Tag: teragram ballroom

Long Live the Thump: Thumpasarus at Teragram

Janky Smooth Central Command March 13, 2019

Photos by: Anthony Mehlhaff Thumpasaurus is a gang of five deftly skilled musical agents on a perpetual quest to stabilize their eclectro-frenetic moods of post apocalyptic new wave. Thumpasaurus offer up their own unique stew wherein, hidden in plain sight and sound, you’ll find traces of Zappa, Beefheart, James Chance, Funkadelic/Parliament, Devo, Morphine, Talking Heads and Prince, as well as some rocking heavy metal, free jazz, musical theatre and even some light opera references thrown in for good measure. The band released The Book Of Thump last summer, and recently shared a video for “Where Does The Love Go”… an opera in five parts. Converging Benjamin Button maturity with Steven Hawking-like musical astro-theories, their oath to indoctrinate the world to the ideologies of the Book of Thump holds no bounds. A band bred out of the present day’s insatiable appetite to consume, they extract scraps from hard to reach corners of the dark web into uplifting nuggets of empowerment and party. There live show at The Teragram was one for the ages including aliens, karate chops and cameos from the like of Jennifer Lawerence, Bradley Cooper and John Travolta. Don’t miss these beings as they attack SXSW with there insane party antics.

Take This: Win Two Tickets to Psychedelic Porn Crumpets at Teragram

Janky Smooth Central Command March 4, 2019

Australian psych rock seems to have swept Los Angeles and the latest band to create a buzz, the Psychedelic Porn Crumpets are playing the Teragram with Frankie and the Witch Fingers. We are giving away five pairs of tickets to the show, so get ready from the Gods of thunder from down under to liquify light and faces before your very eyes. YOU CAN BUY TICKETS HERE OR ENTER TO WIN 2 TICKETS TO PSYCHEDELIC PORN CRUMPETS MARCH 20TH AT THE TERAGRAM BALLROOM Step 1- Join Our Newsletter (look for pop up every time you arrive at jankysmooth.com) Step 2- Tag a Friend in the comment section of our Twitter, Instagram, or Facebook Psychedelic Porn Crumpets Posts WINNER WILL BE WILL BE SELECTED ON MONDAY MARCH 11TH AT 11AM PST VIA EMAIL CONFIRMATION

Don’t Fear the Weird: Fidlar’s Record Release at Teragram

Dillon Vaughn February 4, 2019

Despite 2019 being the 10th anniversary of Fidlar‘s existence, I first heard the band around two years ago while on tour (late to the game, I know.) We were driving somewhere through the Carolinas in a rattling van formerly used to shuttle the homeless out of LA and all six of us were hungover as hell. With four of the bandmates passed out in the back, I was riding shotgun and taking in the sights while my friend that was driving cued up Fidlar’s 2015 record Too and began singing along in that kind of raspy voice you have after a long night out. Something about the tone of that album – the wistfulness, pacing, and honesty about facing adulthood resonated perfectly with the moment. Almost Free, the album being celebrated and released recently at the Teragram marked a new direction for the band that captured their interest in exploring new song structures and instrumentation and allowed this show to highlight other LA bands approaching music with a similar attitude. related content: Family, Friends, FIDLAR: A Punk Rock Love Fest At The Observatory “Don’t Fear the Weird,” the motto scrawled in red across Brandon Schwartzel’s bass guitar summed up both the new direction for

Perry Farrell and his Kind Heaven Orchestra

Heaven on Earth: Perry Farrell’s Kind Heaven Orchestra at the Teragram Ballroom

Janky Smooth Central Command December 3, 2018

Words by: Maggie St. Thomas Photos by: Jessica Moncrief Perry Farrell is a visionary artist, human rights activist, and is most famous for being the lead singer of Jane’s Addiction and Porno For Pyros. He was also the mastermind behind Lollapalooza and seems to have a Midas touch where as just about anything and everything he touches turns to gold. His newest musical venture is a spectacular embodiment of sound and vision with state of the art instrumentation by an astounding team of musicians including Matt Chamberlain on drums; Jane’s Addiction’s bassist Chris Chaney and Matt Rohde on keys; guitarist Nick Maybury, and Etty Lau Farrell on vocals. related content: Your Vagina May Catch Fire By The End Of This Song: Death From Above At Teragram The tall and charismatic front man entered the stage of the packed Teragram Ballroom with his Kind Heaven Orchestra and trademark bottle of red wine hoisted high in his hands to the cheering applause of his adorning fans. The set had an eclectic mixture of sound right from the beginning, from the symphonic strings of violins and backup singers to funky disco pop tunes that made you just want to get high and love somebody. related

Your Vagina May Catch Fire by the End of This Song: Death From Above at the Teragram

Robert Cohen November 8, 2018

In her 1972 book Survival: A Thematic Guide to Canadian Literature, Margaret Atwood wrote that the Canadian way of death is death by accident. And while this perspective has been analyzed, discussed, and otherwise relentlessly picked apart in the years since the book’s initial publication, it’s important to note that while DFA may stand for many things, “Death From Accident” was certainly not one of them at Toronto’s own DFA’s Sunday show at The Teragram, despite the temptation at times to think of it that way. related content: Finally Admitting It’s Real: Portugal The Man At The Shrine There were times during the entire show I found myself contemplating if all the slip-ups in their career were somehow intentionally made so that the show could be as perfectly tailored as it was. This was a show that might as well have been planned by a Swiss watchmaker based on how effective it was in escalating the mood of the crowd with each consecutive action. From the size of the venue, to the makeup of the crowd, the swagger of the openers and headliners alike, even extending into the music that played before, in between, and after each set, this was

Don’t Slander Me: Roky Erickson at Teragram

Janky Smooth Central Command October 13, 2018

Photos by: Dillon Vaughn Very few performers have lived lives as hard as Roky Erickson. A godfather of psych rock and garage, Roky’s history is almost unbelievable. A musical prodigy from childhood to a genre defining songwriter at age 19, it’s hard to believe the scope and impact of his work hasn’t made him a staple among Venice Beach type stencil paintings and graphic tees at Urban Outfitters. (His story’s much cooler than that.) related content: Halloween At The Roxy With The Evil Ones: Roky Erikson & Death Valley Girls Finally having the chance to see a performance was something I made my heart drop the moment he walked on stage – not from anticipation, but from fear that the hints of mental illness and the very visible mark of time on this man would lead to a performance that would make it hard to listen to the music again. Sitting on stage in front of everyone was an older man that seemed somewhat lost and nearly puppeteered by his much younger backing band nearly hiding in the shadows. The moment the music began my fears were crushed; applause and screams from the audience fueled something in Roky. His eyes gained some

GØGGS a-go-go at the Teragram Ballroom

Jonathan Reyes September 19, 2018

Is it C.F.M or Ty Segall, the Muggers, Freedom Band, Parliament? I don’t even think they know half the time. I think they show up to a venue, in this case it was The Teragram Ballroom and whoever gets the mic first decides which band is performing that night. related content: New Album Review: GØGGS is Damn Good Gravy On The Ty Segall Catalog There is one way to tell and that’s when Chris Shaw saunters over with that thousand yard stare. You know right away you’ve got GØGGS. Which is just enough time to make your peace with your teeth because the energy he infects the crowd with is fucking bonkers. It’s not often that you get a band that can be so intense but maintain the musicality they obviously work so hard on. They could easily just do the one band and call it a day. The branches of the tree of creativity that they come from stick out in so many unique ways. But they don’t let complacency tempt them into mediocrity and fans respond with pits that don’t neutralize after the first song, they keep their phones away because how could a cellphone ever capture what

Prophets of Doom: Yob and Acid King at Teragram

Rob Shepyer September 14, 2018

In times of social decay, metalheads thirst for one specific strain of heavy music to level their peeking frustrations and fears simply by crushing them equal to all other feelings. Call it masochistic but with all the suffering in the world, being enveloped by riffs so heavy that your teeth tremble in your gums, actually treats the pain. So, give us heavy, crushing guitars. Give us slow riffs that stretch longer than life lines. Give us drums that crash like thunder in storms too thick to see through. Give us doom, impending, loud, and full of sorrow. Doom is the sonic version of the abyss we stare into and see our reflections in. No American doom band today is quite as powerful live as Yob. Not since Saint Vitus has this subgenre seen such soul within it. I take plenty of bands into account when I make this bold verdict and if you disagree then leave me with my opinions to a solitary death and purple satin upholstered casket. related content: Pallbearer & Gatecreeper Stop At Echoplex Reminds Us- Guitar Solos Matter Doom lyrics in reviews aside, Church of the 8th Day booked another monstrous show with Yob, Acid Bath,

Sleepy Bangers/Hard Lullabies: The Book of Love at Teragram

Rob Shepyer September 10, 2018

Over the last few years, The Book of Love has been playing shows to celebrate their three decades long career. Los Angeles, as a city that means so much to their career, was the one city that was missing from their tour schedule until Friday night’s show at the Teragram ballroom presented by Lethal Amounts. related content: We All Scored At Lethal Amounts’ Pure Trash With Sylvain Sylvain Philadelphia Synth-pop duo, The Book of Love is made up of nightingale siren Susan Ottaviano and Electro-maestro Ted Ottaviano. What’s amazing about the group is their musical formula of taking synth lullabies and turning them into hard, dance floor bangers. This was “dream pop” before pop knew how to dream. The destined-duo are unrelated but their families trace back to the same Italian village. From start to finish, the crowd of 80’s kids was bopping and dancing madly to the music. People were making out like mad during the set. The band even seemed to have their own gaggle of groupies. The audience was in step for the whole show, eating out of Susan’s palm as her heavenly, serene voice swept over them. Songs that resonated hardest with the audience were “Alice

Groveling Before the Gods of Grind: Napalm Death at Teragram

Rob Shepyer September 5, 2018

Of all the epic metal shows Church of the 8th Day has ever put on, Napalm Death at the Teragram has got to be my favorite. The creators and gods of Grindcore, Napalm Death, changed music forever by goofing on certain elements that other genres wouldn’t dare experiment with at the time in 1981. Partially a farce, Grindcore didn’t care about what lyrics their growls were actually belting out and whether they actually matched-up with what was written. They would also do something as absurd as write songs under 10 seconds long. This was so groundbreaking at the time that the band generated mainstream attention by people that were just curious about how such a strange and shocking art form could exist. related content: Satyricon’s Final Los Angeles Show At The Regent: A Night Too Blackened To Forget Underneath this musical insanity and humor, Napalm Death has always carried the most serious political messaging behind their extreme sound. Their first album Scum opens up just the same way their Teragram set did, with “Multinational Corporations” going into “Instinct of Survival” which is a very confrontational, diagnosis of the world’s disease. Greedy, self-serving, corporations making money off of people’s plight and dying.

Jerry Lives Forever: Grateful Shred at Teragram

Rob Shepyer August 16, 2018

For half my life, I’ve been a diehard fan of the most hippie-slaying bands you could ever hear but throughout that time, working in contrast to that was my love of The Grateful Dead. The Grateful Dead were spawned out of Ken Kesey’s Acid Tests where they played as the house band and got so high that they had to improvise their sounds and obey the psychedelic flow running through them. It gave them the most original feel and song structure of any band from their era and garnered them the most cult following in the history of music. I’m sure had I been around at the time of the Grateful Dead, I would’ve been a “Dead Head” and if that undermines my punk credibility, allow me to share what I witnessed at a recent Dead and Company show at Dodgers Stadium: Dirty hippies, one wardrobe change away from crust punks, snorting cocaine right in front of sixty year old couples. Women flashing and everyone choosing their own seats with no care what was assigned to them on their tickets. Captured by The Dead’s music this month, seeing Grateful Shred perform at the Teragram Ballroom was my way of celebrating Jerry

Persistence of Consistence: Yo La Tengo at the Teragram Ballroom

Travis Beck June 25, 2018

Yo La Tengo are the type of band that screams road trip music to me. You feel their sound more than you hear it. Angelic emotion runs through their balancing of rhythmic melancholy and sprinkles of sonic hope. It’s the type of music you put on in the background before merging onto the freeway and zoning out so completely, you feel like a machine. House parties are another great venue for Yo La Tengo music, I would imagine, as the vibe seamlessly blends in with the casual ambiance and physical bodies chatting and standing around. Some people might sit on the couch, or lay on the floor passed out with a warm Michelob Ultra as “Dream Dream Away” hums on in the ether. related content: The Dead Milkmen Deliver Cartons Of Fun For 2 Nights At Teragram All appropriate scenarios for Yo La Tengo experiences. But seeing them live at a venue? I’m not sure. Maybe I’m horribly out of shape, getting old or just plain lame, but half way through the show I was desperate for a couch and/or recess. The lullabies were lulling me to sleep. But it was so goddamn beautiful. I absorbed the pain, and bit