Tag: slow hollows

The Garden shot by Taylor Wong

The Garden “Haha” Record Release Party at The Teragram Ballroom

On Thursday, October 15th, nouveau punks, The Garden held their record release party for “Haha” at The Teragram Ballroom in Los Angeles. The VadaVada Vaudevillians, Wyatt and Fletcher Shears opted for a setting that reflected their art- fresh, bombastic, chemically imbalanced and extremely vivid, rather than the sterilized and homogenized stronghold that spawned it- Orange County. But even with such guests as Tyler, the Creator in attendance, The Teragram Ballroom still only reached 2/3rds capacity by the time The Garden took the stage, thus critically challenging my proclamations of L.A. being the epicenter of music in America. Afterall, if Angeleno’s aren’t swarming to see The Garden then my braggadocios proclamations about L.A. being the center of the music universe are somewhat unfounded. Joining The Garden at The Teragram Ballroom and setting the tone for the evening was ex Murder City Devils frontman, Spencer Moody and young rockers, Slow Hollows. We walked into the Teragram and Spencer Moody was already on stage. Toward the beginning of his set, Moody reminded me of a mix between Tom Waits and Lemmy Kilmister. He was quite intriguing. Moody was joined on stage by a Fender Telecaster and the most bored drummer in the world. He

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Way Strange Fest: Teenage Promoters In Way Over Their Head

Way Strange Fest was the brainchild of two teenagers from the Inland Empire, Esmeralda and Nora, who managed to gather over 50 bands from Los Angeles and beyond for one exhilarating day. It had been a while since I’d seen this many bands crammed into one tight space in an even tighter day, so I was curious to say the least. There had been growing speculation about the legitimacy of the festival for some time, with some bands dropping off the festival last minute, leaving others who had made the trek out wondering how the two teens were going to pull everything off. Located in Upland, CA, Way Strange was hosted at an aptly named venue called Imagine That; in true D.I.Y. fashion the venue was most notable for its quinceaneras, as I read on a company truck nearby, which made the whole layout of the festival make a whole lot more sense. There were three stages, in three separate rooms, directly adjacent to each other. You could walk from one end of the venue to the other in probably 30 seconds. Each room was bigger than the last, housing bigger acts as they went throughout the night. The stages

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