
Tag: the wiltern

South Gate Superstars: Cypress Hill at the Wiltern
Words and Photos by: Abraham Preciado The West Coast High Tour rolled through the largest and one the most spectacular theater in Los Angeles, The Wiltern, last weekend. Headlining the tour were rap icons from South Gate, Cypress Hill. The legends were accompanied on tour by Demrick, Xzibit, and Hollywood Undead. related content: Make America Green Again: The Great American Smoke Out Demrick and Xzibit took the stage first and ignited the crowd with their respective hits. The artist’s also dropped songs from their collaborative project, Serial Killers, which were definite hits with everyone in attendance. It was exciting to see Xzibit live and still be at the top of his game. LA’s rap/rock band Hollywood Undead also brought their “A” game to The Wiltern and performed hits from their entire catalog of music. Hollywood Undead’s set was an adrenaline rush to the crowd. related content: Black Baptism: Prayers At The Fonda In anticipation to Cypress Hill’s set, smoke filled the Wiltern as the crowd prepared for the group’s entry on stage. As soon as the intro to “Band of Gypsies” played the crowd erupted. It was lit! Cypress Hill came ready to blaze with their fans and we were ready!

Get Off Your Phone and Into the Crowd: Unknown Mortal Orchestra at The Wiltern
There are times in my life when I don’t listen to new music. Those are often dark times where I do nothing but binge all my old favorite artists – which span about 50 years – from jazz legends to the Beatles to “Crash Into Me” by Dave Matthews Band. The ladder often facilitates sobbing in my car similar to a scene in the Oscar-winning film Lady Bird. related content: Super Tight Rides Into The Sunset At Final Show But new music. New music is magical. New music captures the vibe of the times – if done correctly. My favorite artists have always been those who evolve with the changing cultural landscape. Artists like Beck, Prince and David Bowie. Every time I “discover” a new artist, I learn they’ve existed for years. This makes me feel one of two ways: either taken aback – like I’ve been living under a rock, or excited, like you just met your new best friend. Even though they tour around the globe, Unknown Mortal Orchestra is still, well, unknown to most music fans out there. At least in my experience. But they shouldn’t be, because they rock the fuck out and have been putting

Gogol Bordello at The Wiltern: Gypsy Punks 10 Year Anniversary Show
“If you do it yourself it means that you are doing it and loving it and love is the biggest engine in the world. There is nothing bigger, thriving and lasting than a connection with your own passion” -Eugene Hutz There is something that happens at a Gogol Bordello show that is hard to find in most places in the world- a sense of community that doesn’t exclude anyone from the joy that is produced amongst it’s members. This past Friday night, Gogol Bordello’s tour celebrating and commemorating the 10th anniversary of the Gypsy Punks album stopped at The Wiltern in Los Angeles and the amount of joy produced in that room was a bit overwhelming. In a world that sometimes paralyzes it’s denizens with fear of their fellow man and woman, Gogol Bordello and namely, it’s General, Eugene Hutz brought their message of brotherhood back to Los Angeles, along with one of the best live shows I’ve ever seen. I have long contended that Fishbone is the best live band of all time. These types of proclamations are not thrown around lightly. So, it’s with great sincerity and thought that I slide Gogol Bordello into the top spot as

Faith No More Wind Up The Wiltern on Opening Night
Words: Danny Baraz Photos: Dirt Junior If I HAD to list one musical influence that could encapsulate my love of listening to, creating, performing, critiquing and obsessing on music, without hesitation or pause, I would tell you Mike Patton. Faith No More, Mr. Bungle, Fantomas, Tomahawk, and Lovage. His dynamic vocals, the musicians he plays with, the uniqueness of his sound, his twisted lyrics and commentary and the prolific nature of his creative output are everything I aspire to as an artist and the measuring stick to which I compare all others. To say I am a bit biased on this subject would be an understatement. Faith No More were a part of a musical awakening for me and were also the gateway to discovering my favorite Mike Patton fronted band, Mr. Bungle. I was 14 years old when Faith No More’s, The Real Thing was released. I had never yet and still to this day, heard anything like it. You can imagine the excitement and trepidation I experienced when a new Faith No More tour and album were announced last year. Last night, Faith No More played the first of 3 sold out shows at The Wiltern. I was

Future Islands at The Wiltern: Torn Shirts, Gargled Roars and Bouncy Blue Orbs
On the 20th night, Red Bull’s 30 Days in LA gave us Future Islands to continue the trend of one great show after another. It was obvious everyone was driven to The Wiltern to see Future Islands and their lead man, Samuel T. Herring aka Hemlock Ernst. However, two upstarts with a very similar vibe took the stage first. The first band, Speak from Austin, took the stage to an almost empty room. They opened with just a drum machine and synth. The young, black clad upstarts are interesting but the two gentlemen on strings sort of reminded me of a younger Skolnick and Gilbert from the Lambda Lambda Lambda fraternity. The lead’s voice is high and reminiscent of a younger Ezra Koenig, at times. It took him and his crew about five or six songs to be adopted by the crowd but for the most part this crowd was saving up for the next course on the menu tonight. I went out for a popcorn and came back to a much fuller room of jihadi hipster beards and the stronger scent of quickly smoked, fermented barley. I hurried back to my spot and noticed 4 guys take the stage