Tag: goatwhore

Opeth

A High and Beautiful Wave: Psycho Las Vegas 2019

“So now, less than five years later, you can go up on a steep hill in Las Vegas and look West, and with the right kind of eyes you can almost see the high-water mark—that place where the wave finally broke and rolled back.” ~ Dr. Hunter S. Thompson With the country’s current political climate putting its populous in divided disarray, one has to wonder if the American dream has remained intact and not fallen by the wayside as so many once credible ideas and institutions have. Dr. Hunter S. Thompson performed a drug fueled pilgrimage down the mainline vein of the country, the dusty connective highways between Los Angeles and Las Vegas, in search for the heart of the American dream and like a lethal dose of adrenochrome, he came bursting on the scene. What the good doctor found was both life and death, decency and depravity, all wrapped into one gaudy American nightmare churned out by the 24 hour fantasy machine of Vegas. Today, if Thompson was alive, he would think Psycho Las Vegas was the climax of the dream he was looking for, a wellspring of underground music taking over the Mandalay Bay Casino & Resort, a

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Satyricon

Satyricon’s Final Los Angeles Show At The Regent: A Night Too Blackened To Forget

How do music writer’s typically describe the black metal sound? Frigid riffs? blast-beat drums? Cold shriek vocals? Epic? Medieval? Symphonic? These keywords are standard diction in black metal analysis but when talking about Satyricon one must introduce words like groove, experimental, and rock and fucking roll. That’s how the band set themselves apart from the rest of their contemporaries in the second wave of black metal (of the True Norwegian variety). They started with that typical winter blitzkrieg assault then evolved by slowing down the rhythm section for groove and making more chorus-heavy, kick-ass song structures while still fitting in the black metal mold. Satyricon should be credited for inspiring bands to blacken up their sound. related content: Slayer’s Final So-Cal Show At Five Point Amphitheater: The Most Insane Review I’ll Ever Write I remember first hearing Satyricon on the soundtrack for the cult movie Spun, directed by former Bathory drummer Jonas Akerlund and written by Will De Los Santos. The song “Mother North” off Nemesis Divina was featured prominently in the film and immediately made me take notice of their thrilling riffage and arrangements. Then once I saw the music video for “Fuel For Hatred” on MTV’s Headbanger’s Ball,

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