Tag: deafheaven

Deafheaven at Psycho

Deafheaven at Lodge Room- A Perfect Marriage Of Time

Deafheaven astonishingly achieved fitting their enormous, atmospheric sound into the intimate setting of The Lodge Room for 2 sold out nights, hosting different lineups and playing different setlists for each of them. As heavy metal further evolves with its experimentation and hardcore punk is currently seeing a revival in its popularity, artists that were early to adopt this innovative nature, like Deafheaven, are now seeing the respect that they deserve for breaking ground within these movements. With the environment of Night 2 shifting from their classic black metal influenced material to the shoegaze and emo sounds of their newest album Infinite Granite, Deafheaven showcased the importance for legendary bands within modern heavy music scenes, to continue to explore and evolve as these genres do alongside them. While Deafheaven is known for bringing a massive and theatrical presence to the audience with their live performances, Spiritual Cramp creates a completely different atmosphere with their upbeat, groovy sound that inspires pogo dancing in all directions within any room that they play. Spiritual Cramp is one of the most distinctively unique bands to come out of the punk genre in recent years, having the spirit of classic ‘77 punk rather than the hardcore

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Stroking to LCD: This Ain’t No Picnic

Goldenvoice has been on a roll, especially with their Rose Bowl based festivals, hosting special gatherings on sacred grounds. These two to three day festivals they’ve been churning out have all featured incredible lineups and have allowed audiences to see numerous artists that could each play at the Greek, Shrine or Bowl all on one giant, dusty field inside a literal melting pot. From Pasadena Daydream with the Cure to Arroyo Seco with Neil Young, Goldenvoice is building up a powerful Pasadena legacy. This Ain’t No Picnic hosted artists that represented our modern rock and roll heroes like Sparks, Le Tigre, The Strokes and LCD Soundsystem, but also the cream of next crop of legends like Turnstile, Caroline Polachek, Yves Tumor, Magdalena Bay, Ethel Cain, King Woman, and Idles. Mark my words, these artists will be massive headliners in the decades to come and on that day, we’ll look back to lineups like This Ain’t No Picnic’s and be in awe of how so many huge artists were assembled on the same bill. related content: Arroyo Seco: The Nostalgic, The Timeless, and the Real Day 1 Getting to drive on the greens of a golf course to find my parking

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Midnight

Hell or High Roller: Psycho Las Vegas 2021

There was a time when for me, going to Psycho Las Vegas meant budgeting only enough money to eat McDonalds for three days while I slept on a friend’s couch in some lawless Vegas neighborhood so far off the strip, Ubers wouldn’t dare travel to such unsavory corners. Now, in the post-pandemic world, I report on Psycho with new purpose. This year, I was staying in a Delano scenic suite high above the city and budgeted enough money to properly chase the American dream. Raoul Duke’s American dream in Hunter Thompson’s Fear and Loathing in Las Vegas was a metaphor for the limits of human consciousness. With freedom as the central American covenant, what greater expression of patriotism is there than breaking free of reality’s chains by dosing yourself past every threshold? Now though, as I take that same trip as Duke in 2021, my search for the American Dream is a futile attempt to connect with a time long gone. You might assume I mean the world before the pandemic but I also mean that beautiful era in music history where rock and metal bands could draw crowds as far as the eye can see. How do we recover

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Crowd

The Road to Psycho Las Vegas 2021 Part 2

This is how we hold the line. With the country’s social climate at a fever-pitch and the festival we love less than a week away, we are making the choice not to retreat into the shadows and live our lives in fear. If we all just stayed home and didn’t fight to live the way we believe we deserve to, there is no way we’d ever return to how things were. The world will never totally be the same, but we’re not letting concerts go the same way movie theaters did. Fuck that. Psycho lives forever. related content: The Road to Psycho Las Vegas With every international act having to postpone their performances to 2022, the festival has become a domestic affair. We are doing nothing short of chasing the American Dream just like Raul Duke in Fear and Loathing in Las Vegas, fueled by metal instead of hardcore psychedelics, what is left of the dream is more perverted and strange than anything the good doctor could’ve imagined. The festival itself is the drug, Vegas is the drug, this fucking pandemic is the drug, let it tweak your senses just a bit and make you lose inhibition just enough to make

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