
Tag: powerviolence

LA Still Believes In Anarchy: The Exploited at The Regent
While many foundational classic punk bands still tour regularly, the reckless soul that the genre is known for can often be missing with how much older the artists have become. Rather than the stagedives, partying, and rowdy moshpits that you’d expect at a punk show, many landmark bands unfortunately feel more like seeing a nostalgic cover band that you’d find at a local bar. While age has affected the energy of many artists, that has only made it more special when you experience the rare event of seeing an early punk band wreak the havoc that they would have in the prime of their career. The Exploited are one of the few examples of a classic punk band that’s able to bring this anarchy to modern audiences, transforming The Regent into the environment of a rowdy 1980’s club with their recent show hosted by Concrete Jungle Entertainment and Nothing Less Booking. With a perfectly crafted lineup of chaos including Conflict, Total Chaos, and Section H8, the spiritual essence of punk rock could have not been more prevalent in the venue that evening. The Exploited proved to us that punk’s not dead, you just have to know where to look for

1Fest-Los Angeles at Los Globos: Noise As Music As Force Is Farce
In my quest for mind expansion through live musical experience, I’ve been fortunate enough to write about festivals that I might not have cared to attend If I was just a casual music fan. This was the case for Berserktown, 8BitLA, and now 1Fest: Los Angeles. I’ve learned that taking a risk and just diving into a genre of music without prior knowledge usually only reaps joyful reward. Absorbing too much musical diversity has its drawbacks, though. The mind can expand so much that the brain might start pressing against the inside of the skull and adapt by developing a sort of exo-skeleton, a crust. Brain crust. related content: The Most Complete Sound And Fury 2017 Review On Earth Crust punk and Grindcore- Two genres birthed out of the aesthetics of British Anarchist punk OG’s Crass. Grindcore was first conceptualized by Napalm Death as half political dissidence and half musical farce, with songs that only lasted seconds and little care for actually singing the lyrics live. Grindcore, although as separate from mainstream heavy music as possible, is still thriving and alive because Grindcore is not simply a musical genre but a challenge. It is a challenge to any band to see