Tag: powerviolence

Hong Kong Fuck You at 1720 by Taylor Wong

Powerviolence is Back: Nothing Less Mini Fest w/ Hong Kong F*ck You at 1720

Most JankySmooth readers are likely familiar with the recent “hardcore renaissance” that music outlets have been raving about post-Covid with the rise of bands like Turnstile, Drain, Scowl, and Knocked Loose; but less talked about are the current revivals of punk subgenres that have not quite yet received the same level of media attention. LA’s underground is deeply familiar with the excitement surrounding the rising popularity in Oi, street punk, and more recently: powerviolence. During the 2010’s powerviolence and the incorporations of genres like noise and power-electronics were much more common than you see in the hardcore scene nowadays, but there is a rising scene of artists hoping to bring the avant-garde abrasive elements of anarcho-punk back to the forefront. related: Sound And Fury 2025 – Everybody Spinkick!  Hong Kong Fuck You (HFKY for short) are among the leaders in blazing this trail, and their dedication to the art of noise is so unique in the modern landscape that LA’s staple promoter for the rare vinyl side of hardcore punk, Nothingless Booking, decided to host a mini-festival at 1720 Warehouse on November 7, 2025 around this concept. It was an absolutely stacked bill including Azusa’s powerviolence legends ACxDC, the recent

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The Exploited at The Regent

LA Still Believes In Anarchy: The Exploited at The Regent

While many foundational classic punk bands still tour regularly, the reckless soul that the genre is known for can often be missing with how much older the artists have become. Rather than the stagedives, partying, and rowdy moshpits that you’d expect at a punk show, many landmark bands unfortunately feel more like seeing a nostalgic cover band that you’d find at a local bar. While age has affected the energy of many artists, that has only made it more special when you experience the rare event of seeing an early punk band wreak the havoc that they would have in the prime of their career. The Exploited are one of the few examples of a classic punk band that’s able to bring this anarchy to modern audiences, transforming The Regent into the environment of a rowdy 1980’s club with their recent show hosted by Concrete Jungle Entertainment and Nothing Less Booking. With a perfectly crafted lineup of chaos including Conflict, Total Chaos, and Section H8, the spiritual essence of punk rock could have not been more prevalent in the venue that evening. The Exploited proved to us that punk’s not dead, you just have to know where to look for

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Mike IX

1Fest-Los Angeles at Los Globos: Noise As Music As Force Is Farce

In my quest for mind expansion through live musical experience, I’ve been fortunate enough to write about festivals that I might not have cared to attend If I was just a casual music fan. This was the case for Berserktown, 8BitLA, and now 1Fest: Los Angeles. I’ve learned that taking a risk and just diving into a genre of music without prior knowledge usually only reaps joyful reward. Absorbing too much musical diversity has its drawbacks, though. The mind can expand so much that the brain might start pressing against the inside of the skull and adapt by developing a sort of exo-skeleton, a crust. Brain crust. related content: The Most Complete Sound And Fury 2017 Review On Earth Crust punk and Grindcore- Two genres birthed out of the aesthetics of British Anarchist punk OG’s Crass. Grindcore was first conceptualized by Napalm Death as half political dissidence and half musical farce, with songs that only lasted seconds and little care for actually singing the lyrics live. Grindcore, although as separate from mainstream heavy music as possible, is still thriving and alive because Grindcore is not simply a musical genre but a challenge. It is a challenge to any band to see

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