lived in New York anyway). But in 2015, I’m just happy the Troubadour is still around, and not yet in the hands of some ‘starchictect’ like Thom

Mikal Cronin Pops Into The Griffin: The New Clubhouse for Rockers in L.A.
Monday nights at The Griffin are becoming a “thing” but it’s definitely not a thing that “they” want “people” to know about. Hopefully Janky Smooth writing about it doesn’t ruin it but it needs to be mentioned since it’s becoming one of the most interesting days of the week for music in Los Angeles. It’s more of a “friend” thing. Ty Segall and Jason Finazzo have managed to rally their circle to come and have a casual hang on Monday nights and their friendship is rewarded with last minute, surprise shows with the likes of Thee Oh Sees and Shannon and the Clams, just to name a few. Quite often people like Henry Rollins show up and stand in a corner as John Dwyer and company do their thang for a small, room full of people. This past Monday, it was Mikal Cronin playing a surprise show at The Griffin. The cool thing about this Monday Night Social that is occurring weekly at The Griffin is that there is no promotion for any of the bands or musicians that play on a weekly basis and that is what makes it fun and casual. There is very little snootiness in the