Tag: the greek

The (Drama Club) Kids Are Alright: Bright Eyes and Cate Le Bon at the Greek Theatre

Words by: Hunter Hall Photos by: Taylor Wong In the early 2000s, Connor Oberst tapped into the sadcore, indie rock zeitgeist that would define Bright Eyes and become cornerstone soundtracks for sensitive teens in their most formative years. Twenty years later, these now 30-40 somethings packed the Greek Theatre for Bright Eyes’ first concert in Los Angeles in a decade. With a perfectly curated set list of songs from each era, Bright Eyes delivered exactly what fans hoped they could expect — Dylan-esque lyrics sung in a quivery voice that would take them back to their high school days. What was not expected, at least by myself, was how a show to tour a 2 year old album and some fan-favorite hits really became a night at the theater. related content: Community Outreach: Better Oblivion Community Center at the Observatory Opening for Bright Eyes was Cate Le Bon, who served as the perfect prologue for the play to come. The band was costumed in a potluck of delicious 70s suites, suede fringe, and thick bangs; a variety of artsy looks not much different than the crowd before them. At the center of the stage, Le Bon herself was cloaked in

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King Gizzard and the Lizard Wizard

Under From Down Thunder: King Gizzard and the Lizard Wizard at the Greek Theatre

The ascent of King Gizzard and the Lizard Wizard from Australian psych rock darlings to Greek Theatre headlining Los Angeles phenomenon has been a journey that has not only pleasured our psych rock scene but developed it to be passed down to a younger generation. In many ways, we in Los Angeles feel like King Gizz is our band. And so, to celebrate their reaching a new steppe in the hierarchy of rock and a new album, the band played an epic set that thrilled, chilled, and gave everyone the full King Gizz experience. My prediction that 2019 would be the year of the Australian takeover might not be as evident as with this concert seeing as all three bands hail from the continent. I’m not sure what the charm is exactly, perhaps we consider them exotic. I think it’s the terrain though, surrealist desert, plenty of surf, oddball nature, cultured metropolis, and hard drinking would inspire great psychedelic music. related content: Unheavenly Skies Above Los Feliz: Coheed & Cambria And Mastodon At The Greek Opening the evening was ORB, a psych rock session of Sabbath worship and we’re talking early Sabbath. Self-titled. Down-tuned riffs that harken ominous imagery and make

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Coheed & Cambria

Unheavenly Skies Above Los Feliz: Coheed & Cambria and Mastodon at the Greek

I could’ve gone to see the Misfits but seeing how it would’ve been my fourth time, I felt like I had a pass to miss a fiend club meet up for the chance to catch Coheed and Cambria’s Unheavenly Skye tour with Mastodon and Every Time I Die at the Greek Theatre. The sweeping, virtuosic, narrative-driven, poppy, metallic music of Coheed and Cambria has always intrigued me. They captured a different sound and concept than any other band within the progressive genre, which I suppose is the only one you can fit them into. And so, this sweet summer night saw the clouds gather over Los Feliz to rumble with thunder and lightning because tonight, the Rock Gods were out to play. Every Time I Die began the night with some of the best metalcore on the market today. I had been trying to catch them for awhile and was blown away by their intensity, fun, catchiness, and just how jagged their riffs were. Following them was one of the most important progressive metal bands of all time, Mastodon. I wouldn’t leave their accolades at prog metal though, they will have a lasting impact on all heavy music. It’s amazing

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