
Tag: red bull sound select

Bad Religion at The Mayan: Hardcore Punk Lives On Through a Soft Generation
It’s been interesting to attend every night of Red Bull Sound Select’s, 30 Days in LA– and exhausting. I’m a music mutt so I would probably attend at least 15 of 30 days even if I wasn’t covering them but this weekend, I went from Warpaint to Bad Religion. Now that’s a swing of emotion. I went from being brought to tears to wanting to make someone cry. Red Bull was labeling Sunday as an all punk night and claims like that are when I start to get really snobby. There is no denying the influence Bad Religion has had on hardcore punk but I was worried that they might bust out acoustic guitars for a show like this because their releases over the last 10 years have certainly lost their edge. I walked into The Mayan in Downtown L.A. and immediately became worried when I heard Foo Fighters playing over the P.A. I didn’t do my usual homework on the Red Bull bands opening for Bad Religion. I prefer letting the live show do the talking but it’s always nice to have a point of reference. I had heard The Scandals from New Jersey but had no idea what

Chillin with Thurz and Tapioca and the Flea at the K-town Karaoke Throwdown
Last night I hit day 8 of Red Bull Sound Select’s, 30 days in LA. This night was a laid back Karaoke night with the title K-Town Karaoke Throwdown and was hosted by good friends of mine Tapioca and the Flea. When I got to the location and realized the event was split up into 20 rooms, I thought to myself “how the hell am I going to cover this?” Then Samuel Lopez of Tapioca and the Flea told me they had their own room for the night. “fuck yeah!” I exclaimed as I heard that. So for the following review I give you my night spent with the guys from Tapioca and the Flea. The night started off with just Samuel Lopez, Ronnie Watson, and I hanging out in the karaoke room. Sam serenaded us with music from The Beatles as we ordered up bottle service and food. Now the bottle service was actually decently priced and Tapioca and the flea was given a generous tab from Red Bull, but the food selection was just kind of odd. There were four food options to choose from, lychee, french fries, “cheese sticks” which were just mozzarella sticks with some weird

Warpaint at the Echoplex: Bringing Grown Men to Tears
I need to write a review but I want to write a love letter. I can hardly think straight. My head is still spinning from Warpaint’s two hour set last night at The Echoplex. I am completely infatuated with the ladies of this band. Not just because they are all beautiful but because nothing is more attractive than women that are in command of their craft. Powerful, mesmerizing and unbearably sexy, Warpaint were coming off an extended tour and were effortlessly locked in with each other and their songs. Bass player, Jenny Lee Lindberg and Drummer, Stella Mozgawa start on the 1 with a just a quick look and one bar into the song, they smile and make eye contact, understandably proud of themselves. I’m not sure I witnessed Stella count in even once throughout the entire set and I never saw the band miss a beat the entire night. This is the best show I’ve seen the band play and I’ve seen them play quite a few times. Warpaint cannot simply be described as chick rockers because that would be minimizing the extent of their greatness. One cannot remove that aspect, though, because for women, they are an inspiration

The Julie Ruin at The Troubadour: Vagina’s and Surprises.
Kathleen Hanna is an icon. She is the nut crushing, vagina wielding, punk singing, ear ringing legend of a once, DIY militant feminism. A militancy that was absolutely necessary in a 90’s era of violent, male dominated, testosterone injected dominance of the American punk scene. Her band, Bikini Kill, not only gave girls a voice in that void of misogynistic obliviousness but insisted on “Girls to the Front!”. On Thursday, November 6th, her band The Julie Ruin headlined night 6 of Red Bull’s 30 Days in L.A. at the Troubadour. The irony of looking at the big, corporate Red Bull logo behind Hanna all night was not lost on me but if Nirvana could start from the Kill Rockstars record label, to Sub Pop and eventually end up on Geffen, then The Julie Ruin could certainly play a gig with Red Bull Sound Select and retain their integrity. Bookings like this give Red Bull’s music division more and more street cred every day. I arrived at The Troubadour just before Red Bull band Bad Girlfriend took the stage. I was in a foul mood. I was fucking exhausted after covering 5 out of 6 of the 30 Red Bull dates

A Vinyl Junky’s Dream Come True at the Wax Museum in Hollywood
Aside from straightforward concerts, Red Bull Sound Select is throwing themed parties along their 30 day trek trough L.A. Last night was their Wax On Wax event at Madame Tussauds world famous wax museum. The evening was vinyl themed and featured some local talent to curate DJ sets. Dan Wilcox (KCRW), Dirty Dave, Mayer Hawthorne and the boys from Beach Party all dug through their crates to bring enlightened sets to the night. The night had no cover, just the requirement of RSVP, so it was a packed house in the middle of Hollywood Blvd. Origami Vinyl, Amoeba Records and The Record Parlour – all local record shops – graced the museum rooftop with pop-up shops for the crowd to root around in channel their inner DJ. The Janky Smooth team all walked away with selections and we didn’t spend more than $10 all together! The highlight of the evening, aside from the DJ’s, was most definitely the after hours access into the wax museum. Red Bull also hired on celebrity impersonators to mingle with everyone, which really pulled the night together. Mick Jagger, Dustin Hoffman, Elton John and many of their famous friends were all out and about for

Courtney Barnett and San Fermin Find Magic and Common Ground at the El Rey
Last night at the El Rey might’ve been the best night of Red Bull Sound Select’s, 30 days in LA, so far. Even though the lineup was a bit mismatched, Courtney Barnett, San Fermin and Phox all brought something beautiful and completely different to the table. Phox, from Baraboo, Wisconsin not only brought all the small town charm and quick wit that lead singer Monica Martin could muster but they also brought some complex arrangements and made them seamless. There is a great chemistry in this 6 piece band that undoubtedly comes from their long time connection to each other. They attended the same high school and now all live together in the same house in Madison, Wisconsin. Fresh off a performance on the Conan O’Brien show and a trip to Disneyland, they were the first band to take the stage on Tuesday night and showed us all why comparisons of the band range from Feist to Fever Ray. Any band on this bill could’ve easily headlined the night, including Phox. Next up was San Fermin. Just wow. San Fermin is the brainchild of composer and keyboardist Ellis Ludwig-Leone; A true prodigy. I didn’t know much about this band

The Preatures Sexually Aroused Their Audience On A Chill Night at The Sayers Club
Last night, Monday November 3rd gave us the 3rd night of Red Bull Sound Select’s, 30 days in LA. This was also my 3rd night out shooting the red bull events so we can all assume I was running on fumes. I was stoked to find out that they were hosting the show at Sayers Lounge in Hollywood, a nice, dimly lit, intimate setting full of couches for me to veg out on. I immediately faced some trouble getting to this show when I realized I did not have my ID. Amateur hour, I know but luckily the staff was nice of enough to play 20 questions with me till they figured I am clearly old enough to party. Once I finally got inside i ordered up a Jameson and Ginger and found some familiar photographer friends to hang out with since i was rolling solo. This was when i realized this may be my favorite of the 30 days mainly because of how mellow the setting was. The first band, Night Drive went on around 9pm and what a fantastic opening band. They had a sound that was kind of like the space between Joy Divisions evolution to becoming

Ms Mr show “it” off at The Roxy
Sunday, November 2nd was night 2 of Red Bull Sound Select’s, 30 days in LA. The venue was the Roxy on Sunset and the line up featured headliner, Ms Mr and Redbull bands, Feathers and The Electric Sons. On Saturday Red Bull treated attendees to tacos and on Sunday, they provided pizza to make sure we weren’t drinking on an empty stomach. There was also a temporary hair dye station set up where the VIP guests usually kick it. Going to Red Bull Sound Select events is like hanging at your best friends pad who has the cool mom that lets you smoke pot in the house. The challenge that Red Bull bands have during these 30 Days In LA is turning on new fans to their up and coming bands, fans who probably just came to see the headliner. This is not a unique plight for opening acts but I’ve noticed that these people are a bit of a tougher audience for whatever reason. As Janky Smooth attempts to cover all 30 days, the bands that step up and move the crowd will be a sub-plot that we follow very closely. After all, Red Bull is taking on this

Cut Copy Crushes Night 1 of 30 Days in LA- Red Bull Sound Select
Well, it’s here. Red Bull Sound Select’s ambitious project, 30 Days in LA launched officially in the parking lot of the Luxe Hotel in Downtown Los Angeles Last night. On the night after Halloween and after the first hard rain in Los Angeles in longer than I can remember, the air was crisp and a jacket was required for the first time after a long and exceptionally unforgiving summer. Two Red Bull bands opened the night for Cut Copy at The Luxe Hotel. Wrestlers and Gemini Club are in the midst of an undertaking that seemed impossible just 5 years ago- Making House Music cool again. With digital music pushing the envelope the past few years by enhancing knob twisting and button pushing in music, House Music with it’s loops, melodies and traditional sounding instrumentation had become a fossil in the past 10 years. But like most things that go out of style they come back around again, like the flannel shirt. Wrestlers’ set, despite the big stage and elaborate light show, reminded me of being in a tightly packed, dimly lit room of bodies pressing up against each other in the early morning hours after partying all night at

Red Bull Sound Select- Corporate Music With Soul?
Dear Red Bull, Thank you for everything you are doing for music. It would be easy for you to sponsor a bunch of festivals and the next Beyonce tour but instead you choose to hire a group of hungry individuals to scour the planet for new and up and coming talent with no promise of Return on Investment. Your Red Bull Sound Select events are surprisingly hip and I wonder if any of this is about making money. If this money being spent to book, promote, record, release and showcase new bands is about further building a lifestyle brand then I”m ok with that. It’s better than hiring a douchey celebrity to peddle your brand and you are really giving us something that lasts a lot longer than a momentary burst of energy. Best Regards, Janky Smooth We at Janky Smooth are really looking forward to 30 Days in L.A. It’s one of the most impressive and massive undertakings in music we’ve seen in quite some time. The sheer audacity and patience it must take to deal with 30 different L.A. venues on 30 consecutive nights is enough to make my eyes bleed. Throw in 60 different bands/artists and their