
Tag: srsq

Mr. & Ms. Machine: The Black Queen at the Regent
If you let yourself be vulnerable, close your eyes and hone in on a sound then take your time to interpret how that sound resonates in your soul and makes you feel, I think you can actually gender the sound. Whether you think gender is a social construction or natural state, there are abstract and physical attributes to maleness and femaleness. There are masculine elements to The Black Queen‘s music, a sort of epic, peaking feel to their hooks that give you the sense of a heroic narrative at play. There are feminine elements as well, a sensuality, vulnerability, and warmth to the music and delivery. Certainly, The Black Queen’s sound is a more feminine departure from Greg Puciato’s last band, the Dillinger Escape Plan but this new electronic three piece still retain some of the qualities that made Dillinger transcend metal. related content: Cold Waves LA: Heaven For Industrial Kids Beginning this diversified bill at the Regent was SRSQ, aka Kennedy Ashlyn, who has already been ingrained as an icon in my mind for how soul-stirring her voice is. The last time I spoke to Kennedy, I told her how spiritual her music made me feel. That’s not exactly

Janky Smooth Top 25 Artists to Watch in 2019
Ah, the much anticipated and revered artists to watch article, how we’ve awaited you. The artists on this list vary in genre, age, ethnicity, region, and popularity. What they all have in common though, is that between January and December of 2019, something special is expected to happen to each of them. This list is not just to identify the smaller bands you need to know about but also to point out the bands you know and should be watching closely. Think of these artists and bands as heroes in their own stories, in the year 2019, a pivotal narrative moment will occur in each story. The Manx The Manx put on a show you couldn’t forget if you tried. Combining all sorts of styles from rock, to zydeco and polka, The Manx stir this musical stew until its reduction doesn’t resemble any of the ingredients used to create it, winding up with a mutant sound that’s totally original and shocking. With oddball instrumentation that utilizes banjo and accordion, the Manx don’t have any problem getting nude and covering themselves in multi-colored slime so that the show is a off-the-wall as the sound. This band is so strange that the

Is This Dungeons and Dragons? No, Cloak and Dagger, Actually
You go to a goth fest expecting 90’s Blade as a theme, but the black light shone the crowd for what they were. The weekend crowd from Halloween Horror Nights. The music was right, the expanded line up serviced all shades of goth. The venue was straight out of Miss Murder. Alas the crowd was 6 feet under aside from a few spurts of life during Boy Harsher and Health. related content: The Sound Of Sex: Boy Harsher Seduces The Echoplex I have a theory that the venue makes the show more so than the crowd, possibly even the band. Cloak and Dagger moving the show from the State to the Los Angeles Theatre was a mistake. I think they should have applied their strict code to the venue. Damn the crowd and damn the theatre. I wanted darkness, I wanted to feel like it was a privilege and not a purchase, smaller room, a darker room, a strict dress code. related content: Cloak And Dagger Fest: The Heart Of Los Angeles Bled From Dusk Till Dawn Beside wanting more ruffled Victorian shirts and latex the music and entertainment outstanding. The Jarson family known as Body of Light brought everyone