Tag: john dwyer

Osees at Teragram Ballroom by Albert Licano

Osees at theTeragam- A Rose By Any Other Name

I had still only seen Osees under 10 times the first time I thought about missing one of their shows- I think I was offered free Lakers tickets- good seats. But the team wasn’t that good that year so I opted for the gig- which was the last time I saw Thee Oh Sees at The Teragram Ballroom. What I realized that night was that unlike the Lakers, every Oh Sees show is just as good as the first- I’ve never seen any composition of the band under any name have an off night. How is that possible? related: The 4th Wave Of Garage Rock- A Retrospective Sometimes, I imagine John Dwyer in a basement beating his drummers when they get off tempo. Like some Rock and Roll Kobe Bryant not allowing anyone who works with him to show any less passion than he in his preparedness for perfection and greatness in his craft. An artist and a scientist, taking the mathematics of art and doubling down to provide a more powerful experience. An endless human algorithm of DIY spewing content. He is not a prototype but he is a prolific model. related: Thee Oh Sees And The Practical Application

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Thee Oh Sees

Thee Oh Sees And The Practical Applications of Quantum Physics

John Dwyer is a man living the dream- at least from the outside looking in. From that view he embodies a stereotypical but rarely achieved archetype of success as an independent artist. Every fledgling rocker that ever existed since Sid Vicious has sketched out a similar blueprint for themselves on how they would make the music they want, on their terms, on their own label, with an increasingly popular side project to keep themselves artistically satisfied THEIR way. Well, the latest Thee Oh Sees, or Oh Sees, or OCS release on Castle Face Records paired well with a concurrent release of Dwyer solo side project, Damaged Bug, creating a full bodied bouquet of screeching fuzz, juxtaposed with thunderous synth analogs for your ear holes. As is becoming tradition in these moments, Oh Sees played a gig at the Teragram Ballroom with the usual slate of opening acts that would make any headliner have to rise to the challenge of having to follow a band like Zig Zags, to get the double drummer dynamic chops in post season form as they embark on a headlining tour of clubs packed with the most rabid fans in independent music- John Dwyer, along with

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New Album Review: Damaged Bug- Cold Hot Plumbs

Of course you can expect the typical, justified hype around the release of Thee Oh Sees’ 9th full length studio album, “Mutilator Defeated at Last” on Dwyer’s, Castle Face Records. It is the kind of work we’ve come not only to love but EXPECT from the mind of John Dwyer. Thee Oh Sees continue to be one of the most exciting and high energy acts in independent music but what about that Damaged Bug album that dropped this week? What the hell is Damaged Bug, you ask? Damaged Bug is an experiment in musical isolationism. It is a collaboration of ones own individuality and an intimate, private party amongst ones own multiple personalities.  Damaged Bug explores time and space in a broken down space ship. John Dwyer seems to be cruising the nebula in search of new elements of sound and song structure and what he finds is both unique AND accessible. Cold Hot Plumbs is Damaged Bug’s second full-length release. It is a rescue dog that is adopted just moments before being euthanized. Dwyer’s use of both analog and digital sound design, sequenced programming and of course, melodic storytelling gives fans a new and dynamic spin on Lord Dwyer’s songwriting

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