Tag: fearing
Take This: Win Two Tickets to Gatecreeper at 1720
Janky Smooth Central Command
May 10, 2022
Mixed bills are usually reserved for hardcore shows so it’s cool to see Gatecreeper expanding the horizons of death metal fans with their upcoming show at 1720 featuring Narrow Head and Fearing, a shoegaze band and a post punk group. Also on the lineup is 200 Stab Wounds, one of death metal’s freh new bands to watch. This is going to be a rager so we’re stoked to be giving away tickets to all you metalheads and goths. YOU CAN BUY TICKETS HERE or ENTER TO WIN 2 TICKETS TO GATECREEPER MAY 13TH AT 1720 Step 1- Join Our Newsletter (look for pop up every time you arrive at jankysmooth.com) Step 2 – Tag a Friend in the comment section of our INSTAGRAM or FACEBOOK GATECREEPER Ticket Giveaway Post WINNER WILL BE SELECTED ON MAY 12TH AT 1PM PST VIA EMAIL CONFIRMATION
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Creatures of the Night: Substance LA 2021
Rob Shepyer
December 15, 2021
Substance has always been Los Angeles’ premiere post-punk festival. Celebrating all things goth and clad in black, the scene wouldn’t be quite the same without it. No festival embodies the true spirit of “LA” more than Substance. There’s something urban and dreamy about the whole episode. You get such a range of feels, some bands appeal to your heart then others purely to the body. Spanning all night, the fest goes late into the evening to make you feel like the real nightcrawler that LA is supposed to make you feel like. I came to see Nitzer Ebb but my greatest takeaways were the smaller bands who’s performances left a mark. Here are my five favorites from each day. Day 1 Pixel Grip Chicago-based industrial dance music is a beast of its own breed. Pixel Grip began the festival for my gang and might’ve left the biggest impression of any band for the entire three nights. They commanded their audience with so much attitude, mystique and power, they could’ve headlined the day purely based on the merits of their charismatic performing. Listening to them on records, many of the songs expanded my idea of what an industrial band ought to
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Punx Not Dead in Petaluma – Home Sick 2 at the Pheonix Theater
Nicole Verto
January 30, 2019
“Is punk dead?” I’ve typically found this refrain loathsome and lazy. Despite my ongoing aversion to the utterance, it was front and center in my own (traitor) brain during the week leading up to Home Sick 2. You see, after almost forty years, the punk institution known as Maximum Rocknroll announced that the zine would cease printing in 2019. The notion hit me hard. I recalled being fourteen and seeing MRR for the first time as a young teenager and traced from there to the first time I saw the rows and rows of green-taped records myself. It felt like a death. I went to three other shows in the days between the announcement and attending Home Sick 2 but HS2 was the one that really shook me out of my cynicism. Of course punk is not dead. Of course the community is still growing and reaching folks of all ages. Even better: those of us already in too deep seem to be better than ever at welcoming other sounds into our spaces. The curators behind Home Sick (none other than headliners Ceremony) managed to again create a space both familiar and refreshingly representative of this constant evolution happening within
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