Tag: le butcherettes

Le Butcherettes Leave A Pint of Blood On Stage at Alex’s Bar in Long Beach

Aria Silva-Espinosa May 18, 2017

Mex-American punk trio Le Butcherettes are sheer intensity personified onstage. On a Wednesday night at Alex’s Bar in Long Beach, the crowd sizzled anxiously under the ominous glow of the shadow-casting red lights.The entire venue has been arranged to allow for maximum capacity, standing room only. Photographers clamored on top of the scattered bar furniture, desperate for a clear shot at the stage which is only elevated slightly from the floor at the very front of the venue space. The enlivened crowd is thick, anxiously buzzing and seemingly impenetrable. Everyone wants to get in on the action and Le Butcherettes come with a satisfaction guarantee for punk music lovers. Alex’s Bar is tactfully decorated with skeletons, Lucha Libre masks and religious iconography. It is a perfect setting for the evening’s headliners to tear it up- Mexican garage punk-style. Draped in red, Teri Gender Bender took her position onstage and delivered a rallying cry of a performance. Teri is accompanied onstage by her bandmates Riko Rodríguez-López and Alejandra Robles Luna. Le Butcherettes opened their set with a song called ‘La Uva’, which was recorded with help from Iggy Pop and is featured on the newest album A RAW YOUTH. Teri displays

Omar Rodriguez-Lopez Releasing 12 Solo Albums in 6 Months. For real.

Brent Smith August 23, 2016

With a stoic stare through horn-rimmed wayfarers, framed with a short mane of dark, wild hair, sporting a button-down against a beaten brick wall on some street, Omar Rodríquez-López invokes Bob Dylan’s iconic 1966 visage—the most elusive and most possessed of Dylan personalities. López’s output is just as inexhaustible too; no doubt inspired. Never mind his work with Mars Volta or At the Drive-In, his solo work in the last decade is enough to make the likes of Ty Segall shake in his boots (mind the age gap), and apparently he’s nowhere near finished. His latest solo effort upholds the current indie dictum: be prolific or die. In an unprecedented move to release twelve (that’s 12) albums from now until the end of the year—one every two weeks—López, in collusion with Ipecac Recordings, looks to bombard us with his pure, unadulterated schizophrenia. Three of the twelve LP’s are already out (and streaming on Spotify, you broke motherfuckers), with the release of the fourth just days away. They very much speak to his forays in acid jazz, space rock, poetic-spitting vocals, and sentimental pop soundscapes. Sworn Virgins is experimental without being hardcore. It has a postpunk sheen, darkly textured with effects,

Kim and The Created at Echoplex shot by Josh Allen

Close Encounters with Kim and the Created At The Echoplex

Rob Shepyer May 4, 2016

I get stoked whenever I know that Kim and the Created are going to play. Not just because I’m a lifetime punk that’s interested in how new talent is pushing the envelope but because I got a hunch big enough to disturb Quasimodo that someday they’re gonna be famous. The first time I saw Kim and the Created live was her December 12th 2015 L.A. homecoming to Bootleg Bar after a European tour that sent them to France the day after the Paris Massacre. About twenty people were present at the Bootleg show, just enough to let her prowl between us and shock us awake. Her antics included pouring beer over her head, hurling bottles into the audience, crawling around on all fours, toppling over stools and tables, and getting atop the bar and kicking over the display beers until the bartender signaled the sound guy to cut the show, thankfully it this was the last song anyway. Needless to say, her May 2nd 2016 homecoming after an East Coast tour supporting the Kills had more people, both old and new fans and a new Kim. Wu-Wu a.k.a. Ashley Rose Calhoun opened the night with a poppy, electronic call to

Deap Vally & Le Butcherettes’ Double Assault on the Regent Theater

Brent Smith May 3, 2016

Rock N’ Roll Dance Party at the Regent this past Saturday, presented by Dance in a Panic and featuring Deap Vally and Le Butcherettes, served as a perfect microcosm for a new reality in rock. The recent Tidal wave (see what I did there?) of Beyoncé’s Lemonade is only the tip of the iceberg when it comes to women’s dominance in rock. Yes, rock. Even Queen Bey is wising up and digging into her rock and roll roots (note “Don’t Hurt Yourself” featuring Jack White), some of which no doubt, lie with unsung female blues singers like Big Mama Thornton and Sister Rosetta Tharpe. Alabama Shakes’ “Don’t Wanna Fight” winning for Best Rock Song at the Grammys was a victory for more than just Brittany Howard (the first black woman to win in the rock genre since Tracy Chapman in ’97). Pay attention and the beacons for the recent shift away from a predominantly male-dominated arena are there. The good news is that it only gets better—much better—the deeper down into that iceberg you go. I’ve never seen KAV live before—the event’s resident band, but they sounded a bit flat. I wasn’t sure if that was a regular thing, or

Small Talk with Teri Gender Bender of Le Butcherettes

Danny Baraz November 9, 2015

Teresa Suarez aka Teri Gender Bender has the potential to become a world wide, iconic figure in music and in the fight for women’s rights. If you’ve seen Le Butcherettes live, then you know that her magnetic presence is impossible to ignore. This past September, Le Butcherettes released their third, full length album, “A Raw Youth”. In her continued collaboration with Omar Rodriguez-Lopez, the Teri Gender Bender/Le Butcherettes genesis continues to evolve into a musical mission statement. Simple arrangements with complex topics fit into the punk rock modality but with what most would describe as a maturation. As more artists like Rodriguez-Lopez and the likes of Iggy Pop seem eager to collaborate with Teri Gender Bender, the respect of her peers demands the respect of the proletariat. In an attempt to help reveal more about the artists and musicians that we love, Danny Baraz had a few questions for Teri Gender Bender for the inaugural installment of Small Talk. Danny Baraz: When you collaborated with Iggy Pop on La Uva, who reached out to whom to work together? What came first, the song or the agreement to collaborate? Teri Gender Bender: Iggy, Omar and I were in his green room

Veronica Bianqui performs at "It's My Party" at Human Resources

Liberation vs Romance: Le Butcherettes and “It’s My Party” Last Thursday in LA

Danny Baraz September 21, 2015

By Danny Baraz The impact of women in music is not only starting to reveal itself but the term “the gentler sex” is going to have to be retired. This past Thursday night out on the town in Los Angeles proved two things- Artistic women like Teri Gender Bender of Le Butcherettes can decimate the stereotypical image of the role of women in society and that we can still celebrate the art and the emotions that originated from one of the most classic eras of American Sexism. That dreamy, swept off your feet part of the classic patriarchy. At 6pm on September 17, 2015 at Amoeba Records on Sunset Blvd, a lead singer of a band that originated in Guadalajara Mexico in 2007 left an indelible mark on passengers traveling east on the number 2 metro line bus during rush hour and in my psyche. Well, at least my psyche. The passengers of the bus didn’t seem too thrilled. I found out, last minute, that Le Butcherettes were playing an in store performance at Amoeba and I rushed down there immediately. When I arrived I saw lead singer Teri Gender Bender, her guitar sized ukulele and drummer Chris Common in