Tag: kanga

John Maus

Becoming the Night: Substance 2019

Taking every kind of music into account, the genre that best fits Los Angeles has to be post-punk, or better yet, goth. Why exactly? Perhaps it’s the way the shadows hit the concrete, or the loneliness of a city where people think being neighborly only causes more trouble, maybe it’s the genre’s long tradition from the Sunset Strip to the barrio. Goth has always stayed strong whether it’s the biggest scene in the city or not. Given all this, an annual goth festival where people can wallow and dance the night away is a necessity. In previous years, Cloak and Dagger was the go-to festival for such affairs but as of 2019, Restless Nights and Spaceland’s Substance festival which took place at the Los Angeles Theatre, is now the premiere goth festival in Los Angeles. What I found most interesting about this festival, beyond the actual music, was the fact that every major goth promoter had a hand in it. Along with Restless Nights; Part Time Punks, Das Bunker, and Lethal Amounts were also in the mix. The common threads between all the bands present at the 2 day event were darkness and electronics. Everyone wore black. related content: Cloak

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Artists to Watch 2019

Janky Smooth Top 25 Artists to Watch in 2019

Ah, the much anticipated and revered artists to watch article, how we’ve awaited you. The artists on this list vary in genre, age, ethnicity, region, and popularity. What they all have in common though, is that between January and December of 2019, something special is expected to happen to each of them. This list is not just to identify the smaller bands you need to know about but also to point out the bands you know and should be watching closely. Think of these artists and bands as heroes in their own stories, in the year 2019, a pivotal narrative moment will occur in each story. The Manx The Manx put on a show you couldn’t forget if you tried. Combining all sorts of styles from rock, to zydeco and polka, The Manx stir this musical stew until its reduction doesn’t resemble any of the ingredients used to create it, winding up with a mutant sound that’s totally original and shocking. With oddball instrumentation that utilizes banjo and accordion, the Manx don’t have any problem getting nude and covering themselves in multi-colored slime so that the show is a off-the-wall as the sound. This band is so strange that the

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Kanga

The Industrial Virus is Spreading: Das Bunker Presents Kanga at Resident

Das Bunker has returned, this time out of the post-apocalyptic brick humidifier that is Los Globos’ crumbling upstairs bomb shelter to the posh but mosh-approved Resident for a Kanga and Cyanotic duel-headlining show. The horror on the faces of those yuppies that were trying to peacefully go about their networking on the patio was a beautiful thing for us creeps to behold. We blackened the Resident like a flock of crows descending upon hipster carrion. related content: One Friday Night In Hell Part 2: Das Ich At Los Globos Coming from Toronto and exhibiting that same sappy Canadian authenticity that seems so easy to be cynical against, For All The Emptiness, began the show. His songs were desperate pleas for change out of a numb and uncaring world and though this translates well on his records, over his catchy industrial dance beats, live the combination of fast-paced music, overly-dramatic singing, forgettable stage antics, and lyric-videos plastered on the backdrop via projection, didn’t quite hit the mark. Digital music and lyric videos just scream karaoke no matter how good the performance. In his favor, I will say the his album art and music video for “Hearts Against Minds” have top notch aesthetics

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