
Tag: radkey

Photo Recap: The Damned and Radkey at the Fonda
The Damned sold out the Fonda Theatre last week for their Evil Spirits tour. Just in time to catch the back end of the Halloween season, people were dressed up and ready to party like ghouls and devils. Supporting The Damned were young up and coming rockers, Radkey. Hailing from Missouri, this trio plays with a metallic sound that is unquestionably heavy, punky, and American. related content: Dab Hits And The Damned on 420 At The Glass House Photos by: Lindsay Arth The Damned Radkey

Radkey Play The Echo and Make Me a Believer
It has been about a month since I have been out to cover any thing and I was jonesin’ for a good show. FYF was my last assignment and that is entirely too long. I was sent out to The Echo, one of my most frequented and favorite venues to check out the brothers, Radkey. I got there right when the doors opened like a freshman at Junior Prom. The month away from shows had me acting like a newbie. Since I got there early, I grabbed a beer and sat down as I took in my surroundings. As I sat there I took a deep breath of the musty venue air. The venue was quite empty, “but that’s ok since it’s still early”, I thought to myself. Gentle Pony took the stage first. This duo had a sound that I would describe as a grown up Cherry Glazerr. This band was the perfect start to the evening as Steve and Lena both thrashed around the stage from start to end of their set. The odd thing was that this was probably the largest the crowd ever got during the course of the entire show. The next band up was Prettiest Eyes. A 3-piece band that had its own horny cowboy. This

New Album Review: Radkey- Dark Black Makeup
Radkey was always a young band with an old soul. Now, with a more-than-polished debut LP finally under their belts, becoming festival circuit regulars, and amassing a fan base that dates back five years, the three notoriously young Radke brothers from the Show-Me State aren’t so young anymore. Dark Black Makeup—recorded alongside producer Ross Orton (Artic Monkeys, The Fall, Jarvis Cocker)—is a testament to the work the three duders Dee (vocals/guitar), Isaiah (bass) and Solomon (drums) put into their first two EPs, Cat And Mouse and Devil Fruit. There’s definitely some mainstream appeal here, and I don’t mean that derogatorily. I want to hear these dudes on KROQ someday. (If they’re not already?! Clearly, I listen to KROQ). Dee’s baritone pipes makes him sound like a veteran rocker twice his age. He can also shred like one too; guitar isn’t soaked in reverb; void of any noisy effects (except for maybe the awesomely dirty track “Glore”); mainly good old fashioned distortion and clever riffs; lots of great twangy solo moments. It hit me in a sort of The Cramps meets (proto-punk) Death collision, with a sheen of gritty 60s pop. Simply put, it’s a solid rock album. I know we