
Tag: The Mayan

Nitzer Front: Cold Waves LA at The Mayan
The number of different types of artists and sounds that fall under the banner of “industrial music” is incredibly wide, ranging from full bands with live instruments to solo artists with only a backing track behind them. While industrial influences can be found in scenes such as goth, noise, metalcore, psych rock and different forms of electronic music; the origins of the movement are not always credited as often as the artists who took these influences. Cold Waves Festival at The Mayan Theater focuses on bringing the roots of the industrial live experience to a modern audience, showcasing rare performances by international artists from all different eras and sounds within the genre. Cold Waves Festival is truly a one-of-a-kind event, as it’s rare to see a festival so dedicated in paying respect to a genre’s history while equally hosting upcoming artists that carry the torch for its future. Leathers was the first performer of the evening, being the solo project of Shannon Hemmett from the post-punk band Actors. The project has a lot of 80’s synthpop influence in its instrumentals, with the echo effects on Hemmett’s voice creating an element of distance in its sound to stand apart from these

Noche de las Luchas: Lucha Vavoom at the Mayan
October 25th, wrestling and burlesque enthusiasts alike gathered at The Mayan to kick off the first of two nights inside America’s most outrageous show, Lucha Vavoom! related content: Pussy Bang Bang Grindhouse Burlesque Show Grinds on Harvelle’s Long Beach The wildly popular production, Lucha Vavoom has been a staple show in LA at The Mayan for years and always sells out for a reason. The producers have combined comedy, Mexican Lucha-Libre wrestling, music, and burlesque to create an over the top spectacular that keeps your senses tantalized from beginning to end. Before the show officially kicked off Peaches delivered the house rules to a rowdy crowd of inebriated wrestling fans via an instructional video. The most important rule, aside from watching out for flying luchadoras, was “No Puking!” The first act of the night featured trans sensation, Neon Music. She made a grand entrance on a bat swing that descended from the ceiling as she sang a delightfully dark rendition of “Bela Lugosi’s Dead”. It was a fitting way to start of the “Circo De Vampiros” Halloween edition of Lucha Vavoom and seriously warmed my little black heart. related content: Fierce Fiesta: Scum’s 2 Year Anniversary W/Limp Wrist At The

4AD Presents The Tune-Yards and U.S. Girls at the Mayan: A Zoo of Sound
Tune-Yards are something so unique I have an easier time describing their music using descriptors reserved for contemporary art and not music. On one hand, it’s this rhythmic tribal tapestry turned on its head into this random, chaotic, groovy, impassioned sound. Every note is like a brush stroke that conjures up auditory Keith Haring characters that dance together, in the air, over the stage. It’s a zoo of sound running wild. It makes me imagine various animals, giraffes, monkeys, kangaroos, geckos, everything under the sun, escaping their cages to dance in the wild. related content: Dreams Do Come True: Adult Swim Presents The Pillows At The Mayan With 4AD records presenting the event, label mates, U.S. Girls opened this show at the Mayan. Of all the songwriters and artists in this generation, I think that U.S. Girls’ leader, Meghan Remy, has one of the most powerful voices and minds with a soul that shines through her music to illuminate any stage she’s on. They incorporate numerous styles into what can only be described as avant-garde pop. You hear jazz, soul, and even disco during a U.S. Girls show, all the while Remy commands the audience and her band like a true

Dreams Do Come True: Adult Swim Presents The Pillows At The Mayan
Our photographer, Dillon, had one of his dreams come true as Japanese rock icons, The Pillows, rolled through Los Angeles on a rare US tour presented by Adult Swim’s Toonami. If you don’t know The Pillows, then perhaps you know their great soundtrack work for Fooly Cooly (FLCL), one of Adult Swim’s most memorable anime programs. Also on the tour as support were Noodles and Cullen Omori. related content: Beast From The East: Sand At Toxic Toast Theatre Cullen Omori: Noodles: The Pillows: Photos by: Dillon Vaughn

Bad Religion at The Mayan: Hardcore Punk Lives On Through a Soft Generation
It’s been interesting to attend every night of Red Bull Sound Select’s, 30 Days in LA– and exhausting. I’m a music mutt so I would probably attend at least 15 of 30 days even if I wasn’t covering them but this weekend, I went from Warpaint to Bad Religion. Now that’s a swing of emotion. I went from being brought to tears to wanting to make someone cry. Red Bull was labeling Sunday as an all punk night and claims like that are when I start to get really snobby. There is no denying the influence Bad Religion has had on hardcore punk but I was worried that they might bust out acoustic guitars for a show like this because their releases over the last 10 years have certainly lost their edge. I walked into The Mayan in Downtown L.A. and immediately became worried when I heard Foo Fighters playing over the P.A. I didn’t do my usual homework on the Red Bull bands opening for Bad Religion. I prefer letting the live show do the talking but it’s always nice to have a point of reference. I had heard The Scandals from New Jersey but had no idea what

Galantis Submerges the Mayan Theater on a Monday Night
If you caught Galantis at any point this year, you’re one of the lucky ones. I say this because they’re going from small clubs to the main stage at festivals – and fast. This Swedish duo is refreshingly far from a House Mafia and there is no stopping their momentum right now.. The happy spin they put on heavy house music can do no wrong and has been featured in sets by everyone from Diplo to Pete Tong. Christian Karlsson (of Miike Snow) and Linus Eklöw (aka Style of Eye), who make up Galantis, punched some serious life into everyone attending at The Mayan last night. We arrived at The Mayan as Germany’s Booka Shade was wrapping their set. Steady house music with live elements, never a bad way to set the mood. After a short intermission to swap out the live setups, the anxious crowd was buzzing with energy. The #seafoxNATION (their fanbase) was alive and well – most of the crowd donned the paper Seafox (their brilliantly branded mascot) masks that Galantis had brought with them to gift to their fans. The headliners met the stage as an enthusiastic crowd welcomed them. The opening track was a clear acapella