Tag: danzig

Detention With Danzig at The Montalban

Vanessa Burgundy February 14, 2023

Still seething with bliss from the uproarious decadence of Danzig Sings Elvis at the Hollywood Roosevelt on Devil’s Night 2021, we set our ticket alarm and grabbed 4th row for our second chance at seeing the dark King of Rock n Roll. Another historic Hollywood theater, The Montalban was an odd choice but we, and a sold out crowd, were there for it. Parking was a breeze next door and we stepped over the teenage, junkie living in the stairwell of the structure and headed down to the theater. The marquee was set with several, larger-than-life, close-up portraits of Danzig á la Elvis headshots that served as photo ops out front of the theater and in the lobby, as there were several reminders of no photography or recording inside the theater (more on this later…much, much, more). The crowd poured in, many excited first-timers, a mix of black-leather punks, leopard-print rockabillies, and even a few, tired, parents with their children. Let’s be honest, this was a predominantly over 40 crowd…which made it all that more confusing as to why we were treated as though we were in trouble at a high school assembly. Between the emails, signs, and repeated loud

Hell or High Roller: Psycho Las Vegas 2021

Rob Shepyer August 26, 2021

There was a time when for me, going to Psycho Las Vegas meant budgeting only enough money to eat McDonalds for three days while I slept on a friend’s couch in some lawless Vegas neighborhood so far off the strip, Ubers wouldn’t dare travel to such unsavory corners. Now, in the post-pandemic world, I report on Psycho with new purpose. This year, I was staying in a Delano scenic suite high above the city and budgeted enough money to properly chase the American dream. Raoul Duke’s American dream in Hunter Thompson’s Fear and Loathing in Las Vegas was a metaphor for the limits of human consciousness. With freedom as the central American covenant, what greater expression of patriotism is there than breaking free of reality’s chains by dosing yourself past every threshold? Now though, as I take that same trip as Duke in 2021, my search for the American Dream is a futile attempt to connect with a time long gone. You might assume I mean the world before the pandemic but I also mean that beautiful era in music history where rock and metal bands could draw crowds as far as the eye can see. How do we recover

The Road to Psycho Las Vegas

Rob Shepyer June 12, 2021

Later this month, I’ll attend my first indoor concert since March 2020. People will not be wearing masks or social distancing. I’ll have dipped my toes into the cultural soup I’ve swam in the majority of my adult life, relearning all the in’s-and-out’s of concert going. Stage-dives and mosh pits have been relegated to my long term memory banks awaiting to be unearthed. Although most metalheads will be breaking their concert fasts soon (if they haven’t already), Psycho Las Vegas is the spiritual grand re-opening of the metal scene in the wild American west. As the first large festival to take place since the beginning of the pandemic, Psycho is a test much like the ones Hunter S. Thompson indulged in with Ken Kesey’s Merry Pranksters. Our senses may have been perverted, inverted, dulled and destroyed by lengthy quarantines but our imaginations are in better shape than ever and if I can imagine Psycho Las Vegas being the most insane heavy metal summit of my life, then I can will it into being. related content: A High And Beautiful Wave: Psycho Las Vegas 2019 Before the world shut down, Psycho’s 2020 lineup was one of the most anticipated slates of

All I Want for Christmas is “Blood and Tears”: Danzig’s Halloween Hell Bash at Fivepoint Amphitheatre

Rob Shepyer November 7, 2018

I attend every Danzig show I can, no matter the incarnation. Glenn’s music is a church of sorts for me, I unapologetically worship the man. For Misfits, I’ll travel across state-lines. For Danzig, I’ll stay in traffic for hours and end up home the next morning. For Samhain, fuck it, I’ll sell an organ to get through the door. For all Glenn Danzig’s done for punk, metal, and dark aesthetics in general, if it wasn’t for him, I would be on a completely different course in life. related content: The Misfits At Riot Fest Chicago 2016: Bats In The Press Tent Danzig I was the first record I ever bought. For months before buying it, I would just stare at the Crystal Skull on the cover until my curiosity and fear got the best of me and I bought it almost to test myself and see if I could handle this dark, evil force. Lately, Danzig has been playing shows to celebrate what might be his most iconic album Danzig III: How the Gods Kill. It’s an album any true fan has to love but it’s Danzig II: Lucifuge that I find is often underrepresented but features a few of my