Tag: echoplex
Negative Approach Steamroll Echoplex w/ Nails, Bloodclot, Final Conflict
Rob Shepyer
August 8, 2017
The mighty, punishing, blue-collar punk heroes of Detroit, Negative Approach, are one of my favorite bands of all time and their seminal album, Tied Down, is on my top ten albums of all-time list. They’re a band I’d do just about anything for, any act of band worship and fandom. I brought my shine-box to the show, just in case they wanted their boots spiffy. Any chance I get to see Negative Approach live, I do. So certainly, a powerhouse Echoplex lineup featuring Negative Approach, Final Conflict, hardcore super group Bloodclot, and headliners, Nails, had me buzzing just thinking about what kind of violence I’d endure and witness. related content: Sound And Fury Hardcore Festival Comes Of Age All Across Los Angeles The moment I walked in, I zipped straight to the merch table and saw the holy grail of T-shirts, a lime-green Tied Down shirt, the same color scheme as the album. I gleefully threw my twenty dollars at Negative Approach’s drummer, Chris “Opie” Moore who was slinging the merch. This was one of those rare concert consumer moments that made me more elated to buy this shirt than to listen to some of the bands playing. Atwater Village
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Drab Majesty Return to Los Angeles After Taking Europe By Storm
Rob Shepyer
July 1, 2017
The buzz surrounding LA’s own Drab Majesty peaked and cemented the band as more than just an underground attraction- this buzz has evolved into downright success. We here at Janky Smooth listed them as one of the bands to watch in 2017 and boy, it feels smooth as silk to be right. Sometime during their American and European tours opening for Cold Cave, it became apparent that this goth duo was a premier group, destined to surpass Cold Cave musically. I believe the band’s homecoming Echoplex show was the beginning of the Drab Majesty era. Even by the first band, Chasms, people came flocking into the show with an impressive early turn out. Originally from San Francisco and now based in Los Angeles, Chasms plays ambient-gaze with guitar riffs that make you measure the depth of your soul with each stroke. Their drum machine sounds like a hammer slamming upon steel but their vocals sound like a soothing siren, luring you into the abyss. Chasms has become a go-to opener for any big gaze or goth act because they set the tone very punctually, there’s no escaping introspection after a Chasms set. After a cig or two and a glass
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High-Functioning Flesh “Culture Cut” Release Party at Echoplex
Rob Shepyer
June 28, 2017
For every genre, there is a right sound. A band’s music and vocal style have to marry each other in a familiar, yet original way to occupy the space in the ether that has always been waiting for them. High-Functioning Flesh captures the right industrial sound for 2017. Susan Subtract’s coarse vocal tone harkens back greats like Al Jourgensen and Nivek Ohgr, while Greg Vont’s music does the same with both singers’ respective bands. The difference is, High-Functioning Flesh uses highly danceable rhythms and melodies to make classic industrial sound new and fresh. If you listen to Ministry’s Twitch or any Skinny Puppy albums before Last Rights, you’ll find plenty of gems but only a few songs that could really hold their own on a mainstream dance floor. Meanwhile, every song on High-Functioning Flesh’s third and new album, Culture Cut, can pull any person onto a dance floor. I first discovered High-Functioning Flesh after seeing an Instagram video posted by Blaque Chris featuring the band headlining a Planned Parenthood benefit. The band’s compassion towards women and trans rights is just as pronounced as their music. After that, I made sure to check them out at Lethal Amounts’ Sado Maso Disco
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The Sonics, The Sloths & Death Hymn Number 9 w/ Green Slime L.A.
Vanessa Burgundy
January 30, 2017
Hot off the heels of the 750,000 person Women’s March…Los Angeles was on fire. The vibe was positive, respectful, and proud…also…we were ready to rock n fucking roll with The Sonics at The Echoplex. Openers and LA natives, Death Hymn Number 9 were ready to take us on their satanic hayride. We had to force ourselves to get past the collective band’s awkward hair (yes it’s distracting enough to mention) and get into their demonized garage-rock replete with breakdowns like a thunderstorm tearing through the deep south. They’ve got a “Static Age” Misfits meets Minor Threat meets a doomsday death dance. I can dig it. America’s “great lost garage band”, The Sloths (who first formed in 1964), surprised us next…not only with the ferocity of their set but quite literally…with magic tricks. Singer, Tommy McLoughlin, razzled and dazzled us with gimmicks galore for each and every song. For their opener, he employed a popular sideshow stunt, turning his mic into an erupting display of firey angle grinder sparks. The Sloths were indeed back from the grave. They threw out blow up dolls for their song “Never Enough Girls” written by Holly Beth Vincent (originally meant for Joey Ramone), there was
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King Khan and The Shrines Bring Fans to Their Knees at Echoplex
Janky Smooth Central Command
June 30, 2016
Have you ever seen an overweight Canadian/East Indian, with bleach blonde hair, screaming into a microphone about how he wants to be a girl and how he don’t regret a thing? I have, last night at The Echoplex. And it was good. The King…King Khan…King Khan & The Shrines. It was great to see the larger than life performance of Khan performing with The Shrines. Khan has been touring in support of King Khan and the BBQ Show and their record, Bad News Boys since the genius LP was released in 2015. And while the minimal nature of the Khan/Mark Sultan duo has captivated fans over the past year, the over the top gospel-funkiness of Khan being backed by the Shrines is it’s very own beast that needs to feed, every so often. I got to the show late and was able to catch a bit of the weirdest band, Giorgio Murderer, who absolutely killed it with their throbbing, melodic distortion blasting through the speakers like Man or Astro Man. I waited with my girlfriend in anticipation for the main event. King Khan did not disappoint. His ten-piece band, complete with sequins and capes, and all sorts of tomfoolery, were
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Surfs Up: Twin Peaks And An Ocean of Crowd Surfers at The Echoplex
Janky Smooth Central Command
June 29, 2016
Last week, Chicago, Illinois’ own, Twin Peaks dove directly into an ocean of young, Los Angeles, crowd surfing music fans with an inspired performance at The Echoplex. The night began with the typical, slow and steady pace of early arrivers coming to either party or check out the opening band, Golden Daze. As the show progressed, Ne-Hi drove the early crowd into the highest of spirits with their engaging performance. When I say spirits, I mean alcoholic beverages. When I say high, I’m referring to the glasses containing the liquid infiltrating the livers of fans being raised above our heads in salute to the valiant performance of the openers. They don’t call alcoholic drinks spirits for nothing, The audience inched closer and tighter to the stage. The room was dark with only a small television turned on with white noise, static and the letters “TP” spray painted on the screen. With anticipation, fans screamed for the band and then, one by one Colin, Connor, Cadien, Jack and Clay glided onto the stage. Twin Peaks opened the show with “Butterfly” from their new album Down In Heaven, causing the first movement in the small sea of people. Hands went up, reaching out to the music, trying
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NOTHING Unhinge Echoplex Audience By Bending Sonic Waves
Rob Shepyer
June 25, 2016
My night began with loading up on free booze provided by a high end art show. After cruising through all the pretty pictures and people and pounding down as many Peroni’s as I could, I bounced out early, opting for more contact, a rush, an absorbing experience… like bathing in the shoegaze riffs of Philadelphia band, NOTHING who were playing a show at The Echoplex. Ubering out to Silverlake, trading Hollywood glitz for hipster art farts, while buzzing drunk with a dead phone, my driver turned onto Glendale blvd and crept beneath the bridge that loomed over the line of kids that stretched down the block. They stood there, marinating in the pain of missing out because they knew they weren’t getting in. Be quick or be dead. This is LA and Nothing is playing. Don’t you know Nothing sells out LA? I cruised into the Echoplex, mid set of Miami band Wrong with their heavy, alt rock sound. They put everything out on the table in this pounding communion, bouncing up and down, making the stage their bitch. The audience followed suit, jumping and jiving in a pure mess of rock. Their sound reminded me of the heavier 90’s grunge bands like
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High on Fire: Metal Madness at The Echoplex
Danny Baraz
August 4, 2015
With a massive swell of approval around the release of their 7th studio album, Luminiferous in June, High on Fire was booked by FYF Presents at The Echoplex this past Friday. It was the second stop on a headlining tour that stretches through to the end of August- Pallbearer, Lucifer and Venomous Maximus joined them. I was torn between this show and Stiff Little Fingers playing the last ever punk show at The House of Blues on the Sunset Strip. Ultimately, I never really liked the House of Blues and it’s corporate vibes and bad parking. Since I saw Stiff Little Fingers a couple times at the end of 2014, I decided I would go see a sick Metal lineup at an independent venue that has it’s finger on the pulse of music. Bye Bye, House of Blues. Don’t let the door hit you on your way out. I made it into the Echoplex with enough time to order a drink before Pallbearer took the stage. The venue was completely sold out. There were metal heads as far as the eye could see. I cruised by the merch booth, which was moved to a space in the back of the
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FYF Presents Head Wound City at The Echoplex: Pretty Boy Hardcore
Danny Baraz
June 29, 2015
When I think of metal bands I have loved throughout history, I think of mullets, Dungeons and Dragons, short busses, bad hygiene and full rooms, void of any feminine presence. My how times have changed. On Friday night, FYF Presents continued to display why they are one of the most diverse talent bookers in town when “super group”, Head Wound City played The Echoplex along with Loma Prieta and Crime Desire. Today’s Metal, no less intense in it’s impact, yet the crowd was filled with beautiful people and so was the stage when Head Wound City played their set. Grindcore, mathcore, thrashcore, noise rock, and noisegrind. Call it what you will but it all stems from Thrash/Speed Metal. There were no soccer moms wearing Slayer t-shirts in the 80’s and 90’s but now, H & M actually have a line of clothing that features bands like Slayer and Metallica on them. I wonder if those particular consumers know that Slayer stands for Satan Laughs As You Eternally Rot. Metal has evolved into many things, most of which I’m not a fan of but Justin Pearson along with his label, Three One G are one of the most creative group of musicians
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Corners Homecoming at The Echoplex
JustinThomas
May 15, 2015
“Where are we captain”, Corners bassist, Bill Changer, asked last night to an all aged audience. The answer was obvious; we were in Echo Park congregated to see Corners homecoming show after a lengthy tour consisting of 80 shows spanning from California to Lithuania. A tip of the hat goes off to Crap Eyewear and What Youth for putting together a rad line up of bands. Each of which complimented each other quite nicely, and the crowd, which unsurprisingly dressed in mostly black, was extremely receptive and got increasingly looser as the rainy night persisted. I stumbled into The Echoplex in somewhat tardy fashion around 9 PM (I blame Southern California’s tendency to suck ass at driving in the rain) just in time to see popwave rockers, Popheart. The appropriately named four-piece, Popheart, played a nice blend of; you guessed it, pop. The four-piece performed their poppy ballads with an eerie hint of Joy Division-esque darkness. Their groovy sound warmed up the rain-drenched crowd nicely. Next up was Tropical Popsicle, who in my humble opinion wins the award for dopest band name. The four-piece, lead by Timothy Hines, are fresh off a two year hiatus, and I for one, am stoked
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No Parents & Colleen Green Steal Thunder at The Echoplex
Janky Smooth Central Command
May 12, 2015
Who is Rat Fist? That was my first question when I saw them headlining a show with both No Parents and Colleen Green, two artists who could just as easily headline their own show at The Echoplex. It seemed that many of the other attendees must have also been wondering the same thing, as a good portion of the crowd left before they played. Rat Fist, though not universally notorious themselves, is the side project of members of No Age (Randy Randall) and Pissed Jeans (Sean McGuinness), two pioneers of the current west coast garage punk scene. The opener, Chew Toys, was an excellent and authentic throwback to old school punk. In a scene ruled by reverb and chill vibes, genuine raw punkers like Chew Toys deserve some recognition. Husband and husband, Jay Tag and Kevin Dickson, make up the queercore duo and boy can they play their instruments. Their influences are clearly rooted in early punk bands such as The Ramones and The Clash as well as later interpretations of folk punk, specifically The Dead Milkmen. And as the Chew Toys demonstrated, power chord and pop punk vocally dominated punk still kicks ass. The next act, Colleen Green, could
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