
Tag: psych rock

Video Premiere: Baronen & Satan “Why Does The Blood Never Stick To Your Teeth” Janky Smooth Exclusive
Calling all garage punks, psych rockers, and Luciferian Satanists, we have a band from you straight out of the gothic darkness of Gothenburg, Sweden. The Swedish have always given the world some of the most insane music, think Brainbombs and Bathroy, and Baronen & Satan are no exception. Melding psych rock and garage punk with ear-splitting distortion and reverb that harkens bands like Destruction Unit, this band’s latest video for the single “Why Does The Blood Never Stick To Your Teeth” is sure to make you sharpen your fangs. related content: Berserktown 3: The Craziest Festival On Earth This quartet led by Phillippe Sainz and Linda Rydellius is signed to Dirty Water Records and is ready to invade the divide consciousness of the United States. With music produced by Detroit Legend Jim Diamond, the buzz on this band is only beginning. Check out the video, if you Kenneth Anger films, liquid light, and altered states of mind you’re sure to like the visuals. If you like heavy rock with soul then you’re sure to like the music.

Earthless Liquified My Face At The Teragram
I had heard about Earthless forever ago but because of my natural skepticism, I didn’t really feel any need to see an instrumental band that wasn’t some kind of post rock outfit. Then after I heard Bill Burr raving about how incredible Earthless were live, I got about a guzzler’s gallon of fuel put in my engine to go see the band. Fast forward to last week when Dillon told me about the show, and I finally caved and decided to dive in, head-first. And boy was I ever glad to have caved and dived in. This was my first legitimate psych rock show, I know admitting that probably decimates any shred of credibility I had left but it’s true. I was always into the more extreme side of music and then also as a contrarian, seeing everyone in LA get so wrapped up in the whole Desert Daze scene probably made me want to avoid it. I’m not gonna be shopping for bellbottoms at vintage stores anytime soon, but maybe I’ll pop into more psych shows. I dressed in a “Canadian tuxedo” just to fit in at this show and I wasn’t the only one. All that said,

Halloween At The Roxy w/ The Evil Ones: Roky Ericksen & Death Valley Girls
Halloween shows at the Roxy have become a Janky Smooth tradition after last year’s showcase with Ho99o9 and The Shrine, Halloween 2017 Death Valley Girls support, a Roky Eriksen and Death Valley Girls collaborative evening was a mandatory spooking, especially with DVG lead guitarist Larry Schemel now playing guitar in Roky’s band. The last time I saw Roky Eriksen was also at the Roxy with him playing with his Hounds Of Baskerville band. Their set was filled with 13th Floor Elevators material but as a guy understanding Roky from a metalhead background, I wanted to hear his halloween staples off his solo album The Evil One. related content: House Of Ho99o9 Halloween At The Roxy Lots of artists claim to be evil but few actually live parallel to their projections. Roky, on the other hand, has been dabbling in the paranormal, the horrific, and the down right psychotic for a very long time. It’s a miracle he’s on stage playing psych rock and not chained to a rock in some psych ward. Roky hit so many bong loads and dropped so many tabs that he was thrown into institutions numerous times throughout his music career. Yet that never slowed him down once,

Video Premiere: Thee MVPs “US Airways” Exclusively at Janky Smooth
Thee MVPs have toured coast to coast, stopping off at SXSW to play with Janky garage favorites like Meatbodies, Dead Meadow, and Night Beats. Director Max Horn, whose worked previously with Frank Carter And The Rattlesnakes, was able to capture the kinetic intensity of Thee MVPs being their most vivid and wild selves in this video premiere of the track “US Airways” from the short film Receiver. Check it out… Recorded across the pond in a big room at Brighton Electric studios, Thee MVPs tear the house down with this jammer that they usually bust out to close sets with, sometimes taking the song to a frenzied 12 minute session live. For fans of King Gizzard and The Lizard Wizard and Thee Oh Sees, Thee MVPs play garage and psych rock from an English lens that may resemble the same transformation of the blues through bands like the Rolling Stones or Led Zeppelin. So give this groovy video a peep and make sure to keep your eyes open for Receiver which will be released October 13th on Greenway and as a tape through Burger Records. Cheers!

Prettiest Eyes & Egrets On Ergot: The L.A. Sound Explodes Out Of Harvard & Stone
Everything you need to know about rock based music coming out of Los Angeles can be summed up by the sounds that were coming out of Harvard and Stone one week ago, today. It’s not that L.A. has a very specific sound since the scenes surrounding the city range from hardcore to psychedelic rock but both Prettiest Eyes and Egrets on Ergo are bands that most high volume consumers of music seeing bands at places like the The Echo and The Hi Hat are inspired by on a regular basis.. Thursday night’s antics at Harvard & Stone began late in the evening with Los Angeles-based post-punk foursome Egrets on Ergot. As the band begins their set, vocalist Adam Brooks delivers a poetic monologue from atop the bass drum with his back to the audience. The recitation is followed immediately by Adam absolutely shredding on the saxophone. The use of saxophone sets Egrets on Ergot apart from other experimental post-punk groups by incorporating an experimental element often associated with jazz music in an entirely new way into the otherwise erratic and desperately disordered sound produced by the band. Generally, I wouldn’t enjoy the sound of a saxophone but somehow, Adam has

The Transcendental Jams of Kikagaku Moyo at Austin’s Scottish Rite Theater
A Masonic double-headed eagle emblem keeps a watchful eye on top of the glowing sign for Austin’s Historic Scottish Rite Theatre. Over the weekend, this former German opera house transformed into an enchanting lair to host rising experimental Japanese group Kikagaku Moyo. It’s not often that one gets to experience a touring act in a location outside of the typical bar scenario, and the spooky elegance of Austin’s oldest theatre (it was built in the late 1800s!) played a role in elevating the evening, thanks to event producers Perfect Life Presents. Austin acts Hidden Ritual and Soft Healer provided opening support at the theatre that evening. Hidden Ritual’s brand of post-punk exuded the eeriness of a western-noir film, complementing the ominous air in Scottish Rite. Local lighting crews Etherwave and ACID Light Show collaborated on a curious visual backdrop which intertwined black and white vintage 16mm film clips and vivid liquid lights. Overhead the theatre ceiling glowed softly in replicated patterns of celestial bodies in the night sky, prompting Soft Healer’s singer to remark “the sky looks great this evening”. Formed as a busking collective in Tokyo during 2012, Kikagaku Moyo have released 3 full length albums and are currently

A Psych & Synth History w/ Silver Apples For The New Acid Test in SF
For all the hate and bad press that San Francisco gets about the infiltration of tech-bro-douchebags ruining its wacky culture and alternative nightlife, its still the only city in the world that can throw a “psychedelic freak-out party” as authentic and trippy as The Acid Test SF’s most recent party featuring the experimental electronic pioneer Simeon Coxe of Silver Apples at The Rickshaw Stop. The Acid Test SF has been organizing these crazy, consciousness-expanding parties around the city since 2015. Of course, its namesake is inspired by Ken Kesey and the Merry Prankser’s famous Acid Test parties in Haight-Ashbury during the summer of love era. The organizers book 1960s, LSD-inspired artists such as San Jose’s garage rock outfit Chocolate Watchband and the LA-born acid rock band Strawberry Alarm Clock. This particular event was at Rickshaw Stop, a quirky venue in the lower Haight with a cozy atmosphere marked by huge red velvet curtains and vintage rickshaws. As soon as I entered the venue, I felt like I’d time-travelled back to a time when the city was still overwhelmed by long-haired hippies with flowers in their hair. The groovy looking crowd had dressed the part so well that I couldn’t tell if

Fear and Loathing With King Gizzard and Pond at The Hard Rock
There’s not much about Las Vegas that ever really appealed to me. Even one with a deep appreciation for the book/film Fear and Loathing in Las Vegas has to remember that Hunter S. Thompson himself acknowledged the city’s role in the abrupt shift during the spread of the 1960’s San Franciscan counterculture. In his famous “wave speech”, he recalled Sin City as “that place where the wave finally broke and rolled back.” However, when the Hard Rock Las Vegas announced an Australian trifecta of King Gizzard and the Lizard Wizard, POND, and ORB at their poolside stage, I determined the possible waves from an epic whirlpool/moshpit/portal would be more than enough to lure me from Austin out to the desert. Sandwiched between first time Coachella sets for both King Gizzard and the Lizard Wizard and POND, the Las Vegas double headliner event comes at a time when both acts are beginning to creep onto a wider world stage. Formed in 2010, King Gizzard and the Lizard Wizard reportedly chose their name “as a joke”, however, the work ethic of the 7-piece is anything but that. Since their inception, the Melbourne natives have released 9 full lengths, with reported intentions on

New Song Premiere: U.K. Heavy Psych Band SAP release “Sucker”
A band that we’ve been digging is London based, heavy psych, garage rock outfit, SAP. Our friends at Foxes Magazine shot us a link a couple months ago and this shit has been streaming ever since. Today we premiere the latest track, “Sucker” from SAP ( which stands for “Simple Ass People” ) SAP Sucker unleashes a frenetic energy of crash cymbals, fills and taunting vocals built around classic riffs and licks. The tone of their fuzz brings that vintage sound that has become quite common and even, contemporary but still manages to set itself apart from the filler of those looking to capitalize on a popular movement. Authenticity is what distinguishes a band like SAP and a song like “Sucker” from the wannabe’s that have become super fans of The Sonics and Thin Lizzy overnight, which, isn’t inherently poseur-ish but simply stretches credibility and the motives of those that write and produce music for any reason outside of an internal compulsion to rock the fuck out. related content: The Sonics, The Sloths, Death Hymn Number 9 w/ Green Slime L.A. We here at Janky Smooth will keep our third eye on Simple Ass People and their output to continuously verify that

Arthur Brown at The Regent- Memories In My Mind’s Eye That Never Happened
Today’s musical landscape lacks heroes. No artist seems to be able to stick to the summit of success and often when they do, they’re not even that great. Fans seem to rather see old megastars than new, low key talent. There are plenty of reasons for this. The same trend seems to be happening in other forms of entertainment, but the upside is that fresh talent is hatching under every rock you look. The Crazy World of Arthur Brown is old low key talent that inspired megastars and that’s why I HAD to go see him kick off his tour at The Regent Theater. For the sake of curiosity, let’s book an imaginary Desert Trip 2036. Using the talent from last year’s festival a model for the slots we have to fill, I’ll begin by making the case that in 20 years Radiohead will have the same prog-god status as Roger Waters. That’s the easiest comparison to make. If I need to book two troubadours, one to take Neil Young’s slot and another for Bob Dylan’s, I might have to go with Ed Sheeran and Bon Iver…. related: Why We’re Still Trippin’ on Desert Trip Did reading that make you

New Song Premier: Raj and the 100’s- ‘No Suicide’- Heartbreaking Beauty
We don’t really know much about who Raj Sabhlok is or where he came from but when we were sent the opportunity to premiere the first song in a series of 100, most of which were recorded in a recording studio owned by John Vanderslice. When we heard “No Suicide”, we were in. If you’re a fan of The Growlers, Kevin Morby and Devendra Banhart, you should love Raj and the 100’s. Let us know what you think! We all process loss differently; self-imposed isolation, submitting to one’s vices or even complete disassociation are not uncommon coping methods particularly in the early stages of grieving. Raj Sabhlok instead sought solace through the creation of Raj and the 100’s, a project which came about following the sudden passing of his parents. He traded the comfort of his home for and RV and spent two years traveling the United States, reflecting, exploring internally and exploring the vast wilderness along the way. For the duration of the his musical pilgrimage, Raj composed an impressive collection of about 300 songs. Eventually his journey landed him at Tiny Telephone, the San Francisco-based analog recording studios owned by songwriter/producer John Vanderslice. Vanderslice has recorded with a

New Song Premiere: Lord Loud- “The Hand” from Passé Paranoia
This premiere of “The Hand” is the first the world will hear from the Passé Paranoia LP from L.A. based, heavy psych rock outfit Lord Loud. Passé Paranoia is due out April 18th on King Volume Records in the U.S. and Kozmic Artifactz in Europe. Until then, check out this gem, “The Hand”. <a href=”http://lordloudmusic.bandcamp.com/album/pass-paranoia”>Passé Paranoia by Lord Loud</a> When Janky Smooth spoke to front axe man, Chris Allison about the history of this band and the album, he told us, “Michael (drums) and I repurposed a sweaty garage in Van Nuys and built a studio for ourselves to self record this LP using supplies previous tenants left like- 48 shipping blankets and whatever mics we could borrow from friends and strangers alike.” Lord Loud Songs are sure to kill your neighbor’s lawn when played at high volumes. In the line of great American pairings like: – apple pie and baseball – sex and drugs – Beavis and Butthead Could Lord Loud be the next, great American duo of rock? This hardworking, heavy psych 2-piece bring sound the size of a 70’s 4 piece garage band but have only 4 hands total to pull that off. That fits nicely with the limited