
Tag: punk

Janky Fresh Friday: New Releases by Drain and Danny Brown
Welcome to Janky Fresh Friday- the busiest day of the week for artists and labels to drop newly released music. Check in every Friday for a fresh squeeze. As part of Janky Smooth’s Janky Fresh Friday series, we’ve been comparing two albums that come out on the same day and seemingly have nothing in common- for the sole purpose of discovering the wealth of similarities between two disparate things. In some respects, it’s an exercise in empathy, learning how to appreciate differences, placing yourself in the shoes of a different subculture, and putting forth an effort to celebrate music as a whole. related: Janky Fresh Friday – Chat Pile w/ Hayden Pedigo and Guided By Voices Today’s albums for Friday, November 7th, 2025, are two of the most ambitious releases of the year from scenes that used to be more closely connected than you see nowadays. The relationship between punk and hip-hop has a long history and this fusion was a staple of underground shows in Los Angeles for the longest time. There are very few rappers that cross over into punk, hardcore, or metal anymore but Danny Brown has consistently been dedicated to these collaborations since his tour

Soft Play and KennyHoopla Make WeHo Punk Again at The Roxy
It was Tuesday, September 23, 2025 at the legendary Roxy Theatre on Sunset Blvd in West Hollywood, and the night had that undeniable buzz that only happens when a crowd knows they’re about to witness something unhinged in the best possible way. The audience was young, charged, and balanced; a good mix of people, but it was the women who owned the pit. They slammed, laughed, picked each other up, and set the tone for the night; wild but communal. The lineup was a dream pairing for anyone who still believes live music should leave a bruise: KennyHoopla and Soft Play, two acts with nothing to prove but everything to burn. related: L7 Celebrate 40 Years w/ Lunachicks And Friends at The Belasco KennyHoopla took the stage like a live wire, feeding on the room’s pulse from the first note. He was restless and genuine, bounding from one end of the stage to the other, never still long enough to cool down. His set felt like sprinting through an emotional minefield: loud, tender, and kinetic. Some of the tracks in the mix included “how will i rest in peace if i’m buried by a highway?”, “ESTELLA”, “hollywood sucks”, and “monalisa,

Janky Fresh Friday: Record Release Shows for Spiritual Cramp and Patriarchy
Welcome to Janky Fresh Friday- the busiest day of the week for artists and labels to drop newly released music. Check in every Friday for a fresh squeeze. As part of Janky Smooth’s Janky Fresh Friday series, we’ve been comparing two albums that come out on the same day and seemingly have nothing in common- for the sole purpose of discovering the wealth of similarities between two disparate things. related: Janky Fresh Friday – New Albums from Tame Impala and Militarie Gun This week we mix things up a bit to examine two new albums with late-October 2025 record release parties in LA. Spiritual Cramp’s free show sponsored by Marshall at Zebulon on 10/21 reminded us of what rock music should be all about; and Patriarchy’s upcoming record release party at The Lodge Room on 10/26 is about to be one of the creepiest and most gritty dance-parties you’ve ever been to, just in time for Halloween. Author Danny Ryan gives his review of Spiritual Cramp’s RUDE, with photos by Taylor Wong from the Zebulon record release show. Author Rob Shepyer breaks down Patriarchy’s new album for us in preparation of their upcoming Lodge Room performance. Spiritual Cramp: RUDE (released

L7 Celebrate 40 Years w/ Lunachicks and Friends at The Belasco
The Belasco’s air was sticky, buzzing, electric- like static before a tornado on Friday Oct 3rd. L7 and Lunachicks had a gig in Downtown Los Angeles. Those bands shared the stage again, for the first time in decades, in what felt like a life event for everyone involved for L7’s Fast and Frightening 40 Years Anniversary show. As much as I love Riot grrrl scene, the L7 legacy always stood on it’s own and I never appreciated pundits who would lump every hardcore girl under the Riot grrrl label. L7 had their own brand of feminism which included the Rock For Choice festivals that spanned over a decade and I include the times I saw them perform on the lawn of the Federal building in Westwood for causes that varied from saving rainforests, to legalizing cannabis at a time when people were still doing long prison sentences for the plant. But what I appreciated most about L7 was that they fucking shred. Say everything and anything else you want about them, every single one of them, at the top of their craft amongst their peers. And that was still the case as of October 3rd. related: L7 Stop Pretending They’re Dead

Janky Fresh Friday: New Albums From AFI and Snõõper
Welcome to Janky Fresh Friday- the busiest day of the week for artists and labels to drop newly released music. Check in every Friday for a fresh squeeze. AFI: Silver Bleeds The Black Sun… (released October 3, 2025): Run For Cover Records AFI has recently been in music news more than they have been in decades. A major aspect of this is frontman Davey Havok drastically changing his physical appearance recently, looking like he’d be more likely to front an indie folk group than a goth or hardcore or alternative band. Are those AFI‘s genres? It’s hard to pin them down to a specific sound, as they are constantly evolving and reinventing themselves throughout their career. related: Cruel World 2024 – A Legacy Forms at The Rose Bowl Today’s release of “Silver Bleeds The Black Sun…” marks the beginning of a new era for them, shifting much more into synthesizer based goth music and darkwave rather than their roots as a rock band. This shouldn’t be a surprise considering Havok’s side-projects Blaqk Audio and Dreamcar were hinting that he’s wanted to head in this direction for a long time. Even AFI’s last couple of albums were heavily incorporating goth and

Scowl At 1720 Sell Out The Venue But Not Their Souls
One of the biggest Catch 22’s of being a punk rock fan is wanting the artists you love to succeed and reach a larger audience, while also wanting them to avoid selling out and the inevitable softening of their edge that comes with popularity. While bands that maintain a consistent sound are often doomed to become dull and uninteresting after a couple of releases, there’s always a lingering fear of bringing in new audiences that don’t “get it” when an artist experiments with new aesthetics or explores other genres. Scowl and Militarie Gun have both had some of the most talked about punk releases of the year, and their recent show at 1720 proved that neither artist has sacrificed their unruly hardcore spirits in the evolution of their sounds. While tough-guy hardcore purists may be complaining online about the alternative direction that these artists have been taking, it’s clear that they haven’t witnessed the chaotic party that Scowl creates up close in-person for themselves yet and it’s only a matter of time before everybody starts to embrace the “Psychic Dance Routine”. related: Scowl Interview- Talking Limp Bizkit, Kevin Smith and Hardcore 1720 has established itself as one of the best

Sound and Fury Fest 2023: The Stage Dive Will Never Die
Sound and Fury is easily my favorite music festival, and consistently takes the spot as the best weekend of the year for me without fail. Returning again to Exposition Park for the second year in a row, the controversial choice to move the festival outdoors has proven again to succeed as a hardcore experience exclusive to Sound and Fury. The overwhelming heat and dust clouds were absolutely brutal this year compared to 2022, but passionate fans were not going to let anything stop them from hardcore dancing all weekend long. This was also the second year with involvement from art collective and fashion brand Brain Dead, and their influence could be seen everywhere from the stage backdrops to exclusive merch designs. Sound and Fury is absolutely unmatched when it comes to finding the best collaborators and vendors to help with making their vision come alive, something that more music festivals should take note of in the goal of creating an unforgettable experience that everybody in attendance feels a need to come back to. related: Risks Make Better Memories than Nostalgia – Sound and Fury 2022 One of the biggest draws to Sound and Fury’s 2023 lineup for me was the

FIDLAR at The Observatory is STILL a Vibe
There is little more that’s as iconic in the last 10 years of the SoCal indie music scene than FIDLAR playing at The Observatory in Santa Ana. It brings back memories of the golden age of the now defunct label that shall not be mentioned- but it rhymes with “Zurger”. related: An Interview with Zac Carper from FIDLAR Ticket holders wasted no time filling up The Observatory for the opening acts. Fans flooded the pit, full of raw energy and not holding anything back for Reckling. The set came with fast, high energy that had the fans crowd surfing, singing along and of course, moshing. Reckling opened the night strong and set the bar high. Not to be outdone, Liily came out just as powerfully and kept that energy going, if not elevating it to the next level. From their catchy songs to the electric performance of frontman Dylan Nash and the nonstop, chaotic energy of bassist Charlie Anastasis, all combined to make for one hell of a show. The crowd was warmed up, stretched and sweaty for FIDLAR to come out and destroy and they did just that. FIDLAR came out firing on all cylinders with “ Wake

Ben Lives!: Ben is Dead Zine 30th Anniversary with Jawbreaker at Catch One
Legendary Los Angeles punk rock magazine Ben is Dead celebrated their 30 year anniversary since first being published in 1988. As a punk rock blog ourselves, we give all due respect and praise to Ben is Dead for what they’ve done for punk rock and Los Angeles journalism and this contribution didn’t go unnoticed by bands as well. The artists that this event was able to assemble was rather remarkable considering how rare they were to see, not just at any show, but in a club like Catch One. Hot off headlining Riot Fest and selling out the Hollywood Palladium for numerous dates, Jawbreaker was set to headline the anniversary show. Also billed to play were the extremely rarely seen Skatenigs and Kieth Morris’ Midget Handjob. Those that were in attendance were treated to a show they will never forget and those that didn’t go are mostly likely never going to experience anything like this. Photos by: Jessica Moncrief Jawbreaker Midget Handjob Skatenigs Savage Republic

F*ck Feelings: Lagwagon Performs “Lets Talk About Feelings” at El Rey
Are we, as a society, officially retiring the adage “sticks and stones may break my bones but words can never hurt me”? For a minute there, I thought this was the case but after seeing Lagwagon‘s degenerate onstage horseplay shit on the importance we put on feelings, now I can officially say, we as a society still think feelings are bull shit. Also bullshit: Joey Cape, lead singer of Lagwagon. Ask him yourself, he put it on a T shirt and the damn thing sold out. Fat Wreck Chords is still flying the punk flag proudly. That doesn’t necessarily require being ass holes but it doesn’t hurt, especially when it’s toward your bandmates, not the audience. In all seriousness though, Lagwagon and all its members fucking killed that stage. Lets Talk About Feelings was released twenty years ago on the same night as this show at El Rey. Even back then, Lagwagon’s music was teaching people to be worse human beings, whether they were kids playing Tony Hawk Pro Skater or adults skating in real life. related content: Me First & The Gimme Gimmes Inter-Review At The Fonda Theater A Vulture Wake began the night with one of the tightest,

Surfbort Shake-Up Dave’s Shit Show At Resident
Hot off the heels of a successful gallery opening and Zine release, iconic black and white rock photographer, Shit Show Dave, put on a Beach Goth after party at Resident that will not be soon forgotten. Shit… the show featured performances by Vaguess, Die Group, and Surfbort and the Resident was completely packed with rockers, groupies and all sorts of crazy fuckers, drinking, laughing and moshing hard. Costa Mesa’s Vaguess opened up the show with a sound that was undisputed garage punk and gets any human’s gears turning and heads banging. They provide an especially electric party feel that goes well with drinks, cigarettes, and whatever lubricant you need to get the job done. What job would that be you ask? Straight partying hard and punking out… ever heard of it!? Die Group were next, a band off Sex Tape records, they’re an OC and LA underground favorite. I had only heard good things about the band but none of their music until this point and having met the members, it was a pleasure to see them do what they do best. I was impressed and moved by their haunting and rhythmic garage rock. Their guitars are sonic and noisy, their

Huntington Beach Gets Weird: The Weirdos at Gallagher’s Pub
The renowned Los Angeles punk band The Weirdos played Gallagher’s Pub in Huntington Beach on Saturday with the same tenacity as their first gig in the area 40 years ago at The Golden Bear.

