Tag: bootleg theater

Take This: Win Two Tickets to Sloppy Jane at the Bootleg Theatre

Janky Smooth Central Command December 16, 2019

Sloppy Jane returns to The Bootleg for one last LA gig before the year closes out and we’re giving away a pair of tickets to the show. This is your chance to see the awe-inspiring and outside the box, free form, punk rock insanity of Haley Dahl’s mind splattered all over the stage in blue. ENTER TO WIN TWO TICKETS TO SLOPPY JANE DECEMBER 21ST AT THE BOOTLEG THEATER Step 1- Join Our Newsletter (look for pop up every time you arrive at jankysmooth.com) Step 2 – Tag a Friend in the comment section of our INSTAGRAM, TWITTER, or FACEBOOK Sloppy Jane Ticket Giveaway Post WINNER WILL BE SELECTED ON DECEMBER 19TH AT 11AM PST VIA EMAIL CONFIRMATION

Haley Dahl, Queen of Rock in 2019: Sloppy Jane at the Bootleg Theater

Rob Shepyer June 29, 2019

Have you ever felt proud of someone you’ve never met but who’s art you know? That’s how I feel about Sloppy Jane and Haley Dahl after seeing her show at the Bootleg Theater. I feel incredibly proud and inspired by the journey she’s taken as an artist. It was only a few years ago that Sloppy Jane was a small band playing small clubs if not being relegated to ugly, claustrophobic dungeons, attics, and backrooms. In those spaces, she used to have wild, unchained performances, where often times she wound up naked, covered only in blue drool all over her naked, natural body. People would dismiss her as a shock artist even though one could make the GG comparison. Women would get offended and disgusted, men would gaze creepily at her, children would cry, asking mother what she did with all her clothes. She wasn’t getting naked as an empty gesture though. Looking back on it, it wasn’t about us, it was about Haley preparing herself as an artist by bracing all the embarrassment and awkwardness of public nudity to develop her stage power until she was beyond comfortable on any stage with any kind of instruments handy. related content:

Take This: Win Two Tickets to Sloppy Jane at the Bootleg Theater

Janky Smooth Central Command June 11, 2019

One of Janky Smooth’s favorite artists and Janky Fest alumni, Sloppy Jane, is back in Los Angeles all the way from New York to play the Bootleg Theater. Chances are things are going to get freaky, slimy, and maybe, just maybe you’ll see some skin. Not making any promises on that last one though. So, of course we’re going to do a giveaway for this show. If you haven’t seen Sloppy Jane before, you’re in for a treat. GG would be proud. Stage antics aside, her music is some of the most unique you’ll ever hear. YOU CAN BUY TICKETS HERE OR: ENTER TO WIN 2 TICKETS TO SLOPPY JANE JUNE 27TH AT THE BOOTLEG THEATER Step 1- Join Our Newsletter (look for pop up every time you arrive at jankysmooth.com) Step 2 – Tag a Friend in the comment section of our INSTAGRAM, TWITTER, or FACEBOOK Sloppy Jane Ticket Giveaway Post WINNER WILL BE SELECTED ON JUNE 24TH AT 11AM PST VIA EMAIL CONFIRMATION

Double Review Comin’ at You: Suicideyear at Zebulon and Pope at Bootleg

Aria Silva-Espinosa August 9, 2018

Summer is always the best time for live music, no matter where you live. Of course, Los Angeles is a premium stop for touring artists and even in the sweltering July heat, your favorite out-of-state artists will somehow find a way into your own backyard. Two shows in particular sparked my interest earlier this summer when I began filling out my calendar: Baton Rouge-based artist/producer Suicideyear at Zebulon followed by New Orleans indie sadboy outfit Pope at The Bootleg. Both artists embody two dramatically different genres of music but undoubtedly, this is a compare-and-contrast exercise in that both artists have become known as emotional music despite the vast divide between garage rock and electronic music. related content: Overcoming Fear With Fever Ray At The Palladium Suicideyear, the moniker of composer/producer/songwriter and occasional DJ James Prudhomme, has always been kind of a wildcard in live settings. When I was living in Louisiana, I once saw him play an entire festival set of early 2000’s pop and people were into it. I’ve also seen him play haunting industrial sets in dark rooms for a motionless audience. His independent projects are vastly under appreciated in comparison to the work he does in collaboration

Psych Rock Talk Radio: Wooden Shjips at the Bootleg Theater

Robert Cohen June 12, 2018

Recently I was talking with a friend of mine who could not wrap his head around how anyone could listen to NPR for more than a few minutes. After a fair amount of prodding from others in the group, he was able to admit that it occasionally showcased relevant or otherwise interesting stories; however, its languorous, bordering on comatose, delivery of the material in his mind catapulted any idea of an extended listening session in the realm of the unthinkable. While there are many qualities separating Thursday’s Wooden Shjips show at The Bootleg from listening to talk radio, the further one goes down the rabbit hole with them, the more apparent the similarities become. related content: Between Coachellas, Brazilian Boogarins At The Echo For this reason, it’s almost poetic that the lead in to the main event of the night was named Terry Gross, in this instance being the San Francisco based rock outfit, not the eponymous radio host of NPR’s Fresh Air (although, I would’ve happily paid extra to see her shred for a couple bars). Though I’d never heard of them before and pondered over whether or not the bass player was a long lost cousin

Erika Wennerstrom Brings the Bootleg Theater Closer to Nature

Grace Dunn May 17, 2018

Questioning your existence is necessary for spiritual expansion. Growth through self-exploration in solitude is Erika Wennerstrom‘s debut of her solo album Sweet Unknown. The Bootleg Theater witnessed Erika’s soul on fire approach to song writing and those whom have never crossed paths with her were in for a treat. related content: In The City Of Sad Angels: Loma And Jess Williamson At The Bootleg Theater Jaime Wyatt opened the night for Erika and gave a courageous musical exchanging of vulnerable tales. She was bold and brave enough to mention her time spent in jail. Her confident charisma comes across best in her song ‘Wasco’. Performing without her band, her accompanying guitarist was a solid match to Jaime’s raw, powerful country voice. Erika was equipped with a brand new Gretsch Duo Jet that had such a clean tone that it cut through the crowd with great range. Immediately, the audience reacted in supportive awe with plenty of whoops and hollers all in agreement that Erika’s vocalizing song paths feel as refreshing as water through the Grand Canyon. Erika’s sensitive songwriting combines the great American spirit of freedom with a deep sense of humility and alignment of purpose with soil. Then haunting howls

In the City of Sad Angels: Loma and Jess Williamson At The Bootleg Theater

Aria Silva-Espinosa April 17, 2018

Jess Williamson brought a brand new album and a newly-assembled band to The Bootleg on Sunday evening. Originally from Texas, singer/songwriter Jess Williamson recently made the move to Los Angeles. Her forlorn and sorrowful music has a bit of a country feel, an obvious product of her Texas roots. Her breathy delivery and use of organ sounds on the keyboard had the room rapt and attentive, swaying along with Jess’ voice. As she has formerly cited, sadness and heartbreak has a definitive influence and a prominent theme in the lyricism. Her set concluded to appreciative applause from the audience. related content: A Softly Harsh Friday The 13th W/ The Soft Moon and Boy Harsher At Teragram The sound of chirping birds brought the attention of the milling crowd as Loma began their set. The stage now prominently featured an easel with a drawing pad at the foreground. Emily Cross has a uniquely fragile vocal style and when manipulated, conjures the image of a chorus of sad angels. She didn’t look quite comfortable in the performance space as she paced with clasped hands and turned her back to the audience. It enhanced the effect of Loma’s sound, which is tender and

A Camera, Notebook & A Foul Disposition for Sinkane at The Bootleg

Todd Anderson March 14, 2017

There’s no way to write about last night without it being personal, deeply personal. While in the midst of a debilitating depression, of which I am prone to, my friend and my girlfriend dragged me into the Bootleg Theatre, minutes before Sinkane was to take the stage. I had my camera, notebook, and a foul disposition… attempting to focus on shooting something… anything to get out of this funk that had ahold of me and secretly planning to leave at the drop of a hat. As Sinkane’s 8 diverse members found their places on the stage, I had no way of knowing I was about to be transformed, changed, grooved right out of the deep darkness I was in. I look up and see the drum reads Sinkane, and right below Kulu Shi Tamaam- but I’ll get to that later. By the end of the first song, I realize Sinkane has mastered the art of build up. I’m uneasy and still not quite sure of what is going on. I snap some photos, grateful for the task. By the third song, I feel it- that indescribable feeling you get when music transports you somewhere else, somewhere good, somewhere so far

The Warlocks and Weed Smoke Don’t Mix at The Bootleg

Danny Baraz February 12, 2015

I was excited to see The Warlocks for the first time. Attendees of Wednesday’s show at The Bootleg Theater in L.A. were treated to a stacked lineup of opening acts in both rooms of the venue. It was a well crafted build up to a band that helped define the modern day psych genre. I walked into the venue to the sounds of Gun/Her. Gun/Her are a two piece band from Los Angeles. The simple but tight bass playing of front woman Xe serves to accentuate the raw and soulful sounds that emit from her esophagus. The musical arrangements are a potpourri of post punk and blues goodness while Xe’s vocals summon the ghost of Janis Joplin. It’s a killer mix. I made a visit to the main room to check out Dream Boys who have a big, surf/indie sound like a polished sonic diamond. I opted to go back to the muck and rawness of Gun/Her before they vacated the stage for the glamorous, Blood Candy. I couldn’t really tell if Blood Candy was any good because lead guitarist Cliff was turned up way too loud. I heard the potential in there somewhere and I almost walked up to