Tag: the shrine auditorium

One Hundred Trillion Gecs: 100 Gecs at the Shrine

Rob Shepyer November 27, 2021

100 Gecs, the duo of Laura Les and Dylan Brady, are the most polarizing group in all of contemporary music. People either love them or hate them. I rarely hear an indifferent reaction after playing their music for someone. Frankly, that’s the way I like it. A band that can summon immediate love or deep hatred at the same time means they’re a band made for the weirdos that even the normies can grow to appreciate. I personally love the band’s music and don’t care what anyone thinks of me for loving it. After all, since the beginning of 100 Gecs, it’s always been them against the world. related content: Alien Boys And Girls: George Clanton And Magdalena Bay At 1720 I was so incredibly stoked to cover 100 Gecs’ concert at the Shrine and wasn’t one bit surprised they packed the house with what might’ve been the biggest crowd they’ve performed in front of that wasn’t in a festival setting. You can say 100 Gecs is music for nerds because it attracts gamers, dweebs and outsiders but at the same time, there were plenty of jocks and cheerleaders in that audience, raging harder than anyone for the mysterious duo.

Photo Recap: Underoath “Erase Me” Tour at the Shrine

Janky Smooth Central Command November 14, 2018

Underoath are back and no longer playing under the “christian” moniker. This musical resurrection came to the Shrine Expo Hall for the Erase Me tour with Dance Gavin Dance, Crown The Empire, and The Plot in You. Fans waited anxiously in silence until just like a kick to the face, post-hardcore heroes, Underoath hit the stage, blaring with “On My Teeth” off their new album, Erase Me. People went nuts, jumping over the railing and crowd surfing while the band reeked havoc on stage. Then just as things were getting extremely heavy and intesne, this giant and gentle band brought the crowd to tears with “I Hate It”. Over all, it was a killer show to mark the rebirth of Underoath from start to finish. Photos by: Pedro Carrera Underoath Dance Gavin Dance Crown The Empire The Plot in You

Ahead of his Timelessness: David Byrne at The Shrine Auditorium

Jessica Moncrief August 29, 2018

A lone brain sits on a fold out table complete with a wooden chair directly under a spotlight. This abstract scene of living art set the stage perfectly for a journey into the psyche and imagination of the legendary David Byrne. With bare feet, white disheveled hair, and a cool gray retro suit to boot, Byrne looked like a mad scientist or guru to a new age religious cult, the church of Byrne. He walked out onto the stage, sat in the chair and picked up the brain. While solemnly singing into his headpiece, a glittery beaded curtain raised from the floor. From there, the production went full psychedelic with a marching band of smiling, dancing, barefoot instrumentalists and back up singers, all uniformly dressed in the same retro grey suits. They gracefully emerged from the curtain in what would be the beginning of a fully choreographed spectacular production that was completely wireless. No amps on stage, no cords dangling from instruments to step over, the drums were attached to their player’s bodies instead of fixed on a kit. related content: Finally Admitting It’s Real: Portugal. The Man At The Shrine This had to be the most avant-garde concert tour

Alison Wonderland Uplifts L.A. at the Shrine

Aria Silva-Espinosa August 20, 2018

Every EDM festival lineup, every mainstream festival EDM selection, year after year is an exhausting shirtless sausage fest. It’s totally true, look it up. Prior to 2014-ish, very few female acts graced the lineups of dance music-focused shows and festivals. Alison Wonderland was the woman who worked her way to the main stage of some of the largest festivals in the world and for the past three years she has toured the world bringing her unique blend of original vocals and electrifying dance music to her massive international fan base. Born Alexandra Sholler in New South Wales, she’s certainly come a long way from playing classical cello in the Sydney Youth Opera for those who want to argue that electronic artists aren’t real musicians. She played bass for a while too before being inspired to go in a different direction by Swedish avant garde electro-pop duo The Knife. The rest is kind of history. She began working as a mixer and began touring in her native Australia as Alison Wonderland in 2012 and released her debut single ‘Get Ready’ in 2013. related content: Overcoming Fear With Fever Ray At The Palladium Dance music festivals are big business for a lot