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Los Angeles has always had an obsession with death. Our city’s celebrities and socialites have a habit of perishing in the most dramatic and mysterious fashion, Rozz Williams of course being no exception. It’s no surprise that from out of punk rock would come a death obsessed, black clad, sorrowful, mournful form of expression and rebellion known as deathrock. To celebrate the launch of Mikey Bean’s new 600 page encyclopedia of deathrock called Phantoms: The Rise of Deathrock From The LA Punk Scene, Lethal Amounts and Release the Bats held a photo exhibit and concert celebrating the genre’s Los Angeles heyday. You need this bad boy on your coffee table. related content: Sex Cells’ Divine Ball At El Rey: The Filthiest People Alive Among the attendants at the gallery showing and concert were the likes of 45 Grave singer Dinah Cancer, LA experimental artist Ron Athey, Don Bolles, and many more. With walls adorned with Rozz’s likeness as well as all the show flyers of the scene, the gallery captured a mood, a time, and a place that were quintessentially gothic, dark, and exploding with creativity. Following the book signing, the gathering moved to Monty Bar where numerous bands took