Tag: teragram ballroom

Thee Oh Sees And The Practical Applications of Quantum Physics

Danny Baraz September 7, 2017

John Dwyer is a man living the dream- at least from the outside looking in. From that view he embodies a stereotypical but rarely achieved archetype of success as an independent artist. Every fledgling rocker that ever existed since Sid Vicious has sketched out a similar blueprint for themselves on how they would make the music they want, on their terms, on their own label, with an increasingly popular side project to keep themselves artistically satisfied THEIR way. Well, the latest Thee Oh Sees, or Oh Sees, or OCS release on Castle Face Records paired well with a concurrent release of Dwyer solo side project, Damaged Bug, creating a full bodied bouquet of screeching fuzz, juxtaposed with thunderous synth analogs for your ear holes. As is becoming tradition in these moments, Oh Sees played a gig at the Teragram Ballroom with the usual slate of opening acts that would make any headliner have to rise to the challenge of having to follow a band like Zig Zags, to get the double drummer dynamic chops in post season form as they embark on a headlining tour of clubs packed with the most rabid fans in independent music- John Dwyer, along with

Thurston Moore: Genre Be Damned When You’re An Icon

Rob Shepyer May 16, 2017

Before I go into what happened when Thurston Moore graced the Teragram Ballroom’s stage on Saturday May 12th, I need to paint the picture of what happened immediately after. Smoking a cigarette and leaning against a neighboring liquor mart, I saw an old college friend of mine, a bit of a hipster he never really understood my taste in music. Surprised I was seeing Thurston Moore, he said he thought I was more into punk and metal. Which is true and although Sonic Youth might not exist without punk, I answered my friend that I would take any opportunity to see an icon perform and Thurston Moore is certainly an icon- genre be damned. The night began with Marisa Anderson, a Portland based guitarist that is more or less an instrumental troubadour. She played astral, flowery sounding guitar to such politically and musically conscious songs as “Bread and Roses”, explaining that in times as trying as these we must remember our victories. Bread and Roses is a song about the victory of a women’s textile factory strike and I couldn’t help but wonder where are all the Marisa Andersons are in music? Anderson plays from the heart, and gives wise

Destruction Unit at The Teragram Ballroom

Power Trip & Destruction Unit Leave The Teragram in Ash & Rubble

Rob Shepyer April 11, 2017

Being a music and live show junky has made me a frequent visitor to the Teragram Ballroom. Quite simply- it’s the shit. Big stage. Perfect acoustics. Good booking. Excellent bathroom and bar placement. I’ve noticed though, they don’t have many metal shows. So, it’s a shame for the venue that the one time a metal band gets booked, Power Trip rolls into town with Destruction Unit and just completely leveled the venue into rubble. Power Trip is probably one of the best young bands to carry the thrash torch after the big 4. In fact, along with Iron Reagan, Toxic Holocaust, and Havok, they’re part of the new big 4. That said, I came to see Destruction Unit. Destruction Unit was close to becoming the Berkserktown house band after tearing down the house at 2 but then being unable to play at Berserktown 3. The void Destruction Unit left for Berserktown 3 gave me that disturbed feeling in my gut, that burning desire that you get only when you miss a band you want to see because of circumstances beyond your control. You wait at the edge of your seat, for years sometimes, waiting for them to announce the next show

Patti Smith "Horsin' Around" at Teragram Ballroom

Patti Smith “Horsin’ Around” At The Teragram: Defiant & Inspiring As Ever

Janky Smooth Central Command April 6, 2017

“…I’m 70 so I don’t give a fuck.” It’s nearly impossible for me to imagine Patti Smith as anything less than a mythic figure in the pantheon of rock and roll history. I’ve engaged and wrestled with her work since my teens and her stature in my mind has only grown since those fruitful years. How thrilling was it then to regard this unrepentant icon of rebelliousness as a woman, an artist and lover of life as she graced the stage of the Teragram Ballroom in Los Angeles this past Tuesday night, April 4. A review of a Patti Smith show almost seems at odds with the very nature of a Patti Smith show but here I am reflecting on a night that left me emotionally spent and creatively ignited. I’d seen Smith perform before but this night held a special significance. In the past, I had the opportunity to catch her in very large theaters, festivals and even an arena however the 600 capacity Teragram was by far the most intimate setting I had ever borne witness to Smith’s spellbinding antics. The Mojo is in the Mania In concert, Smith is a perpetual dynamo, a force of nature meant

The Murder City Devils Cast Voodoo Spells at Teragram Ballroom

Rob Shepyer February 14, 2017

Some bands wow audiences with epic light shows and costumes and confetti and dancing bears. Some bands wow audiences with tits and ass and more tits but other, more rarified artists bring nothing but their gear and raw talent. No filler. No fat. No stage banter. No politics. No masturbatory instrumentation. Just sweat and pure passion. The Murder City Devils do just that. Their show is a collaborative effort between band and audience that hits the perfect pitch of what rock and roll once was and is showing signs of becoming once again. Raining, the night was a stripped-down affair with 2 minimalist supporting acts before Murder City Devils. Seattle’s Corey J Brewer took the stage first. Just him and a briefcase of electronics that he used to tap into our psyche’s and pull and knead them like taffy. His music can be many things like a trippy mix of war and jungle drums, sampled wolf howls, and reverbing shamanic vocals all spewing from a scrawny North-Western-white-boy. The first thing that went through my mind as I meandered between the early comers during Corey’s set was figuring out what kind of people were into Murder City Devils. Baseball/Trucker caps abound,

Red Fang at Teragram Ballroom- Josh Allen

The Rise of Red Fang, The Hard Rock Resurgence & The Death of Nu Metal

Danny Baraz December 4, 2016

I went to see Red Fang at The Teragram Ballroom a couple of Sunday’s ago and all I can say is… Dayum! Red Fang, along with Torche and Whores lit up the best sounding venue in town like a Xmas tree. Both by inciting attendees to engage each others arms and elbows in a way that I’ve never seen at the young but formidable Teragram Ballroom and also, dialing in the sound to a miraculous display of live audio that was unprecedented to my ear holes. Every note, fret harmonic, hi hat hit and distorted gumbo of string rakes and 1/16th notes and drum rolls building to a fever pitch- a build up of sonic rhythms synonymous with that crash, chord, combo of controlled catastrophe that defines the end of every great rock song. That thing. That thing was as clear and defined to the naked ear as the most finely produced studio album I’ve ever heard. Clearer, in fact. I mean, without making this review about the sound at The Teragram Ballroom, it not only needs to be said but it needs to be over exaggerated, so as to relay just how perfect that room sounds. And… since I

Patti Smith at The Teragram: The Influence of a Cultural Icon

Vanessa Burgundy October 25, 2016

As I entered the Teragram Ballroom last Thursday night, I thought to myself, “how do I review the performance of a prophetic artist like Patti Smith?” There is little pressure in attempting to capture the essence of buzz-worthy bands releasing their first material but when using your words to capture the abstract and literal influence of an American cultural icon, it’s important to “get it right”. Wish me luck. I walked in as she was halfway through Arthur Rimabaud’s “Drunken Boat”, an author whose works she has directly ingested and spit out into her own countercultural treatise. I squeezed to the front, the crowd silent and mesmerized; Hot and inspired, turned on with poetic verses of despair. “…I have wept too much! Dawns are heartbreaking. Every moon is atrocious; every sun is bitter.” (Rimbaud) There is power in the words but life when she speaks them. She built the energy and the swarm of desperate faces exhaled in applause. The band started and opened with “Dancing Barefoot”. Patti was serving Joey Ramone realness in a striped t-shirt and black jacket, reminding us that poetry and punk are indeed euphonic duo. She somehow keeps the mood light amidst heavy material and

Thee Oh Sees Slay Teragram Ballroom Night Before Album Drops/Tour

Danny Baraz August 16, 2016

Is there anyone in independent music that has more going for them than John Dwyer and his band, Thee Oh Sees? In an industry that has been turned upside down, Dwyer and others such as Ty Segall have been successfully proving out the new business model for musical acts that aren’t corporate concoctions of sterile art, ripened just right for commercial licensing. Indy bands have proven that there is a demand for raw and innovative rock and roll, even as it disappears almost completely from the mainstream. Indy bands have proven that there is still a dream to be chased that can sustain their lives and compulsion to create with hard work and an untiring proliferation and output. On Thursday night, Thee Oh Sees threw a party at The Teragram Ballroom the night before their new album, A Weird Exits dropped and the night before they left on an extended tour of Europe that includes a backend leg in the US. While many bands might be content in taking the night off before a three month tour, whether John Dwyer wanted to brush up on some of the new tracks or he just wanted another stack of chips to add

Brian Jonestown Massacre at Teragram Ballroom

The Brian Jonestown Massacre Play 3 1/2 Hour Set For Night 1 at Teragram

Natalie Somekh May 30, 2016

Sunday nights in downtown LA can be magical but particularly so when seeing ‘60s psychedelic rock outfit The Brian Jonestown Massacre is playing a gig. The band is an eclectic mixture of ‘60s British Invasion, ’80s dream pop and shoegaze, as well jangly folk thanks to Anton Newcombe’s talent to tailor-make genre-specific sounds into his own. The first night of three sold-out shows at the Teragram Ballroom consisted of organs, tambourines, and loads of sass from The Brian Jonestown Massacre percussionist, Joel Gion. Opening up for the iconic band was Los Angeles’ very own Mystic Braves, who will be embarking on a national tour with Dream Ride this September in support of their newest album Days of Yesteryear. At one point during the Mystic Braves’ set, the band invited Rob Campanella, Brian Jonestown Massacre keyboardist, to accompany them on a few songs. Definitely a crowd pleaser.The Mystic Braves have been dominating the Los Angeles music scene with their psychedelic tunes and charisma since 2011. This showed last night when Julian Ducatenzeiler (guitar & vocals), Tony Malacara (bass & vocals), Shane Stotsenberg (guitar & vocals), Cameron Gartung (drums), and Ignacio Gonzalez (organ/tambourine) effortlessly captivated the Teragram Ballroom with their psychedelic aura

Rooney Rocks L.A. For The First Time in 5 Years At Teragram Ballroom

Brent Smith May 10, 2016

The prodigal son returns. In this case, it’s Robert Schwartzman. Rooney’s comeback has gotten lots of people swooning, and the sold out album release party for Washed Away (their first album since 2010) at the Teragram Ballroom was the perfect homecoming. I arrived in the middle of Wild Wild Horses, the British foursome who made me do a double-take to make sure I wasn’t in the middle of an Axe Body Spray ad. I kid. But seriously, is boy band rock a thing? If not, these stallions are paving the way for a potentially treacherous path. Go for it, ladies, they’re there for the taking! The guitar and bassist had a pretty rad dynamic; riffs gave off electro effects, which I thought was interesting. They had me looking around the stage for any traces of digi-programmed tracks, but nothing. I don’t care who you are, making a guitar sound like anything but a guitar is never not awesome. Don’t let their squeaky clean stage persona fool you, either. They curse in cockney accents and can drink with the best of them. Deep Sea Diver from Seattle was up next, and they gave a hell of a set. Orchestrator and mastermind

Bleached Bring Catchy Hooks, 818 Pride & Friends to Teragram Ballroom

Danny Baraz May 8, 2016

There are certain taboos in modern day, independent music journalism which you don’t breach, for any reason, lest you be nailed to the cross of insignificance. You don’t speak ill of Ty Segall, John Dwyer or Mac DeMarco, never say anything negative of Low End Theory and never play cards with a guy who’s named after a city. Then again, if classic day journalists from Rolling Stone were able to trash Black Sabbath and Zeppelin and continue to increase their circulation despite saying Jimmy Page was “a very limited producer and a writer of weak, unimaginative songs.” I have very little fear of being judged for “getting it wrong” and most of the time, I’m willing to go out on a limb if I believe in what I’m saying. I think I was the only person who reviewed Tame Impala’s “Currents” that didn’t put Kevin Parker’s musical pee pee in my mouth. And now that I’ve had more time with that album, I stand by every statement, even though 3 or 4 songs on that album have grown on me since the time I reviewed it. That being said, saying that I’ve always thought the band Bleached and their live

Aquadolls And Friends Preview Summer At Teragram Ballroom

Joanna Bautista May 3, 2016

Every show I go to I get so nervous because people can never seem to find my name on the press list. I actually made it in before the first band played so it saved me a lot of work from pushing to get a good spot. It was no surprise that The Teragram Ballroom started off with a small crowd. Jurassic Shark is honestly an underrated band; layers of delay and reverb always does it for me. Whoever wasn’t there soon enough, -or at all, missed out on catchy riffs and an up and coming band to watch out for. So Many Wizards performed soon after with their dreamy, indie sounds that pleased the crowd. Lead singer/songwriter Nima K has a knack with riff and melody and their set was marvelous. Summer Twins followed So Many Wizards and they were the reason I had come. Teragram was their first show back home from their tour across the country. The sister’s, Chelsea (vocals/guitar) and Justine’s (drums) 50s and 60s influence, give the band their vintage vibe, from the band itself to their clothing. The crowd was young and perfect for their dream pop sound. Couples were dancing and the band had reminded the