
Tag: jpegmafia

The Garden Summon Ghosts at The Observatory For One Strange Night In Orange County
“One Strange Night in Orange County” wasn’t just a festival facilitated by The Garden, an experimental rock duo of twin brothers from Orange County. It was a flashback to a time not that long ago when The Observatory was overrun by Burgeramas and Beach Goths and other festivals past. The Garden certainly were not headlining those days but they were stealing the show. Now, here they are- the last vestige of a canceled culture. 2 boys turned elder statesmen who survived the purge by not letting their erupting hormones and exploding status lead them down the path of personal and professional ruin. But on this One Strange Night in Orange County, the spirit of those days was in the air. Not to haunt us but to honor the magic of both the music of that time and the diversity of music that came before and after they died. related: Beach Goth 4- The Party of the Year The festival started by honoring the past 45 Grave are a four piece, goth/death rock band from the 80’s. They opened the festival and couldn’t have done a better job at setting the tone for what seemed like Halloween all night long.

JPEGMAFIA, Vince Staples, the Novo, the music blogger, liberals and the CIA ( ͡° ͜ʖ ͡°)
I’m worried about JPEGMAFIA. Not as a person but more as a concept. See, I’ve spent the last 2 years obsessing on the Black Ben Carson album, almost exclusively. His beats are terrifyingly delicious with almost never a single one of them achieving “banger” status. That would be too cute. No, his sound is one of political and social homicide, with techno kick drums that devour 808’s with distorted resonance, with even bigger promises than that of Bernie Sanders in both the horrifically ambient intros and outros, to single handedly promising to be the pied piper that leads hip hop out of the Drake era. The level of shit talking Peggy achieves on this album is unrivaled in any genre and any medium and even by other JPEGMAFIA albums EP’s or singles. Some have come close or even peaked somewhere near the same point but using his latest and most widely ingested release as an example, the first 4 tracks are straight throwaways that would’ve been better served being used hidden tracks or some other gimmick that allows the listener to focus on a message that seems to be contradicting what both he and critics claim is the meat of