
Tag: the frights

POC OC: Tropicalia Music and Taco Fest at the Queen Mary
If the crowd of over 10,000 mostly white attendees at Surf City Blitz in Huntington Beach was anyone’s attempt to portray the demographic of Orange County’s aging local hero music scene, Long Beach’s Tropicalia Festival certainly flipped that turtle on its back. Tropicalia, now in it’s second year, has usurped the beach goth crowd from its predecessors, and has established itself as Southern California’s premier Latino influenced music festival, with one of the most diverse lineups I’ve ever seen. The mostly early twenty-something Latino-American crowd sold out the two-day weekend fest’s $200+ ticket capacity and brought an energy with them that recent Southern California festivals have been lacking. related content: The Growlers Reclaim Castle Beach Goth And All Is Right With The World Again With a lineup that boasted Morrissey and Mazzy Star, in addition to The Strokes’ Albert Hammond Jr. and Kali Uchis, Tropicalia presented a full day’s worth of entertainment for its attendees. Younger crowds showed up early to watch local favorites Tropa Magica, The Hurricanes, and Jurassic Shark play on much larger stages than the bands usually get the opportunity to perform on, and each enjoyed a well-received set. related content: Janky Meets Marty: The Dwarves At

White Girl Makin’ It Rain At Beach Goth 5- Janky Smooth Sessions
Beach Goth/bēCH gäTH/Noun It begins with a question. A question as old as 2002… “what do you mean cash only?”. It grows through a lie… “Oh no, it’s cool, I’m supposed to be back here”. It ends with a realization. That realization is that I have no memory of Beach Goth V whatsoever, but I’ll be damned if I didn’t try to give the most accurate account possible. related: Beach Goth 4- The Party of the Year After 4 or 5 bullshit story attempts to finagle an Artist wristband, I finally secured one out of pity from a friend. Within the hour and after an appropriate amount of substance abuse, I was lost in space next to a trash can in the Artist Lounge with no pants on, a pink kimono, and shoes far too tall to be practical. I locked eyes with Eric Andre (who was hosting Beach Goth), to my surprise, he came straight up to me and told me he saw me at the liquor store. I asked him if he needed anything from Ikea, and somehow that segued into how fart jokes were “never NOT funny”. This would set the tone for the rest of day

Family, Friends, FIDLAR: A Punk Rock Love Fest at The Observatory
I was finally going to see FIDLAR at The Observatory for a non-festival type show and I couldn’t have been more thrilled. Disclaimer: I’m totally one of those fans with FIDLAR tattooed above my knee. I entered the Observatory in the middle of No Parents’ set surprised to see frontman, Zoe Reign with every piece of clothing still on. I think his crop-top made up for it. In past shows it was a norm for Zoe to take off a variety of clothing which was encouraged by fans. I got to say, I would totally dance with this guy. He’s got moves. This band has a great amount of minute long songs and they’ve got catchy stuff. They shouldn’t be a punk band you can just listen to in your room, they must be seen live! San Diego-surf punk band, The Frights were up next and their fan base has grown immensely since the last time I’ve saw them live. My first time seeing them was when they opened for FIDLAR at the Regent in January. There was a small crowd that knew their lyrics but now, everyone in the venue can be heard singing along. A “Fuck Trump” chant

The Frights Frenzy At The Echo
I first saw The Frights almost two years ago in a dingy Pomona basement where I dodged flying beer cans and flailing limbs to watch their high-octane set of surfy pop-punk anthems. When The Frights lead-singer/guitarist/principal songwriter Mikey Carnevale’s guitar cut-out during the intro of their live staple “Melissa,” rather than stopping and fiddling with his cable or the power supply, Carnevale dropped his guitar altogether to deliver the song’s “fuck you, fuck you” refrain while letting the small but enthusiastic house-show crowd envelop him until he briefly disappeared into the sea of bodies. Despite line-up changes (a different drummer and a second-guitarist) and spots on huge lineups (opening for FIDLAR) The Fright’s party-boy, escapist ethos and aesthetic still seemed perfectly intact, with an appropriate amount of polish to justify a packed, headlining set at The Echo. After a raucous and dynamic set from The Buttertones, The Frights walked onto the stage to be greeted by a very warmed-up and excitable audience, launching into a one-two-punch of a set featuring standout tracks from their debut album with a few new songs seamlessly mixed in. Carnevale and and bassist Richard Dotson have their frat-boy live personas down to a science, expanding