
Tag: the troubadour

Tripping at the Troubadour: Hilton Honors Presents: Portugal. The Man
Words and Photos by: Maggie St. Thomas Grammy award-winning artists Portugal. The Man played an exclusive event for Hilton Honors members in Beverly Hills on Friday night at The infamous Troubadour, their last LA show this year. Upon arrival, I was greeted to a line of fans waiting outside, once credentials were approved I was handed a Hilton Honors lanyard. Doors were open to guests at 8 PM where complimentary food services such as macaroni and cheese, spicy tuna tacos and mini cheeseburger sliders could be enjoyed with open bar. related content: Finally Admitting It’s Real: Portugal. The Man At The Shrine At 9 pm Portugal. The Man came out swinging with full intense energy to a much anticipated packed audience. Their introduction included a clip of Beavis and Butthead on the background screen while they began their set with “Damage,” and then went into Pink Floyd’s “Brink In The Wall” and then the song morphed into “Pink Yellow Red Blue.” Another song that captured immense live energy was “Live In The Moment.” Portugal. The Man included a consistent flow of sound and energy matching a joyful aura with a more sophisticated rock demeanor, and with a colorful laser light show.

Decibel Metal & Beer Fest Pre-Party: Armored Saint at the Troubadour
Decibel Magazine brought out a slew of amazing bands for their wild Metal and Beer Festival weekend which featured Testament, Power Trip, Godflesh, and culminated with legendary proto-black metal front man, Tom G. Warrior’s Triptykon, playing a set of Celtic Frost classics. My Metal & Beer Festival weekend began the Friday night before the festival with a pre-party at The Troubadour which featured big bands on a small stage, headlined by Metal Blade records’ legendary Armored Saint. related content: Photo Recap: Toxic Holocaust At Resident Armored Saint is a bit of an anomaly in heavy metal history. They brought a hard rock traditional sound to 80’s metal and combined that with European power metal aesthetics and medieval imagery. Their iconic album, Symbol of Salvation, gave the band their biggest hits with bangers from start to finish. The band toured earlier in the year, playing the album from start to finish but on this show, the band was loose and wanted to make this intimate show feel like a hang, where they could play the songs they wanted to from all over their catalogue. The entire bill was stacked with UADA beginning my evening. American black metal never sounded so fierce and haunting as

L7 Slay Troubadour For First Time Ever In Quest For Unfinished Business
Los Angeles was soaking wet. Drenched and dripping. A cold quiet Sunday…but not at the world renowned Troubadour in West Hollywood. L7 was making history, gracing the stage for the first time in their 31 (!) year career. I almost didn’t make it out, fresh off a raucous and sleepless trip to NYC, but this was the first of two final shows for L7 after a continuous 2 years of touring leading up to the premiere of their documentary “L7: Pretend We’re Dead”. I threw on all black and headed west. I walked into the Troub right as Suzi (Gardner) told the sold-out crowd to tip their waitresses, as she used to be one there. I love L.A. They were only into their 3rd song and the place was already a sweat monstrosity, replete with mini circle pit for a few of the (many) old school heads that came out that night. Donita had her flying V strapped on, Jen (“Precious” Finch) struggled with her tech to get her Misfits bass working and they had a false start the 4th or 5th song in. It was then that I realized they were also wearing all black…they had just returned from

A Show and a Chat with Built To Spill at The Troubadour
Very seldom do bands remain popular after 23 years of producing music, let alone go on tour and sell out shows. This however, has not been the case for Built to Spill – a band that has been releasing consistently impressive albums since 1993. Over the years, musical maestro, Doug Martsche (singer and guitarist) has experimented with various album concepts, sounds, and even band members, yet has remained undeniably relevant since day one. To this you might reply with something like, “Rolling Stones” but we are talking about an indie band, not a worldwide musical phenomenon that are a household name. After a six-year hiatus, Built to Spill released a new album “Untethered Moon” this past April. With their recent release, the Idaho natives announced a world tour. Yes, a band that premiered their first album when I was only three years old, has been selling out shows on a world tour; and I was fortunate enough to be among one of the attendees. Slam Dunk, who were partially responsible in inspiring “Untethered Moon,” graced us with their presence before Built To Spill took the stage. As I peered over the balcony above, I noticed a sea of bopping heads flood

Take This: Built To Spill at The Troubadour on 7/14
With 8 studio albums and fans in every country, Built to Spill has built quite the legacy for themselves since their inception in 1992. Over 20 years later, they haven’t missed a beat. They released a new album, “Untethered Moon” in April of this year and they are still touring like madmen. Built to Spill are playing three nights at The Troubadour this coming week and we are giving away a pair of tickets for the Tuesday, 7/14. Simply follow us on Twitter and like us on FB. Retweet and share our posts about the Built To Spill ticket giveaway, then leave us a comment on this post, on the website about why you should win these tickets. Easy!!! The winner will be announced on Monday July 13th at 10 am pacific time or you can Buy Ticket Here!!! Photo by Stephen Gere

The Dead Milkmen Over Deliver at The Troubadour
Words: Danny Baraz Photos: Taylor Wong If listening to The Dead Milkmen doesn’t instantly put a smile on your face and get your foot tapping then you are completely dead inside. For 32 years, The Dead Milkmen have taken a genre that can take itself too seriously and made a mockery of it and every other taboo and sacred topic known to man. Just like most other coveted punk bands of their era, they have recently reactivated to write new music and tour. Last night, I had a chance to see The Dead Milkmen at The Troubadour and remedy the fact that I have never seen one of the funniest bands in the world play live before. I got to The Troubadour around 9:45. Unfortunately, I missed a great local band. Johnny Madcap & the Distractions had just finished playing when I arrived. I waded through the crowd of salt and pepper patrons and parked myself next to the bar and ordered a beer. Without delay, The Dead Milkmen took the stage. “Rodney Anonymous” Linderman charismatically connected with the crowd instantly as they opened with the song “Nutrition” off of Big Lizard in My Backyard. The Dead Milkmen un ceremoniously

Twin Shadow at The Troubadour: New songs and awkward banter
Most people who know me know I have a bit of a soft spot for Twin Shadow, so it was no surprise when I asked Janky Smooth if I could cover their first live LA show this year. For those of you living under a large solid mass formation, Twin Shadow is George Lewis Jr. Thanks to the internet, I discovered him doing a ridiculous cover of Lou Reeds, “Perfect Day”, days after Lou’s death. The rest is history. I walked up to the Troubadour, grabbed my ticket and walked in to catch Zoe Kravitz aka Lolawolf wrapping up a set. Their material is raw and she and her voice are exhaustively attractive. They have a familiar yet experimental vibe to them. The material is appropriate to groove or isolate to. The dance vibes are unmistakeable and the production on the beats is impressive. However, my focus Thursday night was not the beautiful spawn of Lisa Bonet and Lenny Kravitz and her art projects. The Troubadour is a great venue. I walked around to find my typical sweet spot and as soon as I land into my nook, George and his band take stage. The crowd was tightly formed and

Fishbone at the Troubadour-The greatest live band of all time
I’ve been trying to think of the right words to use to describe what I saw last night at The Troubadour. It’s not like it was my first time seeing Fishbone. Far from it. I’ve seen them on every size and kind of stage you can imagine from The Malibu Inn, Coachella, The Hollywood Palladium and dating as far back as Lollapalooza 1993 when they completely stole the show from all the headliners. It was almost humorous to see Dinosaur Jr take the stage after Fishbone finished their set that year. What could J Mascis have possibly done to follow Angelo Moore swimming the length of the festival audience, climbing the highest light tower and diving into that crowd during Subliminal Fascism? To date it is one of my most vivid concert memories. So how could seeing Fishbone at The Troubadour on a Friday night in 2014 compare to the times I’ve seen Fishbone co-headline shows with Primus in the 90’s or anywhere else along this journey of theirs which started as junior high schoolers in 1979? I can safely say that it was as good as any Fishbone show I’ve ever seen. How is that possible? How can 49

Fishbone at the Troubadour-The greatest live band of all time
I’ve been trying to think of the right words to use to describe what I saw last night at The Troubadour. It’s not like it was my first time seeing Fishbone. Far from it. I’ve seen them on every size and kind of stage you can imagine from The Malibu Inn, Coachella, The Hollywood Palladium and dating as far back as Lollapalooza 1993 when they completely stole the show from all the headliners. It was almost humorous to see Dinosaur Jr take the stage after Fishbone finished their set that year. What could J Mascis have possibly done to follow Angelo Moore swimming the length of the festival audience, climbing the highest light tower and diving into that crowd during Subliminal Fascism? To date it is one of my most vivid concert memories. So how could seeing Fishbone at The Troubadour on a Friday night in 2014 compare to the times I’ve seen Fishbone co-headline shows with Primus in the 90’s or anywhere else along this journey of theirs which started as junior high schoolers in 1979? I can safely say that it was as good as any Fishbone show I’ve ever seen. How is that possible? How can 49