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ADULT. at Substance 2025 by Chris Molina

Substance Festival 2025: The Post Pandemic/Post Punk Era

Substance Festival in Los Angeles has become a right of passage in this city and this past November 7th and 8th we attended the 2025 installment in the festival’s return to the Belasco Theater.  Approaching this Substance Fest review with any overt enthusiasm would be antithetical to the spirit of the way we revel in the morose nature of this art- the oddly mesmerizing decay of destruction/creation approached with a somewhat detached dreariness that is direct in it’s aloofness. But also… the fucking horrific beauty of it all… or whatever. related: Cloak And Dagger Fest- The Heart Of Los Angeles Bled From Dusk To Dawn Even with the orbits and cycles of pop culture and music circling back to black lipstick among the masses, the mainstream attention can cause a scene to go into lockdown and it’s members more discerning on where they spend their show dollars.  So for Substance Festival, it was important to pull in the beating heart of the scene at the increased ticket price. related: Sextile At The Novo- The Most Important Band in Los Angeles? A  touch for curation in the dark arts is what scene loyalists look for most and their return to the

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GBH by Jessica Moncrief

GBH at Ventura Music Hall- Street Punks In Paradise

The scene was the Hi Hat. One of the most vibrant venues during its short life on York, a must attend space on Highland Park art-walk nights. I don’t remember who was playing, just that it was a punk show because Blaque Chris was DJ’ing between the bands that night. During his set, Blaque Chris spun a track that stood out to me as especially vibrant and danceable, but in that street punk way, like kicking up dirt in the discotheque. I didn’t know the song at the time and went on a long journey trying to find it. Before seeing GBH at Ventura Music Hall though, the planets aligned to tell me the song was Big Women by GBH off their “Leather, Bristles, Studs, and Acne” album. GBH is quintessential street punk- the exact sound and spirit of the punk genre and look. Songs like Big Women are exemplary of that vibe. Comical, crass, gritty, simple, rhythmic, and too much fun to stop your body from hopping up and down. It took me far too long to see them perform, but finally, I had my punk rock rite of passage on October 17, 2025 by seeing them with Slaughterhouse

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Insane Clown Posse at House of Blues Anaheim by Chris Mounts

Juggalo Halloween Party: Insane Clown Posse at House Of Blues Anaheim

Insane Clown Posse was not a band I ever expected to see in my lifetime, especially if you would have asked me in my younger years. Between their goofy carnival-sounding production, overly edgy lyrics and imagery, trailer trash fanbase, their beef with Eminem; the list of reasons not to like them upon first impression is endless. As time goes on and Juggalos get older however; the perception of Insane Clown Posse has changed drastically over the years with Vice’s documentary about their Gathering Of The Juggalos festival, their collaborations with Danny Brown and more recently Jelly Roll, and their song Miracles becoming a viral sensation upon its release. ICP are the black sheep of music as a whole, and the world has mostly decided that we were a bit too hard on them over the years. related: OC Did It All For The Nookie: Musink Tattoo Convention And Music Fest 2019 I decided I wasn’t doing my due diligence as a music journalist if I had never experienced them live, and being as they never visit Southern California; this was one of the few chances I had. House Of Blues Anaheim made the ridiculously insane decision to book them right

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Tommy Meehan Interview at Beyond The Streets by Taylor Wong

Seducing Tommy Meehan At The Gwar Museum-Janky Smooth Sessions

Awhile back at the Osees show, I ran into Tommy Meehan.  Tommy’s band Squid Pisser was main support for Dwyer and his band of merry thieves that night and I said hi to him at the merch table after their set. related: Osees At The Teragram- A Rose By Any Other Name We caught up briefly and I found the short chat so intriguing that I asked Tommy Meehan out on a date… and he accepted.  We were to meet at the museum, or rather, the Gwar exhibit at Beyond The Streets Gallery in Los Angeles.  Tommy walked me through every Gwar artifact at the installation that is running through November 2nd, 2025 where the label owner, scene impresario, band leader, innovative guitarist, animator, satirist and historian revealed his life long obsession with Gwar- I instantly fell in love with the fact that this man is in the midst of all his dreams coming true.  It’s intoxicating to be around and Tommy Meehan is an easy guy to like and root for.  This was our conversation:   Background on Tommy Meehan   Tommy Meehan is one of the most quietly influential figures in the Southern California punk and  hardcore underground—a

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Fleshwater by Evan Moses

Smashing The Status Quo With Fleshwater at The Fonda Theatre

Fleshwater and Chat Pile at The Fonda. October 11, 2025. Doors at 7:00, show at 8:00. Knowing full well that on-time arrival was going to translate to late arrival, I dipped directly from work for The Fonda without going home to change into something more camouflaged for the occasion. Whenever I arrive at the function, I’m always immediately clocking what everyone lined up down the block is wearing. Among the standard all black outfits and LA’s current favorite branded workwear I notice a series of band tees – Turnstile, Bauhaus, and Pig Destroyer logos and graphics featured on the chests and shoulders of the queue forming along the Walk of Fame. Before the algorithm, your best bet for ‘suggested artists’ would be the merch of the other people at the show. The aforementioned time crunch between the end of my day job and the door call at 7:00 PM now has me in a cardigan, long floral skirt and heels in the foyer of the venue – now both feeling awkwardly overdressed and freezing cold under the blasting AC vents, an effort to combat the anticipated body heat from an active packed house. Words by Aria Silva-Espinosa Photos by Evan

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Air by Narda Crossley

French Outfit AIR Takes Us On A Moon Safari in San Diego

San Diego, California was in for an ethereal experience transitioning from summer to fall with legendary French band Air on their stunning North American tour. Nicolas Godin and Jean-Benoît Dunckel have been on the road for a significant stretch of time earlier this year enchanting crowds with their compositions flowing out of their iconic white cinemascope ratio spaceship. I have been in grand anticipation to catch their clean, nouvelle architectural stage design celebrating their 25th anniversary of “Moon Safari” since I missed their set last year at The Orpheum Theatre in Los Angeles. related: Sensory Interference – Thom Yorke At The Orpheum Theatre Once the tour was announced, I originally sought out to photograph their set. To my delightful surprise, I was granted the sumptuous opportunity to capture Air in the written word; like lightning in a bottle. Venturing on a road trip midweek was a blissful escape from Los Angeles to San Diego in preparation for ascension into the cosmos by way of “Moon Safari”. Nestled in an intimate, open air venue, built 1941 into an existing canyon on Montezuma mesa, CalCoast Credit Union Amphitheater greeted patrons with a cozy and alluring aura on this brisk Autumn evening. Walking

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L7 at Belasco by Albert Licano

L7 Celebrate 40 Years w/ Lunachicks and Friends at The Belasco

The Belasco’s air was sticky, buzzing, electric- like static before a tornado on Friday Oct 3rd. L7 and Lunachicks had a gig in Downtown Los Angeles.  Those bands shared the stage again, for the first time in decades, in what felt like a life event for everyone involved for L7’s Fast and Frightening 40 Years Anniversary show. As much as I love Riot grrrl scene, the L7 legacy always stood on it’s own and I never appreciated pundits who would lump every hardcore girl under the Riot grrrl label.  L7 had their own brand of feminism which included the Rock For Choice festivals that spanned over a decade and I include the times I saw them perform on the lawn of the Federal building in Westwood for causes that varied from saving rainforests, to legalizing cannabis at a time when people were still doing long prison sentences for the plant.   But what I appreciated most about L7 was that they fucking shred.  Say everything and anything else you want about them, every single one of them, at the top of their craft amongst their peers.  And that was still the case as of October 3rd. related: L7 Stop Pretending They’re Dead

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Samia by Michelle Evans

Ruining Our Makeup with Samia at The Fonda Theater

I love being uncomfortable. Uncomfortable movies. Uncomfortable books. Uncomfortable art. Uncomfortable conversations. I’ve become anxiously attached to the little wasps in my chest who buzz too loudly and flap around in awkward situations. But finding comfort in the uncomfortable comes at a cost: ugly doesn’t scare you anymore. You even start to seek it out. This is where Samia comes in. Samia steals all that discomfort, all that ugly, right out from your chest. As a songwriter she is an alchemist, spinning your insecurities into a quilt. The kind of quilt your grandmother wraps around you while you read comics at her house as your parents are downtown signing divorce papers. You know the kind. On the warm night of September 19, 2025 night in Hollywood, Samia steps coyly onto the stage of the Fonda Theatre. The crowd roars relentlessly as she seems taken aback – it’s clear how deeply she is needed tonight, right here in this moment. related: Photo Recap – Ethel Cain At The Masonic Lodge at Hollywood Forever She starts the set with “Triptych,” a song from her debut 2020 album, “The Baby,” with lyrics so abruptly intimate that listening would feel like a violation if

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Circle Jerks by Taylor Wong

Circle Jerks Throw Birthday Party For Keith at The Hollywood Palladium

On Friday, September 19, 2025, the Circle Jerks played a show at the Hollywood Palladium in honor of Keith Morris’ birthday and he invited some friends. The Circle Jerks, Ceremony, Negative Approach, and Rocket From The Crypt- a nice final touch for connoisseurs. It’s the kind of lineup that makes you shake your head and laugh at how good we have it when a night like this comes together. The story of the night was celebrating the birth of Keith Morris with all his friends and his band, the Circle Jerks. Somehow, at 70 years old, there is no noticeable decline. In fact, the eye test reveals that he’s thriving. It would be illogical to suggest he doesn’t suffer from some unseen ailment that comes with wear and tear on the human body. But… if his shoulder hurt, his hemorrhoid was flaring up, his arthritic pinkie knuckle burned, or he had to piss every 20 minutes at the age of 70- there was no hint of any of that. As far as I could see, his feet were planted firmly, his diaphragm engaged, and there was no pee-pee dance. But there was most definitely joy. related: Janky Smooth Interviews Keith Morris

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MJ Lenderman by Michelle Evans

Slowing The World Down with MJ Lenderman at The Shrine

MJ Lenderman is one of the most prominent key players in the alternative country movement, and his September 11, 2025 performance at The Shrine Auditorium showed just how big of a name he is amongst younger people and country-folk enthusiasts alike.  I don’t believe there’s even a debate on whether country music is currently one of the most dominating cultural forces in America. It goes even beyond the music, with Southern aesthetics like mullets, flannels, showy belt-buckles, and cowboy boots taking over hipster-infested areas like Highland Park and Silverlake. While the love for the genre is actually on its way to becoming more equal between urban and rural America at this point in time, the artists respected between these two demographics could not vary more. While mainstream country artists like Morgan Wallen aren’t really talked about with reverence amongst music fans in LA, there is a new wave of alternative country artists with more emotional and poetic folk influence that are considered superstars amongst aspiring artists looking for a singer-songwriter scene to be part of. featured image: Michelle Evans related: Courtney Barnett at The Roxy – How To Make A Rockstar  MJ Lenderman is one of the biggest names of

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Dark Angel by Michelle Evans

Dark Angel Brings Us To Our Primal Basics at Majestic Ventura Theater

Dark Angel at the Majestic Ventura Theater on September 6, 2025 might have been just another stop on a long national tour for the many iconic bands appearing on this monster show—from Sacred Reich to Hirax—but for the locals of California’s Central Coast, it was much more than that. For Ventura’s own hardcore and stoner metal scenes, it was a night to raise the speed, volume, and intensity of their jams alongside some of Los Angeles’s finest. It was an event that felt like a genuine summit of the underground, a night where the past and present of extreme music converged. If you’re a fan of extreme sounds—whether punk, death metal, hardcore, or black metal—you owe it to yourself to attend thrash metal shows from time to time. They act as a palate cleanser, a way to reset your taste and senses back to the primal basics. Thrash metal, at its core, is one of the most fundamental heavy metal art forms, a template that inspired so many of us to follow a path deeper into the underground. For every genre that has splintered off since, thrash remains the raw power source, the musical bedrock that feeds the rest. related:

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United States of Horror at The Shed-Echo Park

The 4th Wave of Garage Rock in Los Angeles-A Retrospective

Those of us lucky enough to be in L.A. for the 4th wave of garage rock in the 2010s suddenly find ourselves mourning the fact that it’s gone … long receded. We hardly even noticed. What the fuck happened? words: Brent Smith related: Ty Segall And The Secret Show- A New Tradition in Los Angeles I see them around- skulking the Zebulon smoking patio or pounding cheap beer at the Taix bar in motorcycle jackets and old band shirts (that their friends are in) and black denim and dirty Chucks. The weary look of defeat in their bloodshot eyes as we see each other (through the endless, bobbing sea of Benson Boone clones) and head-nod and ask if we met at that one Desert Daze when Iggy headlined. I see them around. The Echo Park refugees of the 2010s wave of garage rock. related: Over 10 Years of Desert Daze Archives And yes, this is my declaration that the 2010s merit a mention in the annals of American garage rock — ’60s, ’80s, ’00s … ’10s. The Fourth Wave. If you’re some music nerd who disagrees you can go fuck yourself. You couldn’t swing a dead cat on Sunset without

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