Tag: the fonda theater

Gang of Four At The Fonda Giveaway

Take This: Win a Pair of Tickets To See Gang of Four at The Fonda

Gang of Four will return to Los Angeles for their Long Goodbye Tour Stop at The Fonda on May 28th and we have a pair of tickets to giveaway.  See below or on Instagram for details. In 2024, Gang of Four embarked on their “The Gang of Four: The Return of the Gang of Four” tour, featuring King, Burnham, and Allen together for the first time since 1981. Now in 2025, the band has announced what they’re calling their Long Goodbye Tour, a final worldwide celebration of their music and legacy. This farewell tour delivers 2 sets of emotionally charged performances.  Set 1 is the Gang of Four album Entertainment! in it’s entirety, with set 2 delivering the best of the rest with deeper cuts and personal stories reflecting on their 45-year journey. related: Photo Recap- Gang of Four at The Roxy Janky Smooth is giving away a pair of tickets to one winner to see Gang of Four on their Long Goodbye tour stop at The Fonda Theater.  You can buy tickets HERE Or to Enter: Follow @JankySmooth on Instagram Like the original Gang of Four Giveaway Post in our feed. Tag a Friend Winner Will be announced Tuesday,

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Gary Numan

Gary Numan Interview: Art in the Age of Savages

I was fortunate enough to submit the probing questions of past, present and current audiophiles to synthesizer pioneer Mr. Gary Numan by means of cyberspace. We discussed his 18th studio album Savage, the current global state of affairs and the unforeseeable future. related content: Millennial Matchmaking: Gary Numan & Ugly God At The Observatory AK: These days, synthesizers are as common as a guitars in a song. Being a pioneer of the computerized world, would you care to share your thoughts on the proliferation of synthesized music? GN: I think it adds a level of sonic interest to music to see them widely used. However, it would be a mistake to think that synthesizers are all there is to electronic music. On my albums synths account for some of the sounds but not all of them by any means. Much of it comes from recording all manner of noises from the environment and then manipulating them to make them work musically. It’s not really about synths, it’s about sound, noise, whatever you can find that makes an interesting addition to a song. AK: Tubeway Army was one of the first bands of your time to break away from what was

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Kruder & Dorfmeister

Take This: Win 2 Tickets to Kruder & Dorfmeister at The Fonda – Dance to K&D

Peter Kruder & Richard Dorfmeister are considered the Godfather DJ’s of Vienna. Celebrating the 25th anniversary of their first EP, G-Stoned, the band is embarking on a tour on which they will perform for four hours straight just like in the old days. The downtempo genre owes everything to this duo and their unique mastery of tonal language. Their masterpieces The K+D Sessions and DJ Kicks have both sold over a million copies worldwide and are staples in any electronic dance music collection. Seeing this group perform is sure to be a memorable and inspiring experience for anyone with an open mind. That’s why Janky Smooth is incredibly proud to be giving away a pair of tickets to Kruder & Dorfmeister at the Fonda Theater on November 4th. Those lucky enough to win and attend the concert will experience a transformative four hours that will make you rethink the possibilities of music. YOU CAN BUY TICKETS HERE OR. ENTER TO WIN 2 TICKETS FOR KRUDER & DORFMEISTER NOVEMBER 4th AT THE FONDA Step 1- Join Our Newsletter (look for pop up everytime you arrive at jankysmooth.com) Step 2- Tag a friend and post a video of yourself dancing to any Kruder & Dorfmeister song in

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Django Django

Heaven or Coachella?: Django Django And Tank And The Bangas At The Fonda

Much like the eye of a tropical storm, Los Angeles enjoyed a few days of eerie tranquility in the weekdays between the first and second weekend of Coachella. If you don’t have the patience to deal with drunk teenagers and a few thousand dollars worth of disposable income to make your way out to Indio for one of the two festival weekends, it’s easy to succumb to the gnawing fear of missing out. Knowing all your favorite artists and even more new artists you didn’t know you would love are playing so tantalizingly close to you but you’re poor, impatient or maybe just disinterested. As a Coachella virgin but an avid adversary of frivolous spending, the outdoors and idiots, I take comfort in the knowledge that every act worth seeing will roll through Los Angeles in this quiet span of five days between the conclusion of the first week and the incitation of the second. related content: Between Coachella, Brazilian Boogarins At The Echo With the promise of a rousing performance from Django Django, a staple in the indie pop scene since time immemorial. Formed in 2009, Django Django has been making the festival circuit and touring internationally and have

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Me First & the Gimme Gimmes

Me First & The Gimme Gimmes Inter-Review At The Fonda Theater

Me First and The Gimme Gimmes made their welcome return to Los Angeles at the Fonda Theater on May 13th to a sold out crowd that was comprised of every demographic one could think of. After all, the band has been celebrating their 20th anniversary for the past two years, and were prepared to perform their greatest hits, both of which incentivized longtime fans in their forties and your typical Los Angeles punk teenagers. The band was joined by openers Kid Congo Powers and Together Pangea, both who were warmly received, and both who stood out from the typical Fat-Wreck­ bands that usually get put on these bills. Perhaps it was the absence of Fat Mike on this tour that separated this from your standard Gimme Gimmes appearance, though the band did have suitable substitutes in tow, including Chris Cheney of The Living End. Some in the crowd seemed disappointed that their punk rock idol wasn’t performing, but most got over it as soon as the band opened their set with “Summetime,” off of Are a Drag.  But for both Janky Smooth and myself, this was a special show since I was interviewing Spike Slawson in the hours before fans would even

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The Brian Jonestown Massacre at The Fonda

The Brian Jonestown Massacre in L.A.: Music Snobs & Fentanyl Lollipops

This past Saturday night, I gave it another go when Anton Newcombe and The Brian Jonestown Massacre took the stage at The Fonda Theater in the land of Fentanyl Lollipops and sickly sweet sizzurp. Thoughts were rushing through my head while frequent Brian Jonestown contributor Miranda Lee Richards opened the show in support of the iconic, occult-ish and earliest figures in the current psych rock insurgence taking place in the global underground. But much like Jerry Garcia himself, the imagery of BJM’s early work summoned acid flashbacks while the hustle was about “getting well” behind closed doors.  Here comes a tangent. I’m reliably and uncharacteristically tribal when it comes to my loyalty to regional pride in any form. West Coast Rap, West Coast weed, (obviously).  Echo Park music (don’t say ‘scene’) over Williamsburg and, of course- The East Coast girls ARE hip and I dig those styles they wear…but the West Coast has the sunshine and half naked well tanned women in the winter- even if I do dig a pale complexion with jet black, bangs cut as high as the depth of character. related content: The Brian Jonestown Massacre Play 3 1/2 Hour Set at Teragram But when it came

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High on Fire at The Echoplex

Ascending the Holy Mountain: Sleep at the Fonda Theater

The greatest experience one could have at a concert is that moment of total release when the band taps into that one elusive hook that grabs you, doesn’t let you go, and makes you travel inner and outer space while standing in one spot.  Seeing the legendary stoner metal band, Sleep at The Fonda Theater allowed me to fondly remember that electric feeling when I saw Mastodon at Coachella and lost myself to the song “Quintessence”, who’s chorus goes “Let it go! Let it go! LET IT GO!“  That letting go is a spiritual experience, the same transformative, depersonalizing process one might have at a Mega Church. For a moment, one becomes the universe entire and that whole universe only exists to rock out. Sleep is thematically a stoner metal band with doom metal licks, so why do I feel like their sound taps directly into the marrow of religiosity? Why does a band that sings about fantasy themes and marijuana name their album Jerusalem? Why at the end of that concert did I feel somehow enlightened or spiritually full? I didn’t know when I bought my ticket to their show with The Melvins and I don’t know now as I

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Animal Collective Drip Sound and Color On The Fonda Theater

Night 1 of the Animal Collective 2 night stand at The Fonda Theater in Hollywood revealed one thing; Animal Collective are the most talented sound designers to ever write, arrange and perform an electronic song live. There is no one out there right now that can emit such auditory bliss from the push of a key and the twist of a knob. If you strip the dripping colors and backdrops away from the spectacle of their live performance, what you have left is a group of cutting edge song writers that use cold hardware and technology to express the warmth in their souls. I arrived at The Fonda just as Ratking was taking the stage. Ratking’s MC, Wiki was already wildly swinging his arms in an attempt to conjure some enthusiasm from the opening band audience. In a less jaded city, Ratking would’ve had the crowd moving with their next level beats and downplayed but impressive stage presence. While I understand the huge difference between a hardcore Animal Collective fan and a hardcore Ratking fan, there is a musical energy that transcends genre and style and it still amazes me that people can stand still during a performance that is

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Sylvan Esso Moves The Fonda for Day 3 of 30 Days in L.A.

Day 3 of Red Bull Sound Select’s, #30DaysInLA featured performances by Sylvan Esso, Race Banyon and Akua at The Fonda. The evening was sold out, but Red Bull kept the crowd light rather than packing the room to capacity – which was a nice relief. I’ve experienced many sardine-packed nights at the Fonda, it was good to see the promoters give back in a conscious way to the fans. This Year’s Complete Calendar and A Look Back At Last Year’s 30 Days. This year the #30DaysInLA lineup is a bit lighter (headliner-wise) and even lighter on the support acts, most of who are relatively unknown in the Los Angeles market, but as the neon signs in the venue declare – Red Bull is here to BREAK MUSIC. The atmosphere during the opening acts has a battle of the bands like vibe to it, you can feel them fighting to make an impact on the crowd (who the majority of is there for the headliner). Sometimes they hit the mark and stick, sometimes they’re local and draw on their own, but sometimes they become a complete afterthought. Akua is a Montreal based one-woman band, gently crooning to the audience with even

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The Jesus and Mary Chain, Psychocandy and the Art of Noise at The Fonda

The Jesus And Mary Chain and A Place To Bury Strangers (APTBS) shared the stage Wednesday night at The Fonda Theater in Hollyweird. The influencers of the first wave of the shoegaze movement made a wise choice picking APTBS as their support to mark the significance of this seminal album in rock history. When I arrived to the venue, I was delighted to be greeted by up and coming solo acoustic singer and songwriter Willow Robinson. Although I was a little late to his set, I enjoyed the songs I did manage to catch and recognize. While I do believe that the acoustic genre is saturated and that it is almost impossible to stand out, Willow Robinson is one of the few exceptions in the scene. Although the crowd was a little bare, the few spectators were having a good time. It was apparent in the way their eyes were glued to the stage. Willow Robinson closed his set by letting us know that he was very grateful to be sharing the stage with Jesus and The Mary Chain and A Place To Bury Strangers, a very humble move on his part. I was intrigued but not surprised by the

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Caribou at The Fonda

Caribou Does NOT Push Play at The Fonda Theater

There is a difference between pushing “set” and pushing “play” and Dan Snaith of Caribou don’t push play. With all the fans of electronic music paying top dollar to dance to pre recorded tracks these days, Caribou comes armed with a show that is a digital jam session and a powerful arsenal of songs that possess an incredible amount of depth, sadness and redemption. Caribou and particularly the album Swim, go into that rare classification of music that has brought tears to my eyes. There is so much creativity in the musical arrangements and the level of intimacy in the lyrical content is rare. Prior to the 3 sold out dates at The Fonda Theater this past week in Hollywood, I had never seen Caribou live. FYF 2014 was going to be my first time and logistical issues on the first day of the festival’s first year at Exposition Park caused issues with getting into the Sports Arena for my first Caribou show. Between missing Caribou and yet another Death Grips no show, it almost ruined L.A’s best festival for me. Thank god for Run The Jewels. FYF Presents made up for it in spades on day 2 of the

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