
Tag: doom metal

Thou Demonstrate The Blackest Doom At The Echo For FYF Club Show
Doom metal only keeps evolving and engrossing the current metal scene, drowning all the lesser genres in the tar pit of its sound and forcing the future icon bands to rise up to the surface. Thou are the inheritors of Louisiana’s rich sludge-metal heritage and they take that sound to a place no doom band has ever taken it before. With ten minute songs that feel like hell itself, Thou blends doom and black metal into a sound that brings together doom and stoner fans, black metal fans, noise fans, and grindcore fans. When a promoter like FYF Presents gives you the blessing of playing a show under their banner, you know you’re part of a brewing musical storm, if not the whole storm. But for a band as brutal and against the grain as Thou to be awarded that blessing at The Echo just 5 days before their annual festival, it’s indicative of how mainstream tastes are being pushed into a very extreme corner and FYF, at the center of it all has helped to move the status quo- even while being criticized for softening and being “less punk” themselves in the way that they book the festival. Poppycock.

Pallbearer & Gatecreeper Stop at Echoplex Reminds Us- Guitar Solos Matter
Pallbearer’s tour brought them to the Echoplex on May 18th with support from Arizona death metal savages Gatecreeper and local avante-garde-post-experimental-jazz-metal-poets Grand Lord High Master. Doom metal is back in style because sorrow and surrender and being in touch with your feelings are back in style. Maybe “being in touch with your feelings” is overstating things just a little. At the very least it’s being in touch with the fact that you have feelings. Emo might have had its resurgence for the same reason and in times like these, you have to understand why. If not, you might just join in the mourning process yourself. Pallbearer is one of the leading bands in the new wave of doom metal. What they do is an original spin on an old style that sounds both new and familiar to the ear. Combining elements of classic hard rock, prog rock, and even shoegaze, the band’s latest album Heartless is a tour-de-force. Listening to Heartless, I hear just as much Guns n’ Roses or Metallica as I do classic doom like Candlemass or Cathedral. The band is not afraid to flaunt their talent their virtuosity, they stretch notes and solo often and in a

Weedeater and The Obsessed at The Regent: Blaze It Up, Fool
Doom metal is on such a comeback that I might have to become a pothead again. Until a few months ago, I had the hunch that thrash was going to have a second coming and be the biggest rage in underground metal, but at a time when Saint Vitus and The Obsessed are simultaneously touring, when Pallbearer comes out with a game-changing album, and Sleep returns to the studio, it is clear to me that Doom dancing is back in fashion. related content: Ascending the Holy Mountain- Sleep at The Fonda Theater Doom and stoner metal are siamese genres. Doom originated the slow, heavy, down-tuned sound that stoner metal altered with more distortion and fuzz in the guitars, a faster tempo and lyrics either about weed or things you’d ponder while high on weed. The month of May has huge doom shows booked by Spaceland for the Echoplex and Regent. To crack open the month, The Obsessed and Weedeater shared a stage to mesmerize Los Angeles. If you ask most people, they’d say that Weedeater is a bigger draw than the Obsessed. I suppose that’s partly due to the popularity of weed and thus stoner rock over doom but still,

Ascending the Holy Mountain: Sleep at the Fonda Theater
The greatest experience one could have at a concert is that moment of total release when the band taps into that one elusive hook that grabs you, doesn’t let you go, and makes you travel inner and outer space while standing in one spot. Seeing the legendary stoner metal band, Sleep at The Fonda Theater allowed me to fondly remember that electric feeling when I saw Mastodon at Coachella and lost myself to the song “Quintessence”, who’s chorus goes “Let it go! Let it go! LET IT GO!“ That letting go is a spiritual experience, the same transformative, depersonalizing process one might have at a Mega Church. For a moment, one becomes the universe entire and that whole universe only exists to rock out. Sleep is thematically a stoner metal band with doom metal licks, so why do I feel like their sound taps directly into the marrow of religiosity? Why does a band that sings about fantasy themes and marijuana name their album Jerusalem? Why at the end of that concert did I feel somehow enlightened or spiritually full? I didn’t know when I bought my ticket to their show with The Melvins and I don’t know now as I