Tag: fivepoint amphitheatre

Photo Recap: Rob Zombie at Fivepoint Amp

Rob Zombie is a national treasure. Over the course of decades, he’s cemented himself as the king of shock and horror rock, capturing the imaginations of millions around the world with a show filled with all sorts of oddities and spectacles. Whether it’s giant monsters taking the stage or sticking to his vision of retro-radioactive rock and roll, Rob Zombie has always managed to stick to his guns while pushing his art to the boundaries. On this tour, he took on various Nu metal heavyweights with whom he dominated the 90’s rock airwaves. Mudvayne, Static-X and Powerman 5000 all shared Rob’s vision for a new version of heavy metal that featured electronics and drag racer energy. With this stacked lineup, the tour ran through Irvine’s Fivepoint Amphitheatre and demolished everyone in their path. Photos by: Tony Molina Rob Zombie Mudvayne Powerman 5000

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Megadeth

When A Band’s Lyrics Become Real: Megadeth at Fivepoint Amphitheatre

I wanted a headline that didn’t beat around the bush. In a world where politics and corruption are the biggest dialogues of the day but people are still subjected to constant propaganda, the lyrics of Megadeth seem uncannily relevant and useful. When you hear the opening verse of “Symphony of Destruction”, you know exactly what Dave Mustaine means when he says “You take a mortal man and put him in control, watch him become a God, what people’s heads a-roll.” Our leadership class are men with competing God complexes and people die every fucking day as a result of their decadent decision-making. This tour was hailed as the biggest metal tour of the year with Hatebreed, Trivium and Lamb of God opening the show. Because we were commuting from Los Angeles and the show started early, we missed Hatebreed and the majority of Trivium, the latter I wanted to see purely out of curiosity to know if they should be lumped in with every other metalcore or New Wave of American metal band that danced with the scene/emo movement in the early 2000’s. Many of these bands don’t deserve this label and the reflexive snobbery against them, Trivium however, probably

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Danzig

All I Want for Christmas is “Blood and Tears”: Danzig’s Halloween Hell Bash at Fivepoint Amphitheatre

I attend every Danzig show I can, no matter the incarnation. Glenn’s music is a church of sorts for me, I unapologetically worship the man. For Misfits, I’ll travel across state-lines. For Danzig, I’ll stay in traffic for hours and end up home the next morning. For Samhain, fuck it, I’ll sell an organ to get through the door. For all Glenn Danzig’s done for punk, metal, and dark aesthetics in general, if it wasn’t for him, I would be on a completely different course in life. related content: The Misfits At Riot Fest Chicago 2016: Bats In The Press Tent Danzig I was the first record I ever bought. For months before buying it, I would just stare at the Crystal Skull on the cover until my curiosity and fear got the best of me and I bought it almost to test myself and see if I could handle this dark, evil force. Lately, Danzig has been playing shows to celebrate what might be his most iconic album Danzig III: How the Gods Kill. It’s an album any true fan has to love but it’s Danzig II: Lucifuge that I find is often underrepresented but features a few of my

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