Tag: indie

FIDLAR return and play one of their best shows ever at The Regent

Danny Baraz January 25, 2015

We all know FIDLAR as the beer swilling, vagina drilling, fun poking, nose coking blacked out voice of this generation. Proof that art imitates life and not the other way around. They are history repeating itself without being boring or predictable but rather, a reinforcement that the youth of today are still angry, sad and depressed enough to change this world if they are able to survive the chaos of coming of age. Zac Carper took a deep breath as he scanned the audience and began to formulate his thoughts. “This is fuckin me up. The Smell, this place, everything.” It reminded me of a statement from a man who has been on his best behavior for an extended amount of time, trying not to succumb to requests like, “C’mon, one hit won’t kill you”. And then they started playing Cheap Beer and the place exploded. The Regent Theater was combustible all night and why not? I’m pretty sure the last show FIDLAR played was headlining Burgerama 3 last year and they were not in their best form at that gig. Zac could hardly form a sentence and the band was not tight. Flash forward 10 months later and FIDLAR

King Tuff and fam- Burger-raucous at the Constellation room

Danny Baraz January 9, 2015

The Observatory has become a sanctuary for Orange County’s Burger youth, being the proud host of almost every artist to grace the Burger Records label. It’s Constellation Room offers the musty, humid, sardine can ambiance synonymous with garage punk, making it the perfect place to catch a lineup like King Tuff, White Fang and Feels. As expected, the room was packed before Feels had a chance to open the bill. A sweaty mix of septum piercings, Doc Martins and kids straight off the Zephyr skate team invaded the dance floor as the walls were lined with the older crowd. I was especially excited to see Feels. They’ve changed a lot over the last year, altering everything from their name and lineup to their sound and it has been for the better, on all counts. They’ve figured out a way to be melodic yet rough as well as musically talented but raw. Laena’s voice is downright beautiful and she performs with so much elegance. She has a Bowie-esque grace on stage which she is able to compliment with some pretty filthy guitar work. When her and guitarist Shannon Lay trade off vocals during songs expect goosebumps. The new addition to the

Buzz shopping for vinyl before Melvins show at Permanent Records

Did the Melvins play a free show at Permanent Records to support Buzz’s vinyl habit?

Lawrence Rengert January 6, 2015

A free Melvins show at Permanent Records, I was in! A great mentor of mine once told me you can always tell who the best artists are because no one shows up at their gallery receptions. That art world metaphor seemed non-translatable today because 2 hours before the Melvins performance at Permanent Records, there were already 25 people outside in line. In fact, about an hour before the doors opened there was a queue down the block and into the Post Office parking lot. It looked like those who didn’t opt to “get there early” wouldn’t be getting in at all. The Melvins are that band who should have disappeared a long time ago- Disintegrated, vanished. Their amps are so damn loud they, at the very least, should have at some point been vaporized. I can’t think of a band that has played more concerts, gone through as many lineup changes, become huge, been dropped out a window, suffered the downside of drug addiction and yet, been able to keep things in perspective, move beyond it, keep making music, not broken up and still came out of it all laughing. And…if you go to a Melvins concert be prepared to

Another epic Lolipop Records show with Mystic Braves and friends at The Echo

Taylor Wong December 21, 2014

Lolipop Records graced us with another great lineup in LA last night at The Echo- Levitation Room, Drinking Flowers, Mr. Elevator & The Brain Hotel, and headliners, Mystic Braves. This show was like a high school backyard party. I say that not because the crowd was mostly under 21 but because all the bands playing and half the people attending were people I have met through out LA shows. These bands frequently play 5 Star Bar in Downtown Los Angeles. Another reason it felt so tight knit was all the bands that came out to support these artists. At one point I was at the bar sandwiched between Cherry Glazerr and Isaac Rother and the Phantoms. On the smoking patio I ran into members of The Shrine, Jesus Sons, and The Santoros. It really gives me a warm feeling seeing that kind of support. The first band up was Levitation Room. Now I had written about Levitation Room at Them Howling Bones EP release party and how it just wasn’t the right venue for them. Last night was a different story. These guys are meant for a stage and that’s what The Echo gave them. They were the first band

Fishbone at the Troubadour-The greatest live band of all time

Danny Baraz December 21, 2014

I’ve been trying to think of the right words to use to describe what I saw last night at The Troubadour. It’s not like it was my first time seeing Fishbone. Far from it. I’ve seen them on every size and kind of stage you can imagine from The Malibu Inn, Coachella, The Hollywood Palladium and dating as far back as Lollapalooza 1993 when they completely stole the show from all the headliners. It was almost humorous to see Dinosaur Jr take the stage after Fishbone finished their set that year. What could J Mascis have possibly done to follow Angelo Moore swimming the length of the festival audience, climbing the highest light tower and diving into that crowd during Subliminal Fascism? To date it is one of my most vivid concert memories. So how could seeing Fishbone at The Troubadour on a Friday night in 2014 compare to the times I’ve seen Fishbone co-headline shows with Primus in the 90’s or anywhere else along this journey of theirs which started as junior high schoolers in 1979? I can safely say that it was as good as any Fishbone show I’ve ever seen. How is that possible? How can 49

Corners puts Cosmonauts To Test As Headliner at Part Time Punks at The Echo

Danny Baraz December 15, 2014

It’s amazing how many young people are picking up instruments and starting bands these days. What’s more amazing is that the attraction to do so seems to be motivated by the purest of intentions. There is less hope than ever to reach the heights of rock stardom achieved by every American generation since Elvis because of the relatively recent collapse of the music industry- When most young people at the time thought Metallica was out of touch in their fight with Napster, it appears they had a clear vision of what the future held. Bands work harder for less money. Album sales have been replaced by marathon touring schedules. Mega bands are asked to play the Superbowl for free. The tallest heights are measured by landing a single in a national commercial. Music has been devalued by a society that’s not quite sure how to make money off it anymore. While the internet is the greatest technology ever created to reach people all across the world, sell your product, book a tour and promote it, there are so many shiny objects distracting us all that the very ADD nature of it seems to have shortened the careers of many young

Allah-Las in La La Land: A cold, rainy night and warm vibes inside The El Rey Theater

Danny Baraz December 12, 2014

On the heels of an extended fall tour, the release of their second album, “Worship the Sun” and the upcoming birth of the new year, Allah-las must have quite the lofty visions of 2015 in their collective third eye. On Thursday, December 11th, the Allah-las made a stop at the El Rey in Los Angeles with Tashaki Miyaki. There was a mosaic of Burger Records alumni in attendance at this event. There were also the usual caravan of beautiful women, chronic appreciators, an over flow of “man bun” hairstyles, retro-thrift store army’s of fashionable special forces and cocaine, Gucci attitudes that seem like permanent, fixed appendages to these types of L.A. shows. Burger stars such as Warren Thomas of The Abigails and Clementine Creevy of Cherry Glazerr were in the house as Burger roster mates usually are when their friends, mentors and influencers play local gigs. The Allah-las took the stage to gaze upon a packed house. Almost instantly, a wave of good vibes washed over The El Rey Theater as the reverb hit our ears and the projected, live liquid visuals by Mad Alchemy hit our eyes. Lead Singer Miles Michaud cocked his head to the right, opened

Avi Buffalo Ends His Tour in Los Angeles and Makes a New Fan. Me.

Amir Kashani December 7, 2014

Fridays are usually a border town for complete disasters or an absolutely awesome night we draw tales from our entire lives. Tonight started out looking like the end of the world but I chose to run over to The Echo to see Avi Buffalo. Maybe he can work out some of my issues. I’m sure he has a sound therapy team that help him with these awesome, free flowing lyrics that more or less feel like streaming consciousness. I’ll get to that in a sec. Sadly, I didn’t get to check out the opening acts. Instead I opened with a slice of cheese pizza from Two Boots and mingled with this youthful bunch of PBR handlers. I have never seen Avi live or listened to a lot of his work but being that he is a local kid who has been at this for as long as he’s has, he automatically gets my attention. As soon as the other band is done, Avi creeps up onto stage and starts coordinating his pedals and chords. I like this kid already. He’s efficient and independent. The room is nearly packed and shouting to Avi….”Welcome Home!” and “Jessica!!!”. This crew has been on tour

Friday Night In LA: A secret show with Ariel Pink at OP and Kurt Vile at First Unitarian Church

Danny Baraz November 22, 2014

Los Angeles is the best place in the world to have a love affair with music. Aside from the occasional, low energy, scenester transplants that fill up some of our venues, it is the perfect city to go see shows. There was so much going on this past Friday night that it made the head spin with possibilities. Janky Smooth attended two events: Kurt Vile and the Violators headlining the First Unitarian Church and a surprise and semi secret Ariel Pink show at Over***, L.A.’s seediest, most exciting rock and roll speak easy/after hours. It is L.A.’s worst kept secret and is surprisingly celebrating it’s 3 year anniversary. Amazing it hasn’t been shut down yet. The night started at The First Unitarian Church for another amazing Red Bull Sound Select installment of 30 Days in L.A. Kurt Vile on stage in a religious sanctuary was draw enough to worship at this opulent altar of Rock and Roll. Red Bull brought in some extra sound and some elaborate lighting to fill up the palatial sized ceilings with more audio and visual. The night featured two more solid Red Bull Sound Select artists, Air Review and Little Tybee. Air Review gave a

Death From Above 1979 at The Regent Theater

Two Nights of Death From Above 1979 and MSTRKRFT in L.A. and The O.C.

Danny Baraz November 16, 2014

Death from Above 1979/MSTRKRFT: Night 2 in LA. Within the 20 minutes between opener, Hustle & Drone leaving the stage and Death From Above 1979 taking it, the house went from sparse to capacity. The night was filled with false fire alarms and a few sound issues of the newly opened and opulent Regent Theater in Downtown Los Angeles- A gorgeous venue that is still working out the kinks. The P.A. was filled with the sounds of Johnny Cash, Hank Williams and other old country classics as a surprisingly eclectic and beautiful crowd filed in to witness a show by the experimental thrashers from Toronto. I myself discovered DFA in 2008- a good 2 years after they had already broken up. O.G. DFA fans love to separate their fan base into a B.C and A.D. category- a snobbishness I have been guilty of myself on many occasions. Now it appears there is a third category of fans that have discovered the band after their more, commercially friendly, reunion release of The Physical World in September of this year. This was my first time seeing DFA live after devouring the catalog for the past 6 years with no satisfaction or release

Reignwolf at the Mint: Madman of Rock ‘n Roll

Danny Baraz November 13, 2014

Jordan Cook sat on a drum throne with a drum stick in his picking hand, a guitar in his other and the mic chord wrapped around his neck. Just minutes earlier he moved the entire drum kit from the stage to the middle of the floor at The Mint in Los Angeles. The time it took to set this up was inconsequential to everyone but the sound guy because when Reignwolf plays your venue, you should be prepared for every boundary of your audio system to be stretched to it’s limits. Microphones rubbing against guitar strings that are boosted by overdrive, sustain pedals, octave pedals, body parts and sweat. Foot on the kick pedal, pumping rhythms, one hand on the fret board playing licks and the other tapping the snare as an audience member unwraps the microphone chord from his neck and hold it up to Cook’s lips. Then he gets antsy again and stands on top of the kick drum and makes way for drummer, Joseph Braley and all-around utility man, Stitcx. In an instant, the entire band is melting faces again, surrounded like Baptist preachers on a soapbox in the middle of a barren swampland, surrounded by congregants.

Warpaint at the Echoplex: Bringing Grown Men to Tears

Danny Baraz November 9, 2014

I need to write a review but I want to write a love letter. I can hardly think straight. My head is still spinning from Warpaint’s two hour set last night at The Echoplex. I am completely infatuated with the ladies of this band. Not just because they are all beautiful but because nothing is more attractive than women that are in command of their craft. Powerful, mesmerizing and unbearably sexy, Warpaint were coming off an extended tour and were effortlessly locked in with each other and their songs. Bass player, Jenny Lee Lindberg and Drummer, Stella Mozgawa start on the 1 with a just a quick look and one bar into the song, they smile and make eye contact, understandably proud of themselves. I’m not sure I witnessed Stella count in even once throughout the entire set and I never saw the band miss a beat the entire night. This is the best show I’ve seen the band play and I’ve seen them play quite a few times. Warpaint cannot simply be described as chick rockers because that would be minimizing the extent of their greatness. One cannot remove that aspect, though, because for women, they are an inspiration