Tag: sanguisugabogg

Sanguisugabogg by Oscar Rodriguez

Janky Fresh Friday: New Albums from Mobb Deep and Sanguisugabogg

Welcome to Janky Fresh Friday- the busiest day of the week for artists and labels to drop newly released music.  Check in every Friday for a fresh squeeze.   Sanguisugabogg: Hideous Aftermath (released October 10, 2025): Century Media Records Sanguisugabogg has been my favorite modern metal band for the past few years, with their absolutely masterful craft of combining the sounds of classic 90’s death metal with the attitude of the modern hardcore scene to create an environment of absolute chaotic violence at their live shows. Death metal/Slam metal have been crossing over into the hardcore scene much more within the past year, but unfortunately this album does seem like it’s a mark for the beginning of the end for this collision of worlds. The new album “Hideous Aftermath” is significantly slower than the previous ones, and it takes itself much more seriously. I was actually relieved upon hearing the first breakdown of the album, as I almost forgot I was listening to a Sanguisugabogg album with how long it took for the crowd-killing moments to arrive. related: Sound And Fury 2023 – The Stage Dive Will Never Die The casual metalhead who sees Sanguisugabogg at a large festival while

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The Pharaoh’s Favorite Death Metal Bands: Nile and Incantation at 1720

Lineup changes, signing to Napalm Records, taking Sanguisugabogg on tour, and combining forces with the almighty Incantation were just a few reasons I had to check out Nile‘s Los Angeles show at 1720. Nile is one of my favorite death metal bands, not just because they’re brutal, crushing and technically awesome, but with their use of Egyptian imagery, I’m able to bite into a more cohesive, fuller vision that harnesses a whole world of brutality beyond death metal–history and mythos. related content: Soulfly And Nile: From The Amazon To The Whiskey A guy dressed as King Tut, touting an Egyptian staff romped around the pit during each band, cursing the mosh pit to higher levels of violence it would’ve never reached otherwise. This made my first viewing of Sanguisugabogg all the more intriguing. What I appreciated most about this band, currently stirring up a bunch of hype in underground circles, was how dirty their sound was. I was just reminiscing the other day on how Chris Barnes era Cannibal Corpse created the superior death metal sound as every instrument added to a more rotten, decayed atmosphere. Sanguisugabogg doesn’t sound rotting as much as they sound filthy and gritty, but that’ll

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