Tag: o/x
Creatures of the Night: Substance LA 2021
Rob Shepyer
December 15, 2021
Substance has always been Los Angeles’ premiere post-punk festival. Celebrating all things goth and clad in black, the scene wouldn’t be quite the same without it. No festival embodies the true spirit of “LA” more than Substance. There’s something urban and dreamy about the whole episode. You get such a range of feels, some bands appeal to your heart then others purely to the body. Spanning all night, the fest goes late into the evening to make you feel like the real nightcrawler that LA is supposed to make you feel like. I came to see Nitzer Ebb but my greatest takeaways were the smaller bands who’s performances left a mark. Here are my five favorites from each day. Day 1 Pixel Grip Chicago-based industrial dance music is a beast of its own breed. Pixel Grip began the festival for my gang and might’ve left the biggest impression of any band for the entire three nights. They commanded their audience with so much attitude, mystique and power, they could’ve headlined the day purely based on the merits of their charismatic performing. Listening to them on records, many of the songs expanded my idea of what an industrial band ought to
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Different Shades of Black: Adult. and Plack Blague at Soda Bar
Janky Smooth Central Command
October 4, 2018
Words and Photos by: Rebecca DiGiglio What’s this? A San Diego show being covered by Janky Smooth, you say? No. It couldn’t be.But it is. The reaches of this esteemed publication are expanding— manifest destiny and shit. Allow me to be your photographic and lexical liaison, starting first with an electronic show featuring the impossibly-cool-looking-in-a-European-way ADULT., leather daddy duo Plack Blague, and the fog-drenched, one-man San Diego act, O/X. Opening act O/X started the night with trigger finger on the fog machine and a trance-like demeanor: all dreamy swaying and eyes-shut synth stroking. O/X is the solo project of Chris Oxendine, and the music is self-described as cold wave. Oxendine seemed to intentionally lull the crowd into a false sense of calm for the more beat-heavy, dance-centered night to come, eventually growing a little more rapid towards the end of the set, as if to briefly warn of sounds to come. The show was a release party for his latest cassette, “NEW LIFE”, released through record label Dream. Shortly after, the night turned naughty with the shock to the system that was Plack Blague: two leather-clad daddies bringing heavy, industrial beats and vocals that vacillate between sensual and aggressive singing.
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