Tag: nile

The Pharaoh’s Favorite Death Metal Bands: Nile and Incantation at 1720

Lineup changes, signing to Napalm Records, taking Sanguisugabogg on tour, and combining forces with the almighty Incantation were just a few reasons I had to check out Nile‘s Los Angeles show at 1720. Nile is one of my favorite death metal bands, not just because they’re brutal, crushing and technically awesome, but with their use of Egyptian imagery, I’m able to bite into a more cohesive, fuller vision that harnesses a whole world of brutality beyond death metal–history and mythos. related content: Soulfly And Nile: From The Amazon To The Whiskey A guy dressed as King Tut, touting an Egyptian staff romped around the pit during each band, cursing the mosh pit to higher levels of violence it would’ve never reached otherwise. This made my first viewing of Sanguisugabogg all the more intriguing. What I appreciated most about this band, currently stirring up a bunch of hype in underground circles, was how dirty their sound was. I was just reminiscing the other day on how Chris Barnes era Cannibal Corpse created the superior death metal sound as every instrument added to a more rotten, decayed atmosphere. Sanguisugabogg doesn’t sound rotting as much as they sound filthy and gritty, but that’ll

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Soulfly

Soulfly And Nile: From The Amazon to The Whiskey

When I was thirteen years old, strewn above my bed, watching over me as I slept, was none other than Max Cavalera. His silhouette standing over the ocean, arms a-stretched like Rio De Janeiro’s Christ the Redeemer, was on the cover of Soulfly‘s 1998 debut album, the poster flag of which hung upon my wall. This was Max’s new band and new approach, where Sepultura was a landmark fusion of world music and metal and inspired bands from thrash to death metal to hardcore to nu-metal alike, Soulfly was a spiritual reinvention. related content: Satyricon’s Final Los Angeles Show At The Regent: A Night Too Blackened To Forget It had taken me forever to see Max Cavalera live, either because I’m a poser or because I got so into punk that I forgot Soulfly, but with this Whiskey show popping my cherry, I can say that I thoroughly enjoyed the music like I was still thirteen. The first band I saw take the stage was Not My Master from El Paso, Texas. Texas produces a very sonically visceral strain of metal and Not My Master are no exception. They’re powerful but but don’t veer too far into noise, so fans of

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