Tag: first 8 mistakes

Jason Finazzo of The Birth Defects at The Troubadour

Birth Defects Unleash Debut Album at the Troubadour alongside Fuzz and Carletta Sue Kay

Sandwiched between killer sets by Carletta Sue Kay and Fuzz, The Birth Defects album release bash for “First 8 Mistakes” at the Troubadour was one for the books. Everyone who was in the sold-out, jam-packed, iconic venue got slapped with an array of musical talent many, or just I, wouldn’t expect from a West Hollywood show on another Thursday night. It’s an endangered time for relics of bygone eras like the Troubadour—an attic-like setting that incubated the legendary statuses of Jim Morrison and Axl Rose alike (even Cheech and Chong were discovered there by Lou Adler). Nudged between the border of Beverly Hills and where Ron Jeremy and Bret Easton Ellis were eating dinner next door at Dan Tana’s, the Troub stands like an old ruin among the gated anti-communities of WeHo; a stark juxtaposition to the Laurel Canyon days of magical hills, liquor corner store blues, and free-lovin’ gutter artists. If this were the 80s, I would’ve hated it for being such a glam rock establishment whore house (and I probably would’ve lived in New York anyway). But in 2015, I’m just happy the Troubadour is still around, and not yet in the hands of some ‘starchictect’ like Thom

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The Birth Defects- First 8 Mistakes

New Album Review: The Birth Defects- First 8 Mistakes

I’m having a hard time remembering the last time I’ve been this stoked about a debut album. The Birth Defects first release, “First 8 Mistakes” is an abrasive, in your face, drink till you puke, punk rock masterpiece. It’s the perfect soundtrack to a bar fight and the type of music that will make your parents worry about your well-being. Somehow, First 8 Mistakes manages to be raw and refined at the same time. If you are thinking those descriptions are mutually exclusive then just think about the term, Pop-punk. A classification most fast paced, power chord pioneers probably never envisioned to be possible but yet here we are, drowning in melodic, bubble gum bands. The Birth Defects are a breath of smoggy air in a genre that has been gentrified and made palatable to the masses. The raw represents the music and the refined represents the albums producer, Ty Segall. But The Birth Defects musical pedigree extends beyond it’s Indie King producer.   Members of The Birth Defects are made up of Petey Dammit from Thee Oh Sees, Jonathan Safley, former drummer of the band Bleached and Jason Gerkin of Shiner. But the true personality, charm and parent cringing reflexes

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