Tag: death bells

Ceremony Homesick 2022

Homesick 2022: Let the Ceremony Begin Anew at The Glass House

Homesick Festival returned to the Glass House last Friday night with a killer lineup including headliner Ceremony, Touche Amore, Show Me The Body, and more. Early on in the show the crowd was loosely scattered throughout the 800-capacity space when bands Laughing Matter and The Umbrellas opened the show. The energy picked up immensely with up-and-coming hardcore group Militarie Gun. Lead singer Ian Shelton got the band moving — jumping around on stage to crowd-favorite songs “Ain’t No Flowers” and “Big Disappointment.” The vibe drastically changed as the noisy-electronic Special Interest took the stage with singer Alli Logout getting up close and personal with fans at the barricade. Her brooding and aggressive stage-presence was hypnotic and I really enjoyed their performance even though their sound stood out on an otherwise punk and hardcore lineup. I was most excited to see Show Me The Body, who are known for their sludgy hardcore sound while incorporating elements of hip-hop and the electric banjo. The crowd had finally fully filled in the venue — leading to a huge pit for the final three sets. Their set was electric, but I was especially impressed by bass player Harlan Steed who was absolutely shredding on

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American Nightmare

Midnight Massacre: American Nightmare At The Echoplex

Like a long, dooming swing of the reaper’s scythe, death rock and hardcore rained down upon us as if by the hand of Death itself. Since the headliner was hardcore, one might not expect two death rock bands opening up the show but when you consider the history of American Nightmare, it’s not so strange at all. American Nightmare has always highlighted the darker, more gothic side of the human experience to the point that Wesley Eisold, the band’s singer, evolved into Cold Cave, a goth, dark wave sensation. Never straying too far from his roots though, Eisold always kept American Nightmare in his back pocket. Perhaps now he’s wearing those pants back-side front. It’s too sides of the same coin, anyway. A sad, depressed crooner making music you can dance your sorrow away to and a rage-filled banshee that inspires blood-lust, violence, and anarchy in mosh pits that flood onto the stage. American Nightmare was the first band in the hardcore scene to really delve into emotional, darker lyrics and tones while not straying from true hardcore and the scene. The first band to open up the evening was Death Bells, a young death rock outfit from Sydney, Australia that

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