Tag: the julie ruin

2 Nights of The Julie Ruin at The Roxy: All Girls To… The Back Bar

Vanessa Burgundy October 18, 2016

The mood was light and the crowd was heavy on Friday night for the first of the two sold-out the Julie Ruin shows at the Roxy. Gender-bending, NYC comedian Murray Hill intro’d the band with his silly, old-school showbiz banter (as he has for Le Tigre, the Gossip, and the Beastie Boys…) and the band bounced out onto the stage. Kathleen Hanna was a showgrrrl after my own heart, dressed fully in sequins. Another sign that this band is more about fun, as their latest jolting dance-pop release Hit Reset will prove, albeit emotionally heavy. related content: The Julie Ruin at The Troubadour- Vagina’s and Surprises My 14 year old me can’t mask my disappointment about the lack of angst and anger that translates into raw power on stage- that the show was missing on Friday night. During the first song, the band got off on a false start and in between starting again, a man in the back yelled “Take it off!!!”. I looked at my girlfriend and we both were wondering where we were for a second. I mean, the Julie Ruin even have a song titled “Mr. So and So” about an asshole dude that loves girl bands. We

New Album Review: The Julie Ruin- Hit Reset

Janky Smooth Central Command July 15, 2016

There’s something about the sound of sweet electro-pop mixed with iconic punchy punk vocals of the one and only Kathleen Hanna that just screams perfection. The Julie Ruin’s first album, Run Fast, set high expectations for the band that came out of prominent groups like Bikini Kill and Le Tigre. Their latest release on July 8th via Hardly Art, Hit Reset, only proves that they can continue to surprise with diverse sounds that are charged with personal and political energy. related content: The Julie Ruin at The Troubadour- Vaginas and Suprises After many years of staying out of the spotlight and battling Lyme disease, Hanna joined forces with Bikini Kill bandmate Kathi Wilcox alongside Sarah Landeau, Kenny Mellman and Carmine Covelli towards the end of 2009. Their first album, the previously mentioned Run Fast, was released in 2013 along with the revelatory documentary on Hanna, The Punk Singer, which served as a sort of notice to fans and critics that Hanna wanted back into music and out of the hiding that was induced by her condition. The Julie Ruin definitely doesn’t ease you into the action that is contained within Hit Reset. The first (and title) track begins with a

Burger-a-go-go 2015: Feminism in Rock reviewed by “Some Guy”

Danny Baraz September 8, 2015

Rock music has been a catalyst for social and political change since it’s inception. It’s not just three chords and a back beat. It’s poetry. It’s a manifesto and it not only serves as an individual expression but has also served as commentary for entire generations, as only great art can. The revered blues and country origins of rock music broke race barriers in popular music but it was largely a boys club until Janis Joplin completely upended not only the gender roles in rock but rock and roll itself. In the decades that followed, women have been responsible for some of the biggest leaps in rock and roll and it’s continuing evolution. Joplin, Grace Slick, Heart, Patti Smith, Suzi Quatro, Joan Jett, Chrissie Hynde and Debbie Harry. Those women traveled a road which at the time was bumpy, rocky, sexist and fueled by testosterone. I was careful not to wear my G.G. Allin shirt to this event and I am going to attempt to stay away from too much “Commentary on Feminism, written by ‘some dumb guy’” in this review. Let’s just say that, for all intents and purposes, this tumultuous road for women in rock has led us

The Julie Ruin at The Troubadour: Vagina’s and Surprises.

Danny Baraz November 7, 2014

Kathleen Hanna is an icon. She is the nut crushing, vagina wielding, punk singing, ear ringing legend of a once, DIY militant feminism. A militancy that was absolutely necessary in a 90’s era of violent, male dominated, testosterone injected dominance of the American punk scene. Her band, Bikini Kill, not only gave girls a voice in that void of misogynistic obliviousness but insisted on “Girls to the Front!”. On Thursday, November 6th, her band The Julie Ruin headlined night 6 of Red Bull’s 30 Days in L.A. at the Troubadour. The irony of looking at the big, corporate Red Bull logo behind Hanna all night was not lost on me but if Nirvana could start from the Kill Rockstars record label, to Sub Pop and eventually end up on Geffen, then The Julie Ruin could certainly play a gig with Red Bull Sound Select and retain their integrity. Bookings like this give Red Bull’s music division more and more street cred every day. I arrived at The Troubadour just before Red Bull band Bad Girlfriend took the stage. I was in a foul mood. I was fucking exhausted after covering 5 out of 6 of the 30 Red Bull dates