Tag: hardcore
California Takeover Part Deux: Earth Crisis, Strife, and Snapcase Tear Down Teragram
Rob Shepyer
March 3, 2020
90’s hardcore was a period of peaks and valleys. You had legendary bands that changed with the times but also had a few bands like Earth Crisis, that changed the face of hardcore entirely. The original California Takeover featured Earth Crisis, Strife and Snapcase and in its second installment, decades later, the same bands came together again to get a totally evolved scene slam their hardcore hearts out. related content: The Hardest So-Cal Has To Offer, Strife Plays “In This Defiance” At The Roxy The night began with Hesitation Wounds, a hardcore outlet for Touche Amore singer, Jeremy Bolm, who uses this band to scream and howl with more aggression than we’re used to seeing from him. There’s no room for sensitivity here, Hesitation Wounds does not hesitate to destroy whatever is in their sights. The turnout was good and the set was great this early in the afternoon, so we were all assured this show would only get more insane as the doomsday clocked ticked down to Earth Crisis. One of Triple B’s best bands, Magnitude, were next and of all the bands off this label that I’ve seen in my days going to hardcore shows and frequenting Sound and
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Photo Recap: Toxic Holocaust at Resident
Janky Smooth Central Command
December 9, 2018
Toxic Holocaust is a band that shines most as a headlining act. It’s still a treat catching them on tour with bigger bands or at fest, but the mixed crowd they bring on their own makes for a wild (and occasionally dangerous) time. Their recent performance at Resident is a perfect example of metalheads and punks losing their minds alongside each other to some of the most memorable thrash tracks released over the past decade. The night opened with SoCal crossover act Take Offense and LA heroes Scrapmetal and Parasite. Resident has earned it’s title as the (unofficial) home of metal and punk this year and I’m excited to see what acts they host in 2019. Photos by: Dillon Vaughn Toxic Holocaust Take Offense
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United Kingdom, United Scene: Basement at the Hi Hat
Rob Shepyer
October 17, 2018
When you listen to Basement, you hear so many different styles of rock converging into one sweeping underground sound that whether you’re into alternative, emo, or hardcore, you feel pain, pleasure, and everything in between. These young chaps from the United Kingdom call themselves melodic hardcore but hardcore is the least of what you hear if you span the Basement catalogue. They’ve recorded a song for every scene but don’t alienate anyone in those scenes. It’s no wonder all these different people came together to sell out Basement’s Hi Hat show the same day tickets were made available. Basement could draw at a much larger venue at this point so this show was something of a rare treat. related content: Nirvana Leads To Nothing… At The Regent Basement’s 2018 North American West Coast tour featured San Francisco’s Pllush as the opening band. A sweet and meaningful shoe-gaze experience, Pllush plays long, drawn out riffs that seemingly come straight from the heart. Featuring three women on strings and a guy on the kit, every member of Pllush balances a delicate sound with a mean punch. Pleasant Hill’s Elder Brother plays an emo that could’ve only been spawned in Nor Cal. It’s got chill vibrations
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I was Straight Edge for a Night: Slapshot at Toxic Toast Theatre
Jonathan Reyes
October 3, 2018
Hardcore shows are weird when you can’t drink. It’s like everyone’s a designated driver, people actually have money for merch, and you can see the spinning heel kicks coming. The benefits of remembering every detail of the night is that you can vividly appreciate what you’re seeing. In this case it was Slapshot at Toxic Toast Theatre in Long Beach. I went in with a lot of ideas about the band. Why do hardcore bands have more former members than The Dead? How white can a person be? I’ve never seen so much Boston represented in a band. I had to double check that it wasn’t Whitey Bulger screaming into the microphone. I also thought this is what Dropkick Murphys sound like if they weren’t awful. Jack Kelly is so pure hardcore or “haadcorr” as he pronounces it, he doesn’t want to be a role model he just wants to be, he wants to be in his band lighting up the territories. Slapshot, a band fronted by a straight edge singer in a venue that doesn’t serve alcohol feels like Superman on the sun. It’s just pure hardcore music, nothing against any hardcore shows that have alcohol but when it’s just you
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GØGGS a-go-go at the Teragram Ballroom
Jonathan Reyes
September 19, 2018
Is it C.F.M or Ty Segall, the Muggers, Freedom Band, Parliament? I don’t even think they know half the time. I think they show up to a venue, in this case it was The Teragram Ballroom and whoever gets the mic first decides which band is performing that night. related content: New Album Review: GØGGS is Damn Good Gravy On The Ty Segall Catalog There is one way to tell and that’s when Chris Shaw saunters over with that thousand yard stare. You know right away you’ve got GØGGS. Which is just enough time to make your peace with your teeth because the energy he infects the crowd with is fucking bonkers. It’s not often that you get a band that can be so intense but maintain the musicality they obviously work so hard on. They could easily just do the one band and call it a day. The branches of the tree of creativity that they come from stick out in so many unique ways. But they don’t let complacency tempt them into mediocrity and fans respond with pits that don’t neutralize after the first song, they keep their phones away because how could a cellphone ever capture what
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Photo Recap: New Age Records 30th Anniversary at Garden Amphitheater
Janky Smooth Central Command
August 31, 2018
Legendary Southern California hardcore record label New Age Records held their 30th anniversary show at Garden Amphitheatre where landmark alumni and current bands of the label played insane sets. Bands like Trial, Mouthpiece, Strife, and A Chorus of Disapproval played to name a few. New Age Records is what hardcore is all about, keeping it real, tried and true, for thirty fucking years. Here are some photos from the anniversary: Photos by: Albert Licano Trial Mouthpiece Strife Mean Season A Chorus of Disapproval Safe and Sound Countervail Drug Control Decline Crow Killer Last of the Believers One Choice Walk Proud Hellfire Trigger RedBait Collateral Damage
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The Hardest So-Cal Has to Offer, Strife Plays “In This Defiance” at The Roxy
Rob Shepyer
August 27, 2018
Southern California has always been a hotbed for hardcore punk from Black Flag to The Circle Jerks but carrying on the torch into the 90’s was a band from Thousand Oaks, California called Strife. Exhibiting that classic straight edge, beat down character, Strife was a band that from the get go, had the feel like they belonged on a stage with a pit belonging right in front of them. Their second album, In This Defiance, with its many guest appearances by Dino Cazares, Chino Mareno, and Igor Cavalera, became the band’s definitive album. They were a band that could get hardcore kids to dog-pile and sing together songs so undeniably powerful and demanding of an audience, that they became essential to the Southern California hardcore canon. related content: For The Children 2017 At The Echoplex: Hardcore Is The Gift That Keeps On Giving Strife’s impact resonated beyond their sound though. Each band that would perform on this evening at The Roxy had a connection to the band. Beginning first with Fixation from Philadelphia, who even though are in the early stages of their career, played a set that was cohesive and powerful enough to make you envision a long and
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New Song Premiere: The Dividing Line – “Deadbeat”
Janky Smooth Central Command
August 20, 2018
We all know that special someone that drags down the group and sometimes those people need to learn their lesson the hard way, or rather in this case, the hardcore way. if there was ever a song to get someone to reform there ways it would be The Dividing Line‘s “Deadbeat”. New Age Records’ The Dividing Line create some of the most aggressive and unhinged hardcore you can hear in 2018 and their latest banger “Deadbeat” brings the pain on every level. The slam dance part is crushing and filled with plenty of bounce for you to get those punches and kicks flying. This is the kind of confrontational songwriting that gave hardcore it’s reputation as both music with balls and music for the people by the people about real shit. The Dividing Line just finished recording their 7″ to be released on New Age Records in late summer 2018 called Turn my Back on the World.
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Beast from the East: Sand at Toxic Toast Theatre
Rob Shepyer
July 30, 2018
There are the kinds of music nerds that collect the vinyl albums of their favorite bands and then there are the kinds that sift through the Japanese imports section looking for new favorites. Japan has always been one of the best countries to make hardcore music whether it be bands like Stalin or Loyal to the Grave or my favorite of the lot: Sand. Conceptually, Sand represents an original idea that transcends hardcore in that it makes you rethink the use of language in music. They’re a Japanese band that sings in broken English. They could just sing in Japanese but that would miss the point they’re aiming for. A foreigner might not know your language well but chances are the way he expresses it will bring new meaning to the words. Such is the case when Sand performs songs like “Poser” with unforgettable lyrics like these: Your lyrics sound like an ethics class book. A model father. Sundays in church. A Bible reading pig. I’m gonna puke. DIE! All sounds phony. What a fucking scam. Your lyrics sound like some kid slamming down cheap beers, bragging like he’s been through hell. Then through the filter of a thick Japanese
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L.A.’s Best Festival is Sound and Fury (imo). Here’s Why:
Rob Shepyer
July 19, 2018
There are many qualities that make Sound and Fury Los Angeles’ best festival. I will try to touch upon them all in this article and also review every band that played the festival and after shows. You will want to attend the festival after reading this and not because I’m novelizing the experience but rather, what actually takes place at Sound and Fury is so uniquely incredible that the only reason a fan of heavy music wouldn’t want to attend is because they don’t know the festival exists. So, consider this your introduction: Sound and Fury is a hardcore music festival that began in 2006 in Ventura, California. Hosting legendary sets by underground hardcore artists whether they be in warehouses or the back of a U-haul like for Trash Talk in 2009, the festival’s momentum kept growing and growing until moving to the Regent Theater in 2016 and 2017. In 2018, the festival had expanded to the point that it could upgrade to the Belasco Theater. related content: The Most Complete Sound And Fury 2017 Review On Earth Gathering bands from all around North America (and one from Finland) to perform on two stages in the Belasco or at various
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One Friday Night in Hell Part 1: Show Me The Body, Twitching Tongues, and Vein at the Regent
Rob Shepyer
July 11, 2018
Last Friday was when all this heatwave insanity started. I swear, bad weather in Los Angeles isn’t routine, it’s regional illness, like the flu. And with the temperature outrageously into the hundreds during the day, nighttime didn’t spell any relief for us with our without a sun to shine. A kid could be driven to do crazy things without air conditioning. They could find themselves getting into all sorts of trouble, trying to find a cooler place to hang. All the shows that were booked throughout the city on Friday ended up being havens from the boiling streets and so all the troublemakers were let indoors, to cause street havoc in the damn music halls. Weeks ago, Dillon and I decided to test ourselves on this outing and try to cover as many shows as possible. They were scheduled perfectly to hop between. The first of show of the night was fittingly hardcore at the Regent. No matter what happens there, the music would get our blood pumping to prepare us for any kind of band or audience we could come across that night. Code Orange’s sold out miniature festival of a bill featured enough amazing bands that I didn’t
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Attaining the Supreme: Shelter at the Constellation Room
Rob Shepyer
June 28, 2018
What is the function of music? Is it to make you dance? To emotional move you? Or is it to inform you? In Shelter‘s case, they provide a special form of information for the audience. Not of the political or personal variety, but rather of the spiritual. Spiritual information that will make your soul feel full. Attain enough of this spiritual information, through study, meditation, and yoga, and you might be rewarded with the “Supreme”. What exactly is the Supreme? It is something beyond beauty and the sublime, it is a state of being that language fails to describe, but perhaps music stands a chance in translating the Supreme into sound and performance. The first band I arrived to see was Berthold City, a band started by the guitarist of my favorite hardcore bands, Strife’s Andrew Kline. Even in their fourties, this band was jumping around wildly, with bodies that hadn’t suffered the usual damage dealt by the typical rock and roll lifestyle. The songs had a sweeping, hardcore feel and though the turnout was small this early in the evening and the audience was a bit stiff, we all felt connected to the music and each other. With songs
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