Tag: bleached

Glorious Leader, Kim John Kill: Mosswood Meltdown 2022

Warning: This article contains humor. A lost art among some, yet one cherished till the grave by this writer and self-professed fool. Jokes, gags and gut-busters bring us closer to some elusive human truth, even in the case of fart jokes. No one is safe, but you can subscribe to certain ideologies that will vaccinate you from this humor and gain you entry to the “no punks allowed” club. If you’re wondering what the name of this article is all about, it’s a merging of all three queens of Mosswood Meltdown into one radioactive mutant. I created this title after realizing the original title was not going to fly in 2022, if this was 2002 though and Jason Biggs was headlining, you better believe I would’ve went with my first choice. “Kim John Kill” does not by any means a suggest any relation between Bay Area punks and communists like Kim Jong Il, though I’m sure he’d do well if he was booked at Eli’s. I was so thrilled to be back at Mosswood Park. To me, this festival is more than just a gathering of bands and rad fellows. This is an annual tradition that brings me closer to

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The Hives

Scream Team Hits Pomona: The Hives and Refused at the Fox Theater

Sweden produces some of the craziest art in all of Europe but with bands like The Hives and Refused, the craziest thing about them is that they’ve taken two American styles, garage punk and hardcore punk, and perfected them better than any Americans ever did. I am such a huge fan of Refused that I have a hard time believing they found a band they could open for on a tour but The Hives impressed me enough to think they earned the coveted closing spot. I always remembered the Hives as the band who’s music video for “Walk, Idiot Walk” was something I obsessed over in the heyday of MTV2. It was just so catchy and kinetic. The Hives were one of the many new wave of garage bands to take over that moment in mainstream music. While the Strokes and Whites Stripes were everywhere, The Hives were this Swedish import that had songs just as groovy to be lumped in with names that huge. related content: Albert Hammond Jr Strokes The Teragram Ballroom With these two bands combining forces for a single tour, their stop at Pomona’s Fox Theater after Punk Rock Bowling was an essential gathering from any

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The Growlers

The Growlers Reclaim Castle Beach Goth and all is Right with the World Again

I love Beach Goth because The Growlers know how to book a festival better than anyone blessed enough to have their own festival. In the age of mixed bills, Beach Goth offers the total package every summer, with hip hop, hardcore, punk, metal, garage, goth, and everything in between. These artists then get presented on stages decorated like nothing you’ve ever seen, this year we celebrated “The Death of a Rat” on a stinky, burning garbage heap of a stage where bands and drag queens put on memorable and boundary pushing performances. related content: Beach Goth 4: The Party Of The Year Beach Goth had to scale back this year. Usually, the festival would be two days with headliners that you could opt to see instead of the Growlers each night. This was partly due to the ambition of last year’s festival. Last year was artistically a massive success, with the Geto Boys, Bad Brains, and even a Butthole Surfers reunion. It’s also important to mention that last year, the festival was called “The Growlers 6” because someone had the audacity to try and claim ownership of the name. Call it whatever you’d like, Growlers or Beach Goth, it was

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HEALTH- Jake Duszik

Best Coast, HEALTH, No Age, Ty & Bleached Help To Save The Smell

As yet another one of 4,397th “Save the Smell” benefits is in the books and we prepare to present to you the review of all the extraordinary talent that agreed to perform at the cavernous Belasco Theater, the throwback Los Angeles venue that cost more to restore and renovate than even the $1.4 million The Smell custodian, Jim Smith is trying to raise to secure a permanent location for the iconic, All Ages L.A. clubhouse for music. We wanted to remind The Smell cynics that Smith has run the multi generational art incubator for 19 years without any apparent profit motive in sight. So as the hum of jaded hipster whispers asking rhetorical questions about where all the money is going grows louder, it’s important to remember what the Smell has given 4 generations of burgeoning, pre-ID, DIY kids whose parents felt curiously comfortable dropping off at a location that 19 years ago was surrounded by the swarming transient citizen population of the Downtown L.A. hopeless and the homeless.  Some of the most iconic cult music heroes that were born within the very walls that make what the kids of today would refer to as a “safe space”… The Smell.

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Bleached Bring Catchy Hooks, 818 Pride & Friends to Teragram Ballroom

There are certain taboos in modern day, independent music journalism which you don’t breach, for any reason, lest you be nailed to the cross of insignificance. You don’t speak ill of Ty Segall, John Dwyer or Mac DeMarco, never say anything negative of Low End Theory and never play cards with a guy who’s named after a city. Then again, if classic day journalists from Rolling Stone were able to trash Black Sabbath and Zeppelin and continue to increase their circulation despite saying Jimmy Page was “a very limited producer and a writer of weak, unimaginative songs.” I have very little fear of being judged for “getting it wrong” and most of the time, I’m willing to go out on a limb if I believe in what I’m saying. I think I was the only person who reviewed Tame Impala’s “Currents” that didn’t put Kevin Parker’s musical pee pee in my mouth. And now that I’ve had more time with that album, I stand by every statement, even though 3 or 4 songs on that album have grown on me since the time I reviewed it. That being said, saying that I’ve always thought the band Bleached and their live

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