Tag: three one g

Deaf Club

Three One G Radiation: Deaf Club at the Echo

Three One G is a very special record label. With roots spreading across genres like DIY hardcore, anarcho politics and aesthetics, art rock, and noise, they’ve created a rich roster and a signature that ensures a few things out of their output–satirical high art extremity. With Three One G’s supergroup of underground West Coast heavyweights, Deaf Club, the label took over the Echo for a very special matinee. related content: Dominant Noise: Daughters at the Regent Secret Fan Club called this meeting to order with their bombastic rock assault. They sound was thick, jamming but also jeering, going in directions no one would expect but every body was somehow able to instinctively follow. Made up of only two members, Sal Gallegos on drums and John Rieder on bass, this demonic duo somehow achieves a maximal sound with a minimalist setup. There is no band made of just a drummer and bassist as raw and demented as this one. The music of Geronimo could not have been formulated in a sane mind. It’s the sonic interpretation of pure chemical imbalance. This chemical imbalance though, somehow perfectly balances musical pleasure and pain. I think it’s lovely. Almost like progressive noise rock, this

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Metz at destroying ear drums at The Echo

Melee at The Echo with Metz, Retox and Obliterations

Metz, Retox and Obliterations on the same bill at The Echo is a hardcore lovers dream. It’s a testament to Metz and the confidence they have in their material and live show. Both of the opening bands are capable of headlining their own gigs and potentially shaming headliners into reevaluating their life’s purpose. But the latest Sub Pop Records anti heroes delivered a high energy set which sent fans into an unstoppable frenzy. Their sophomore album, Metz II is a progressive step that delivers more chaos and aggression along with a BIT more commercial appeal- a difficult task, to say the least. It’s been almost a year since I’ve seen Obliterations. Poison Everything was one of my favorite albums of 2014. They’ve been touring almost non stop since that time but there was no fatigue apparent. Frontman, Sam James Velde has the look of madness and ill intent in his eyes when performing. It appeared he took the low energy, opening act audience as a challenge. He continuously leaned over the threshold of the stage, hovering over people and screaming in their face, particularly the audience members who weren’t completely engaged. By the time a pit finally exploded on the

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Head Wound City at Echoplex shot by David Evanko

FYF Presents Head Wound City at The Echoplex: Pretty Boy Hardcore

When I think of metal bands I have loved throughout history, I think of mullets, Dungeons and Dragons, short busses, bad hygiene and full rooms, void of any feminine presence. My how times have changed. On Friday night, FYF Presents continued to display why they are one of the most diverse talent bookers in town when “super group”, Head Wound City played The Echoplex along with Loma Prieta and Crime Desire. Today’s Metal, no less intense in it’s impact, yet the crowd was filled with beautiful people and so was the stage when Head Wound City played their set. Grindcore, mathcore, thrashcore, noise rock, and noisegrind. Call it what you will but it all stems from Thrash/Speed Metal. There were no soccer moms wearing Slayer t-shirts in the 80’s and 90’s but now, H & M actually have a line of clothing that features bands like Slayer and Metallica on them. I wonder if those particular consumers know that Slayer stands for Satan Laughs As You Eternally Rot. Metal has evolved into many things, most of which I’m not a fan of but Justin Pearson along with his label, Three One G are one of the most creative group of musicians

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