Tag: militarie gun

Scowl At 1720 Sell Out The Venue But Not Their Souls

Danny Ryan September 22, 2023

One of the biggest Catch 22’s of being a punk rock fan is wanting the artists you love to succeed and reach a larger audience, while also wanting them to avoid selling out and the inevitable softening of their edge that comes with popularity. While bands that maintain a consistent sound are often doomed to become dull and uninteresting after a couple of releases, there’s always a lingering fear of bringing in new audiences that don’t “get it” when an artist experiments with new aesthetics or explores other genres. Scowl and Militarie Gun have both had some of the most talked about punk releases of the year, and their recent show at 1720 proved that neither artist has sacrificed their unruly hardcore spirits in the evolution of their sounds. While tough-guy hardcore purists may be complaining online about the alternative direction that these artists have been taking, it’s clear that they haven’t witnessed the chaotic party that Scowl creates up close in-person for themselves yet and it’s only a matter of time before everybody starts to embrace the “Psychic Dance Routine”. related: Scowl Interview- Talking Limp Bizkit, Kevin Smith and Hardcore 1720 has established itself as one of the best

Photo Recap: Citizen at The Regent

Janky Smooth Central Command October 18, 2022

For two sold out nights, Citizen treated Los Angeles’ softer side with post hardcore maladies and sweet serenades that left an eternal impression upon the Regent walls. Alongside Militarie Gun and Prince Daddy & The Hyena, this was a showcase that proved hardcore is for lovers, or at least fighters that fight for love. Photos by: Jason Murillo Citizen Militarie Gun Prince Daddy & The Hyena

Risks Make Better Memories Than Nostalgia: Sound and Fury 2022

Rob Shepyer August 8, 2022

Followers of Jankysmooth know that Sound and Fury has always been my favorite festival in Los Angeles. The feeling of being onstage and seeing a barrage of young people charging a band was incomparable among all of our precious and diverse music scene. The openness of artists to share the stage and microphone with their beloved fans made me an instant admirer of hardcore. Growing up a metalhead, I came to the realization that live, nothing touched hardcore. The constant flow of love between audience, artist and promoter made me feel part of something larger than myself, no matter how outgoing or shy I was. And it wasn’t just the scene that I found a home in, it was Sound and Fury specifically. It’s not common that artists constantly show an outpour of love to a promoter but at Sound and Fury, artists had a special connection to the festival that made them constantly thank Riley, Martin, and Madison by name during their sets. After all, these guys weren’t just the people that got them a gig, they were friends that gave them a platform for their art when few else would. Sound and Fury gave Anaiah Lei a platform

Manic Fever Dream: Drug Church at the Lodge Room

Janky Smooth Central Command April 24, 2022

Drug Church brought their US tour to its penultimate stop at The Lodge Room in Highland Park in support of their new album Hygiene. The night was stacked top to bottom with incredible support that brought out an explosive energy from the crowd that continued to snowball until the very end. Openers LURK started off the night strong, pulling no punches and launching into some heavy hitting tracks and getting the energy set up for the rest of the night. The Chicago outfit had a memorable set in their first LA gig, with personal favorite parts of the set being the high energy psych-inspired “Sterilizer” melting off the faces off many in the crowd and their cover of The Ramones’ “Judy is a Punk” that had me pumped up from the get go. Most of their set featured songs off their latest album Around the Sun which is definitely a must listen after their set. Up next we had Hudson Valley’s own Soul Blind who was on their first full US tour following their newest album Third Chain. Right off the bat the crowd was mesmerized with the heavy and sludgy sound that felt almost like something you would feel

Homesick 2022: Let the Ceremony Begin Anew at The Glass House

Janky Smooth Central Command February 8, 2022

Homesick Festival returned to the Glass House last Friday night with a killer lineup including headliner Ceremony, Touche Amore, Show Me The Body, and more. Early on in the show the crowd was loosely scattered throughout the 800-capacity space when bands Laughing Matter and The Umbrellas opened the show. The energy picked up immensely with up-and-coming hardcore group Militarie Gun. Lead singer Ian Shelton got the band moving — jumping around on stage to crowd-favorite songs “Ain’t No Flowers” and “Big Disappointment.” The vibe drastically changed as the noisy-electronic Special Interest took the stage with singer Alli Logout getting up close and personal with fans at the barricade. Her brooding and aggressive stage-presence was hypnotic and I really enjoyed their performance even though their sound stood out on an otherwise punk and hardcore lineup. I was most excited to see Show Me The Body, who are known for their sludgy hardcore sound while incorporating elements of hip-hop and the electric banjo. The crowd had finally fully filled in the venue — leading to a huge pit for the final three sets. Their set was electric, but I was especially impressed by bass player Harlan Steed who was absolutely shredding on

Photo Recap: Angel Du$t at The Roxy

Janky Smooth Central Command December 1, 2021

Photos by: Taylor Wong Fresh off the heels of their tour with mannequin Pussy, Angel Du$t quickly returned to LA to showcase their new softer side with a slew of hardcore heavyweights on the bill with them. This time, hardcore came to West Hollywood, where all the glitz and glamor got a little filthy and wild for a night. We got the photographic scoop on the night via Taylor Wong so check out his pics and give Angel Du$t a listen while you do. Angel Du$t Militarie Gun Modern Color Wise

The Sound of Summer, the Fury of Fall: Fiddlehead at 1720

Rob Shepyer September 30, 2021

It’s been two years since the last Sound and Fury festival and without it, the Los Angeles hardcore scene lost its vital summer summit. The scene is still alive and strong but without Sound and Fury, it seems to be less alive, less self-aware. LAHC’s growth was stunted in a sense but now with the first Sound and Fury show since 2019 happening at 1720, the scene picked up right where it left off, with bands like Fiddlehead and Spiritual Cramp killing it as if we didn’t just lose two years of our youth. Sound and Fury was always the perfect encapsulation of youth culture and music. It illustrated the peak of summer–the sun’s heat against the downtown concrete–youthful style combinations of shorts, tattoos and band tees–easily healed bodies being destroyed in the pit only to stride out and rejoin the party as if nothing happened. So, with all these things missing for two years, it was only right that Sound and Fury returned with the catharsis of melodic post-hardcore. related content: Boston Calling: Sound And Fury 2019 I entered the building as Object of Affection was wrapping up but the tail end of their set I witnessed was riveting