Tag: dan the automator

Deltron3030 at Bellwether by Taylor Wong

Deltron 3030 Re-Unite At The Bellwether for 25 Year Anniversary

The thing about seeing Deltron 3030 live is that it’s not just a concert—it’s a time machine. Not one of those glitchy, steam‑punk contraptions with brass pipes and smoke pouring out the back, but a sleek, fully automated warp gate run by a mad scientist producer, a turntablist wizard, and a hip‑hop storyteller who sounds like he’s rapping dispatches from the year 3030 straight into your eardrums. On Friday night, The Bellwether didn’t just host a rap show; it hosted a landing. This was the first of two sold‑out LA dates on the 25th anniversary tour for Deltron 3030, a debut, self titled album that’s not just music for me—it’s a life marker. related: Tyler’s Camp Flog Gnaw 10 Year Anniversary Intersects w/ Chromakopia Number 1 My cousin handed me the Deltron 3030 record when I was 13 years old. I still remember the look in his eyes—half‑mischief, half‑knowing—when he slid the jewel case across the table like contraband. Up until then, rap for me meant whatever MTV and Power 106 were pumping out: a lot of chart‑chasing hooks, a lot of swagger, not much in the way of world‑building. But the Deltron 303 album… it was cinematic. It was

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Dr Octagon at Teragram Ballroom

Dr Octagon: 20 Years Later, Kool Keith & Crew Play 1st L.A. Show

Hip Hip lovers rejoiced when The Teragram Ballroom announced that Dr.Octagon would be playing the first ever live performance in LA with the original trio of masterminds that gave us “Dr. Octagonecologyst.” In 1996 Kool Keith’s alter ego Dr.Octagon along with Dan “The Automator” Nakamura and DJ Qbert brought forth one of the most epic cult classics in Hip Hop history, yet never once played a show together. More than 20 years later the elusive group surprised everyone with a handful of reunion shows. An Iconic Project from an Iconic M.C. Kool Keith took a different eccentric approach to hip-hop. While he always has maintained his roots from the The Ultramagnetic MCs days, his lyricism wasn’t what the typical hip hop artists of that time were on. He was on some bizarro lyrical shit, garnering him a huge cult like following of weirdos and freaks from every end of the spectrum.     Witnessing Hip Hop History at The Teragram Ballroom Blogger, Cesareo Garasa’s online reaction to the news was totally on point, he wrote “This terrifies me. His music terrifies me on some unknown level. I can’t listen to it– even though I enjoy it– without being filled up

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