Tag: the dwarves

Birthday Boogaloo: Burger Boogaloo 2019

Nicole Verto July 31, 2019

Words by: Nicole Verto Photos by: Workhorse Studios I’m supposed to be starting this with some glorious cliche about how Burger Boogaloo is “bigger and better” as it celebrates ten years of weird punk fun but I can’t because it wasn’t those things. related content: The De-Evolution of Burger Boogaloo First of all, it was held in the same space but a smaller portion of it. This year, the festival downgraded from two stages to one and closed off access to the amphitheater. Rumors swirled on rays of sunlight. “It’s probably because of low attendance. That’s the only reason it could be, right?” “I heard it was so they wouldn’t displace folks living here.” Whatever the reason, there was one stage and some people did not love that. I am not one of those people — the stage was positioned such that you could hear and see from everywhere. This enabled groups to hunker down in one spot all day and it made the festival seem more intimate — from more conversations to strangers to feeling like you were always close to the music. Basically, for their tenth birthday, the folks behind Boogaloo chose to quietly pull the crowd in

Janky Meets Marty: The Dwarves at Marty’s on Newport

Jessica Moncrief June 21, 2018

If you frequently attend concerts in the Southern California area, you have likely received a barrage of promotional emails from a place called Marty’s and you may even recognize the name. The Observatory’s talent buyer Jeff Shuman & X’s manager Mike Rouse have bought out Marty’s, a dive bar gem smack dab in the heart of butt-fucked Tustin, California—in its past life, the bar was known as Marty’s Bar and Grill and hosted mostly karaoke nights and occasionally cover bands. Today, the pair have changed the name to Marty’s On Newport and are developing a business model for Marty’s similar to smaller independent music venues such as The Casbah in San Diego and The Redwood In DTLA. The location may not be as prime as the previously mentioned venues but a huge mailing list of dedicated music junkies, long standing relationships with legendary musicians, and the allure of seeing well known bands in an intimate setting (a max capacity of only around 150 guests) could be the key components that lead to the success of this endeavor. related content: A Bloody Reunion: Bleeding Through At The Observatory Last Monday, a free, secret, show at Marty’s, featuring The Dwarves and The Hurricanes was announced online. It was

TSOL Gig New Material, Movie, Support Tiger Army, Headline The Dwarves

Rob Shepyer February 20, 2017

The importance and relevance of T.S.O.L. hasn’t diminished one bit after 39 years of music through thick and thin, break ups and reunions. On February 4th, liberty’s true sons held their record release show for The Trigger Complex at the Observatory with support from Dwarves. This was a big night for Jack Grisham because he was also screening his short film Code Blue which he co-directed with Susan Dynner and was financed by fans through a kickstarter campaign. Code Blue is about a high school misfit who scores with the high school hottie only to prematurely ejaculate his way into becoming an even bigger outcast after she shames him on social media. A few days later, the hottie dies and our hero is threatened by his mother with enrollment into military school. So, he runs away to the morgue and finds the girl he never satisfied. He makes love to her corpse, imagining that she’s enjoying him, only to be interrupted by cock-blocking cops. The film ends with our hero in a mental institution. His cellmate says “fuck the police” and our hero replies “only if they’re dead.” Kim Fowley once aptly described punk music as B-movies on record. Well,

Janky Fest I- A Review and Self Inflicted Wound

Janky Smooth Central Command November 28, 2016

The first installment of Janky Fest on November 19th in Outer Space celebrating the Janky Smooth 2 Year Anniversary featured OG punks The Dwarves last week was super lame. Only a retarded music critic could throw an 18 and over event as a thank you to his all ages readership. Where does this dad rock douche bag Danny Baraz get off booking a large lineup of bands whose local fans couldn’t even attend the event, all because some anxious reactionary in a pseudo DIY venue was scared of pissed off punks in a recently Post-election, President elect, Donald Trump world? Sources tell me that’s literally the initial reason given by the venue for the switch, even though it changed to something a bit less ridiculous in the following days. Clearly, young punks of helicopter parents would breathe fire, shit on the floor and not buy enough beer and liquor because they’re pissed Trump won an election they didn’t even vote in. Zing. I don’t know Danny Baraz at all but he seems like just another privileged “straight white male” (even though Baraz doesn’t sound “white”) mansplaining and curating the injustice in the world through his pseudo intellectual political leanings, which he forces