Tag: roxy theatre

Photo Recap: Viza at the Roxy

Janky Smooth Central Command February 25, 2019

Hometown heroes, Viza, headlined the Roxy for a beautiful and mesmerizing rock show. The band incorporates Greek and Armenian styles of music into their rock and roll and this unique approach garnered them the attention of fellow Armenian icons System of a Down. As you can see by their performance, not only does the band play with passion but they bust out traditional instruments to incorporate the old world into this new rock. Viza is music to make you dance, think, and head bang to. You will certainly be hearing more of them in 2019 as 2018 saw them releasing two EPs, The Unorthodox Revival I and II. Photos by: Travis Prow

Our Funny Valentine: Oliver Tree at the Roxy

Aria Silva-Espinosa February 24, 2019

Written by: Aria Silva-Espinosa and Harley Moeler Photos by: Marissa Torres We’ve been waiting for Valentine’s Day for months solely because Oliver Tree would be playing at The Roxy. After announcing the Ugly Is Beautiful U.S. tour in early December 2018, I had already named him as one of my artists to watch in 2019, knowing god damn well the kid would deliver. We saw him turn all the way up at Music Tastes Good in Long Beach last year, despite flying back from Ukraine the same day. Oliver Tree was filming the video from his latest single ‘Hurt’, featuring a series of oversized outfits and morbid scenarios. related content: Food For The Soul: music Tastes Good 2018 We can’t help but notice that Oliver Tree dies tragically in every video he’s shown us so far. Despite capturing attention as the subject of a number of bowl cut-related memes, Oliver Tree’s music is a serious venture. If you take away the scooter, neon ski jacket and wide legged 90’s rave pants, the sound stands alone as really good music. Some of his music is sort of indie rock-ish, like ‘All I’ve Got’ but Oliver Tree can definitely rhyme too, as

Songs of Freedom: Jesse Malin’s Gates of the West at the Roxy

Rob Shepyer February 2, 2019

The damage done by the last string of California wildfires is still being felt and so relief is still needed to rebuild all the lives that were changed forever. Music, which always seems to be the source of spiritual refuge for those in need, came to the rescue in the form of Gates of the West, an all-star celebration of the life of Joe Strummer hosted by D-Generation’s Jesse Malin. related content: Jesse Malin And All Star Rockers Raise Money For A Friend At The Roxy The night began with a musical collaborator of Joe Strummer’s, Zander Schloss who took the stage solo with an acoustic guitar to play three songs including “Redemption Song” and “Go Straight to Hell”. Following him, Jesse Malin and his house band took the stage to play a set of originals that harkened back to rock and roll’s heyday of coolness, swagger and nonchalance. Jesse was on the guitar, in the crowd, jumping and jiving, and singing his guts out with more New York attitude than Los Angeles is used to. One special moment was when the band covered a Pogues song because Shane McGowan called the Cat and Fiddle bar in Los Angeles to

… And We’ll Pretend it’s Christmas Day at the Roxy with the Garden

Rob Shepyer December 25, 2018

The Garden‘s popularity with Los Angeles’ young and woke is a phenomenon that cannot be understated. I had yet to see the band before this 2nd show they held at the Roxy to close out the venue’s Jingle Bell Roxy series. I knew though, that this was a band I had to see if I wanted to understand the scope of rock music in this decade. The line was thick, long, and underage, running down Sunset boulevard as I approached. They all dressed and dyed their hair within the subtle mythology ascribed to the woke philosophy. The way wokeness is a deconstruction of normalcy, the Garden’s music is a deconstruction of rock and roll. Twin brothers, Wyatt and Fletcher Shears play instruments but often find themselves rabble-rousing all over the stage, prancing around violently, dramatically, and without a care. The music doesn’t stop when the playing stops though, the band realizes grabbing onto true freedom on stage supersedes actually playing at any given moment. That’s not to devalue their instruments though, when Fletcher’s behind his kit, he’s an absolute beast. When Wyatt’s on strings, he grabs an audience and doesn’t let go. related content: NSA Fundraiser and Launch w/The Garden

Séance: Ghostemane & Gatecreeper at the Roxy

Rob Shepyer November 19, 2018

A prediction I made a year ago seems to be coming more true every year and that’s that trap music will be the foundation of music’s future, in this case it’ll be heavy metal which trap will reinvent. I’m talking about trap metal, trap punk, trap-core, emo-trap and industrial trap. All these newborn styles are being spearheaded by a handful of young men at the beginning of their twenties, notably the man(e) who sold out the Roxy, Echo, and 1720 on a three-day tour bender to conquer Los Angeles, that man being Ghostemane. related content: Anarchy’s Monarch: Scarlxrd At The Roxy One might think that trap would have trouble being embraced by the true metal bands its competing against but with support from death metal heavyweights Gatecreeper, it would seem metalheads are fans of trap and trap-heads are fans of metal. Or maybe both are just fancy crazy…. related content: Recontamination: Dying Fetus At The Regent As always, Gatecreeper destroyed the Roxy, just as they do any venue they have the chance to play. They are clearly the best young death metal band around, having opened for every landmark American of the genre with a sound that is undeniably classic