
Tag: festivals

Punk Rock Bowling 2017 Kicks Off w/ The Sonics, Throw Rag & Moore
There was a handful of early-bird punks and a few scattered tourists as we approached a surprisingly sleepy version of downtown Fremont Street but with a line-up including Dr. Madd Vibe (feat. Angelo Moore from Fishbone), Throw Rag, the Mutants, Chicken Hawk All Stars, and OG (that’s original garage) rockers The Sonics at Fremont Country Club– we were about to get woke the fuck up. related content: The Sonics Teach Garage Rock History 101 at The Observatory It was the unofficial opening night of Punk Rock Bowling and Music Festival 2017, now in it’s 19th year (how old are we?!), and the Stern brothers have yet to disappoint- although it was now 9:30pm and the doors were not yet open. Of course we overlooked the first day sluggishness as we got a sweet and smooth welcome from our Hollywood homeboy and star of the night, Chicken Hawk All Stars lead singer/Fremont Country Club venue owner, Big Daddy Carlos. It was at least 10:15 before the curtain came up with Dr. Madd Vibe’s blaring instruments and dueling vocals as loud as Angelo’s hand-painted, psychedelic suit. Always a showman and masterful musician, the energy was there but the crowd had not yet caught

Television Performing “Venus” at Bunkhouse Saloon for PRB Club Show
It’s hard to believe that yet another Punk Rock Bowling is in the books but the week long hangover proves it. The Stern brothers book yet another legendary gig with Television headlining the Bunkhouse Saloon along with The Weirdos, Alice Bag and The Avengers. Tom Verlaine and company were water tight at their PRB 2017 club show. This isn’t the first time Janky Smooth is covering the pioneers of punk and art rock but it was certainly one of the most memorable. The club shows at Punk Rock Bowling always seem to produce some of the best performances in the most intimate settings. Other notable club gigs at PRB 2017 that we attended were Cocksparrer at Backstage Bar, Municipal Waste at Fremont Country Club, Hepcat at Bunkhouse Saloon and The Vandals, also at Fremont CC. related content: Patti Smith “Horsin’ Around” at The Teragram Ballroom Television Set List- Bunkhouse Saloon Prove It Little Johnny Jewel Venus 1880 or So Persia I’m Gonna Find You Marquee Moon For those of you attending Punk Rock Bowling installments in Denver and/or Asbury Park, have a great time. Janky Smooth will see you next year in Vegas. Full recap of Punk Rock

The Secret Journal Of A Pizza Spy at Coachella 2017
Thursday Thoughts On The Night Before Weekend 2 of Coachella 2017 Starts The drive to Indio from LAX was supposed to take three hours & forty seven minutes, but it would be a lot longer than that before we would be out of the car and setting up our tent. We made the conscious decision to depart at 2 pm, in avoidance of desert traffic, as well as the Thursday night Coachella rush. We actually made it to the festival check-in as sun down was finishing, despite the longest stretch of time I have ever spent in a WalMart, in which no expense was spared. After all, we were planning on working at a Pizza Tent for the majority of the weekend and were assuming to soon be handing out dollar bills like Ted Dibiasse. When we finally breached the city limits of Indio, after passing multiple billboards advertising Linkin Park’s new ‘album’ and ‘Gaymoji’, which is exactly what you think it is, we realized we were trailed by a cop all the way to the festival entrance. The presence of added desert police officers was apparent throughout the weekend- especially when we arrived to security several hours later. We

Punk Rock Bowling Transforms BYO Boys Into Wisdom Brigade
This past Monday, April 24th I interviewed members of an iconic, first wave California skate punk band, the owners of a record label and the brain trust of a popular annual cultural event that completely consumes every hotel room, a dozen bars and music venues and every beer coozy in Downtown Las Vegas- and I did them all in the span of an hour and a half. Like a wise man once said, “Let’s do the whole fuckin village, man.” Bunny from the movie, Platoon. Sometimes, people make the mistake of thinking wisdom and maturity are the same concept but Confucius say, “enjoying or telling of a fart joke, occasionally, does not preclude you from being able to call on experience to make the right decision’” -from Confucius’ early, more obscure teachings- the more underground stuff. Some people have an inherent, child like disposition. On the latest Janky Smooth Sessions, it’s hard to tell with the Stern brothers if it’s the brother dynamic that brings out the towel snapping, one-ups-manship and verbal noogies because I’ve never spent a moment with them while attending a tax seminar to witness how they conduct themselves amongst the squares. But fortunate for all of

When We Were Young Festival’s Most Dominant Demographic: Mine
When We Were Young- We Became Experts at Sneaking In & Cutting Lines I was still hungover from Choking Victim’s secret set in Long Beach at Freebirds Salon twelve hours before, and already running forty minutes late to the festival, when I remembered that I needed to stop at Target and pick up sunscreen and vitamin C. These are the indicators I observe as I age year to year. Chalk it up to experience but the last thing I wanted was to be sun burned and hungover for day two of a very long weekend. My urgency for arrival was based solely on watching The Getup Kids play the soundtrack to my early adolescence and I was not going to let the naivety of Orange County’s ‘Surf Goth’ youth hold me up. I waited in the main entrance line for the When We Were Young festival and watched cigarette packs get emptied out onto the wooden tables, and a barrage of drug paraphernalia get confiscated and disposed of while the newly minted team of hired security guards emptied pockets. It became apparent within minutes that I was going to have to find an alternative entry if I wanted to get in

Day For Night Fest: Futurists Of Audio & Visual Converge In Houston
Shadowy figures traverse dimly lit concrete walkways, gliding past “High Voltage” warning signs that adorn massive steel boxes hanging from the ceiling. A chain link-fence houses what appears to be some sort of parasitic mass of hair, the fibers hovering above curious crowds of observers like a space creature. A neo-futuristic looking couple decked out in silver metallic platforms, all black skintight clothing and bondage style leather harnesses hold hands as they navigate the industrial landscape and make their way toward the Blue stage. Had I taken the red pill and woken up in the goth haunt Club Hel from the film The Matrix? It certainly felt that way, but I was in fact partying inside Houston’s premier winter music and arts festival, Day for Night. Taking residence in a vacant post office building in the heart of downtown the second edition of the gathering boasted an exclusive Bjork digital exhibit, a highly-anticipated headlining appearance from Aphex Twin (his first set in the U.S. since Coachella 2008), 3 outdoor stages and a multitude of thought provoking light installations. The event is the product of the minds that organize Houston’s Free Press Summer Fest, yet Day for Night offers an experience that

Midnight Mass 2: Dystopian Themed Xmas Fest in an LBC Warehouse
Downtown Long Beach hosted the second edition of Midnight Mass at The Packard, a creative space venue featuring large crystal chandeliers and an outdoor patio space decorated with vibrant murals. The venue’s generous space and even all-gender indoor restrooms set the vibe for the very best of what a DIY music festival can and should be. A 12-hour festival is a lot to put together, but Astro Lizard Records and Freakstyle Booking worked tirelessly to put together a solid lineup with a bit of something for everyone in attendance. As with generally any type of performance, the set times ran a little behind schedule but nobody seemed to mind. The weather was accommodating and a crowd gathered early in the day to watch Nectarines on the outdoor stage a little after 2:00pm. Intense but lighthearted power-punk group Clit Kat, fronted by the ever-charming Mag, took the outdoor stage and revved up our engines for the day with songs about sucking, fucking and having fantasies involving Steve Buscemi. Onlookers passing by on the street even stopped to watch Mag tear it up on stage, with heavy percussion and lyrics that make people delightfully uncomfortable. Clit Kat and some of it’s members,

Your Senses Will Collide at Upcoming Day For Night Festival, Houston
“…We can be certain that the military, the B corporate world, the government and so on are going to use tech and I feel it is important that the artist helps define it and mold it. Because who else is going to put humanity and soul into it?” – Bjork via Creative Review related content: Headliners Rule at Outside Lands 2016 We are entering the end times for the traditional music festival model, and Houston’s Day for Night is leading the evolution toward curated immersive digital experiences. Festival titans like Coachella and Bonnaroo rose to infamy over the years by building bigger stages, pulling bigger headliners, and being taken over by big money; sticking with the traditional format which events throughout the world have replicated since the original Woodstock. However, the modern cultural connoisseur is looking to have their perceptions cleansed not only through sound, but through the merging of art, light and technology. Welcome to the future of festivals. related content: 2016 is the Year Coachella Jumped the Shark related content: Coachella: No History in Your Hate Leading this year’s lineup of electronic provocateurs, Day for Night will feature a 5-room digital experience and DJ set by experimental pop

Janky Fest I- A Review and Self Inflicted Wound
The first installment of Janky Fest on November 19th in Outer Space celebrating the Janky Smooth 2 Year Anniversary featured OG punks The Dwarves last week was super lame. Only a retarded music critic could throw an 18 and over event as a thank you to his all ages readership. Where does this dad rock douche bag Danny Baraz get off booking a large lineup of bands whose local fans couldn’t even attend the event, all because some anxious reactionary in a pseudo DIY venue was scared of pissed off punks in a recently Post-election, President elect, Donald Trump world? Sources tell me that’s literally the initial reason given by the venue for the switch, even though it changed to something a bit less ridiculous in the following days. Clearly, young punks of helicopter parents would breathe fire, shit on the floor and not buy enough beer and liquor because they’re pissed Trump won an election they didn’t even vote in. Zing. I don’t know Danny Baraz at all but he seems like just another privileged “straight white male” (even though Baraz doesn’t sound “white”) mansplaining and curating the injustice in the world through his pseudo intellectual political leanings, which he forces

White Girl Makin’ It Rain At Beach Goth 5- Janky Smooth Sessions
Beach Goth/bēCH gäTH/Noun It begins with a question. A question as old as 2002… “what do you mean cash only?”. It grows through a lie… “Oh no, it’s cool, I’m supposed to be back here”. It ends with a realization. That realization is that I have no memory of Beach Goth V whatsoever, but I’ll be damned if I didn’t try to give the most accurate account possible. related: Beach Goth 4- The Party of the Year After 4 or 5 bullshit story attempts to finagle an Artist wristband, I finally secured one out of pity from a friend. Within the hour and after an appropriate amount of substance abuse, I was lost in space next to a trash can in the Artist Lounge with no pants on, a pink kimono, and shoes far too tall to be practical. I locked eyes with Eric Andre (who was hosting Beach Goth), to my surprise, he came straight up to me and told me he saw me at the liquor store. I asked him if he needed anything from Ikea, and somehow that segued into how fart jokes were “never NOT funny”. This would set the tone for the rest of day

Janky Fest w/ The Dwarves & 15 Bands Celebrating 2 Years of Jankiness
It ain’t easy standing out in the sea of L.A. music blogs all looking for ad dollars, access and an invite to the after party. Janky Smooth doesn’t post ads on our website and we’re still not sure what the end game is here but what we do know is that it’s been a hell of a ride so far. As a thank you to Los Angeles for bringing us into it’s cold embrace, we bring you Janky Fest, November 19th in Outer Space from 3pm- Midnight. To attend Janky Fest with the Dwarves, The Birth Defects, Death Hymn Number 9, Sloppy Jane, Wild Wing and so many other bands, just RSVP by joining our newsletter at www.newsoundalliance.com and we’ll get back to you on instructions for making your $10 donation to fund Janky Fest. Special thanks to Pabst Blue Ribbon for donating all the $2 Tall Boys. RSVP now before we make an announcement on our super secret special guest band that we can’t publicize due to contractual obligations. For the past 2 years, Janky Smooth has attempted to give our readers an honest take on the independent music scene that is exploding, both in Los Angeles and all

Watch Primus Perform Jerry Was a Race Car Driver at Desert Daze 2016
Primus. Love em or hate em, if you are over 30 years old then you already know. If you are under 30 then you probably associate Primus with South Park or Wynona’s Big Brown Beaver. On Saturday night at Desert Daze 2016, Les, Tim and Larry convened on a stage, in a patch of dirt, on a piece of land called the Institute of Mentalphysics in Joshua Tree for the first time in 8 months. Word on the street was that they hadn’t even rehearsed or played together in that entire time and if you aren’t very familiar with Primus and their arrangements, that might not be that remarkable. But if you understand what Les Claypool does on a bass guitar, then you’ll know that Larry LaLonde might’ve been the only guitarist that could’ve possibly been the lead guitar in a band like Primus. But not rehearsing those songs before a music festival that is representative of a young scene seems like an ill advised decision that Primus more than rose to the occasion of. Given that most of my friends and associates in this music scene are somewhere in the early 20’s, there were many who were on the fence