Tag: hip hop

Bastard Rap: Lil Ugly Mane and Bastard Noise at The Locker Room

Rob Shepyer August 22, 2018

Well what do ya know… it looks like Garden Grove has a lot more going for it than forever being relegated to Sublime references. The quaint Orange County town has a new outdoor/indoor venue in Garden Amphitheater and the smaller, Locker Room within it. The Amphitheater is hosting two amazing hardcore festivals in 2018 so having scoped out the space, I can say for a fact these shows will be completely insane. related content: 1Fest-Los Angeles at Los Globos: Noise As Music As Force Is Farce The Locker Room, which is decorated with yellow lockers along the back of the stage, would host Lil Ugly Mane’s Orange County show on a tour that he billed with diverse bands for every date. Mane assembled trap, death rock, and legendary vocalist of Man is the Bastard, Eric Wood, who with an array of machines, creates sonic insanity under the banner: Bastard Noise. The first band to play the evening was a crusty hip hop artist known as Death Rattle. They performed as a duo consisting of a mad-dog vocalist that duel wields microphones, one filtered, one not, and a live drummer. Opening his set with the command that all nazis get the fuck

Double Review Comin’ at You: Suicideyear at Zebulon and Pope at Bootleg

Aria Silva-Espinosa August 9, 2018

Summer is always the best time for live music, no matter where you live. Of course, Los Angeles is a premium stop for touring artists and even in the sweltering July heat, your favorite out-of-state artists will somehow find a way into your own backyard. Two shows in particular sparked my interest earlier this summer when I began filling out my calendar: Baton Rouge-based artist/producer Suicideyear at Zebulon followed by New Orleans indie sadboy outfit Pope at The Bootleg. Both artists embody two dramatically different genres of music but undoubtedly, this is a compare-and-contrast exercise in that both artists have become known as emotional music despite the vast divide between garage rock and electronic music. related content: Overcoming Fear With Fever Ray At The Palladium Suicideyear, the moniker of composer/producer/songwriter and occasional DJ James Prudhomme, has always been kind of a wildcard in live settings. When I was living in Louisiana, I once saw him play an entire festival set of early 2000’s pop and people were into it. I’ve also seen him play haunting industrial sets in dark rooms for a motionless audience. His independent projects are vastly under appreciated in comparison to the work he does in collaboration

Rebel Armz in the House: Immortal Technique at Marty’s on Newport

Jessica Moncrief July 31, 2018

Last weekend Hip Hop lovers rejoiced at the chance to catch Immortal Technique spit knowledge two nights in a row along alongside legends Mr.Choc and Chino XL at the ever so intimate setting of Marty’s On Newport . For those of us trying to make sense of the direction new “rap” is heading, catching the lyrical geniuses that made us fall in love with the genre is an essential role in keeping us from being jaded beyond repair. I’d like to think that trap is a fad for the kids and when it fades into obscurity (like so many other fads have over the decades) acts such as Immortal Technique, Beat Junkies, Pharcyde, KRS One will be the ones left standing the test of time. Maybe that is a fallacy, but I still maintain hope for the future of our youth. related content: Summertime In The LBC: This Is Your Dad’s Hip Hop Line-Ups like this are the defibrillation to the heartbeat that is keeping the true voice of hip hop alive. Immortal Technique and Chino XL speak with spiritual intelligence on unity, human intuition, brotherhood, respect for women and community without compromising their hard as fuck stature that has commanded

Summertime in the LBC: This is Your Dad’s Hip Hop

Jonathan Reyes July 16, 2018

Most people read the first part then skim through for pictures of themselves so I want to say this before it gets ignored. The Game never took off his jacket in 100% heat and Ja Rule has those deep dick muscles. The second year of Long Beach-centric music festival Summertime In The LBC felt like it finally lived up to its namesake with the inclusion of the face of Long Beach hip-hop Snoop Dogg. Last year felt like NYC in the LBC with Wu-Tang and 50 Cent being the headliners but this year was like the west coast took back its territory, with that comes some great benefits like great weed everywhere but there was also a dude dressed like a cholo clown popping and locking around like tattoo flash come to life. related content: Summertime In The LBC: Love Letter To A City That Doesn’t Always Love Back Snoop Dogg performed Doggystyle in its entirety and as cool as it was to see its hard not to see its age. As fun as wondering when exactly the jack off hour is, when I listen “Ain’t No Fun” it makes me want to hug 93’ Snoop Dogg and tell him it’s ok to fall in love

Black is Beautiful: Smokin’ Grooves Festival at The Queen Mary

Aria Silva-Espinosa June 22, 2018

Gates to the Smokin’ Grooves festival opened bright and early on Saturday morning with artists playing as early as 11:00am. There’s always a special group of people who hit the festival grounds as soon as gates open, intent on getting the full 12-hour experience but the early crowd gathering on the water’s edge consisted largely of people with young children. Relaxed vibes, diverse music and a behaviorally mature crowd sets Smokin’ Grooves apart from other festivals because it appeals to a broad spectrum of music fans. Headlined by timeless legends like Erykah Badu and The Roots, Smokin’ Grooves brings a sampling of the best of new and old R&B, funk and soul music to Long Beach. Because LBC is more or less equidistant from Downtown LA and Orange County, this festival drew an impressive crowd for a festival in its first year. And truly, as each person moved past me I couldn’t help thinking “Wow, that was the most beautiful person I’ve ever seen! No, they have to be the most beautiful person I’ve ever seen!” Smokin’ Grooves is a cultural celebration, a PRIDE festival and a big family picnic all rolled into one big, three-stage festival in the looming

It Ain’t a Cult, it’s a Trap: Tyla Yaweh and SAINt JHN at The Roxy

Rob Shepyer May 23, 2018

Hip hop shows in 2018 are the most purely fun concerts of any genre causing a ruckus in LA. With rowdy DJs, blunt smoke, wild dance, and beautiful women everywhere, anyone that talks down about this form of music surely hasn’t experienced it live. related content: Nature World Night Out At The Regent: Building Bridges Between Hardcore And Hip Hop The night’s artists, vocalizing under the Not A Cult tour’s banner, were Tyla Yaweh and SAINt JHN. Tyla, a new acquisition of London Entertainment, is an artist ready to make everyone his biggest fan in 2018. How on Earth can he do this? Well, he demonstrated every behavior he would need to capture your adoration and imagination at this Roxy performance. First: Charisma. Tyla’s charisma is perhaps his most noticeable attribute, with a big smile and the ability to use dance and body language to to tell the story. Tyla moves with the lucidity and confidence of someone that risked it all for a dream and succeeded. During one song that featured the lyrics “she told me she really good at dancin’ like Michael Jackson“, Tyla busted out moves that dazzled the audience, dance moves people rarely see from hip

Spring Break Can’t Last Forever: Riff Raff At Los Globos

Aria Silva-Espinosa April 4, 2018

It’s something about the impulsive “Spring Break Forever” mentality that carries this fitting sponsorship between the Four Loko brand and Riff Raff’s highly stylized personal brand. For those who haven’t had the misfortune of a lengthy relationship with the canned malt liquor beverage, to try to offer an explanation of the Four Loko Experience might prove difficult in an objective light. When I was a senior in high school, Four Loko was available for $2.50 a can and to this day, I have never been as drunk in my life as I could get off ¾ of a Blue Raspberry-ish flavored drink. Lovingly referred to as “blackout in a can” on the ever-trustworthy Urban Dictionary, the beverage’s original recipe was banned in a number of states due to the severe health risks it posed to those who consumed it. The company has since reformulated the drink to remove some of the stimulatory ingredients, since being accused of marketing to underage drinkers with bright colors, fruit flavors and boasting energy drink-like properties. Still, it has always been my experience that underaged drinkers will literally drink anything, regardless of flavor or the promised effects. related content: Beach Goth 4: The Party Of

Nature World Night Out At The Regent: Building Bridges Between Hardcore and Hip Hop

Rob Shepyer March 3, 2018

Nature World Night Out is musical proof that there is more variation within the groups we separate ourselves into than between those groups. On the surface, Hardcore music and Hip Hop may seem on opposite poles of the musical spectrum but after a little bit of inspection, you realize they both have similar bounce, fashion, and both originated from the streets. Whether you’re black, brown, or white; male or female, there were artists in the Hardcore or Rap categories performing at this festival for you to project yourself onto. I remember my first Nature World Night Out, two years ago back when it was a one night event at Union Nightclub with Trash Talk and Soulja Boy co-headlining. The night was also my introduction to Antwon, Hip Hop’s ambassador to Hardcore and one of the festival organizers. Needless to say, that first NWNO was amazing and to this day, I still regret missing the second NWNO with Cam’ron… these guys booked Cam’ron to play on the same stage as Jesus Piece and No Warning for God’s sakes. related content: Trash Talk, Ratking, and Pangea: Slam Dance 101 At The Echoplex This year’s third annual installment migrated downtown to the Regent

Rolling Loud SoCal 2017 Doses the Youth with the Latest Opiate of the Masses

Rob Shepyer December 23, 2017

Whether you follow and enjoy hip hop or not, you cannot live in 2017 without encountering the sounds of “Trap”, hip hop’s newest anarchist misfit offspring and perhaps its most polarizing subgenre. As a punk and metalhead my whole life, a year ago, I would’ve never predicted I would go to a festival like Rolling Loud SoCal 2017 but now, as a music critic, I don’t think I’d have a credible understanding of modern music without partaking in the spiked Trap kool-aid. Trap music began in the South, the word “Trap” referring to the physical location of a drug deal. Thus, rappers that had drug dealer alter egos became known as trap rappers. The sound’s origins are debatable but what is definite is that it came out of Atlanta, Georgia with ties to the Dungeon, a bare bones recording studio in a basement that has bred artists like Outkast and Future. T.I. claims he invented Trap, others can hear a definite link beginning with Gucci Mane. Then there’s other important proto-trap artists like Soulja Boy and Lil B. But it is perhaps Migos and Future that are the most stolen from artists, with Future creating what is now known as Mumble-rap with songs

Summertime In The LBC: Love Letter To A City That Doesn’t Always Love Back

Jonathan Reyes August 11, 2017

Finding out the Summertime in the LBC festival was not actually in the Queen Mary had me feeling like they literally missed the boat on this one. Why couldn’t they figure out a way to have it on the actual boat? That’s only the tip of the iceberg that almost sank this festival. Almost. But instead, the performances were worthy of the type that were on the deck of the Titanic, just before it went down. This review is gonna be all ocean references… I’m naugty by nature. Festivals are tricky. There’s got to be dumb shit to preoccupy your time with in between sets. Like a tooth jewelry vender or the Swisher Sweet booth meant to let you know how deeply this fest embraced the Long Beach vibe, or over priced food and drinks. Summertime In The LBC had all this but lacked a couple of things that could’ve made the festival smoother and whole- a consistent DJ between artist’s sets, for one thing. But in a way, it honored the spirit of our city, because the cleaner and more gentrified they make Long Beach, it’s still the place where I once saw a man get out of his

Wu-Tang Clan Pack The Observatory Beyond It’s Capacity

Janky Smooth Central Command March 26, 2017

The Evolution of Wu-Tang Clan and Orange County As I walked up to the Observatory, it hit me that Orange County wasn’t the suburban utopia it’s fair skinned pilgrim settlers envisioned when they fled the cities so many moons ago. I can’t remember the last time I had seen such a diverse group of people at a show in Orange County- if you’ve ever been to a show at The Galaxy then you know what I’m talking about. First step into the venue and the room was already near capacity. Fat-Lip of The Pharcyde was spinning 90’s throw-back jams while people were already starting to bunch up. The anticipation level for Wu-Tang Clan to take the stage was at full boiling point by the end of the DJ set, with people chanting, “Wu-Tang Clan Ain’t Nuthin’ ta Fuck Wit” at high decibel. I decided to ditch the side stage before the band came on, and left to view the set from the upper balcony, joined by my close friend Donny– Wu-Tang, like the drugs they rap about, is always better shared than alone. related content: Method Man & Redman: Observations in the Key of 90’s Nostalgia The Iconic Sounds of

Dr Octagon: 20 Years Later, Kool Keith & Crew Play 1st L.A. Show

Jessica Moncrief March 14, 2017

Hip Hip lovers rejoiced when The Teragram Ballroom announced that Dr.Octagon would be playing the first ever live performance in LA with the original trio of masterminds that gave us “Dr. Octagonecologyst.” In 1996 Kool Keith’s alter ego Dr.Octagon along with Dan “The Automator” Nakamura and DJ Qbert brought forth one of the most epic cult classics in Hip Hop history, yet never once played a show together. More than 20 years later the elusive group surprised everyone with a handful of reunion shows. An Iconic Project from an Iconic M.C. Kool Keith took a different eccentric approach to hip-hop. While he always has maintained his roots from the The Ultramagnetic MCs days, his lyricism wasn’t what the typical hip hop artists of that time were on. He was on some bizarro lyrical shit, garnering him a huge cult like following of weirdos and freaks from every end of the spectrum. Witnessing Hip Hop History at The Teragram Ballroom Blogger, Cesareo Garasa’s online reaction to the news was totally on point, he wrote “This terrifies me. His music terrifies me on some unknown level. I can’t listen to it– even though I enjoy it– without being filled up