Tag: black marble
Becoming the Night: Substance 2019
Rob Shepyer
November 7, 2019
Taking every kind of music into account, the genre that best fits Los Angeles has to be post-punk, or better yet, goth. Why exactly? Perhaps it’s the way the shadows hit the concrete, or the loneliness of a city where people think being neighborly only causes more trouble, maybe it’s the genre’s long tradition from the Sunset Strip to the barrio. Goth has always stayed strong whether it’s the biggest scene in the city or not. Given all this, an annual goth festival where people can wallow and dance the night away is a necessity. In previous years, Cloak and Dagger was the go-to festival for such affairs but as of 2019, Restless Nights and Spaceland’s Substance festival which took place at the Los Angeles Theatre, is now the premiere goth festival in Los Angeles. What I found most interesting about this festival, beyond the actual music, was the fact that every major goth promoter had a hand in it. Along with Restless Nights; Part Time Punks, Das Bunker, and Lethal Amounts were also in the mix. The common threads between all the bands present at the 2 day event were darkness and electronics. Everyone wore black. related content: Cloak
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If Ever A Band Was My Home: Ceremony’s HOME SICK Festival At The Phoenix Theater
Rob Shepyer
January 18, 2018
I have been waiting for so long to write about Ceremony that referencing their performances in completely unrelated articles just became a habit of mine. If I was writing about hardcore punk moshing and stage diving then I’d compare the peaks of that violence to the bar set by Ceremony when Anthony Anzaldo strums the first notes of “Kersed” or when Jake Casorotti starts the kick drum intro to their cover of Red C’s “Pressure’s On”. If I was talking about Joy Division’s many offspring, like in my Cloak and Dagger review, I’d talk about how Ceremony’s “L Shaped Man” is the only derivative of that style worth its weight. If I was talking about what I feel is the spirit of America as expressed in music, I would say it’s when Ceremony plays “Hysteria” and you can almost transport yourself back in time when Bill Haley & His Comets performed “Rock Around The Clock”, it’s that same desperate need to let loose, still in the air after half a century. “…The only young band I’ve seen come close was Ceremony performing “Kersed” at Sound and Fury 2016, when the entire audience erupted when the opening notes of the song
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UNIFORM & Black Marble at Union: The Mongrelization of Music Continues…
Aria Silva-Espinosa
February 27, 2017
Tucked away amongst a row of small businesses and street vendors, the massive, multiple roomed venue called UNION is actually pretty easy to miss if you’re not looking for it. Even the marquee is unassuming amidst the flashing lights of the Pico-Union storefronts along the boulevard. Bright neon signs indicate that the Jewel Room awaits just past the side entrance and patio, still wet from the last few days of rain- a more perfectly planned setting for Black Marble and UNIFORM seemed impossible to imagine. Janky Smooth listed UNIFORM as a top 25 band to watch in 2017 so I believe it was the reason my request to cover this show was approved but I was most excited to cover Black Marble, a band that couldn’t sound ANY more different than UNIFORM. This should be interesting! Inside UNION, the stage is illuminated in light teal as the first act takes the stage. Anzano is a one-man act consisting of heavily distorted vocals, pre-recorded or triggered synth tracks and a giant flying-V shaped guitar that goes relatively ignored, save for a few sparse riffs. To compensate for the seeming limited musicality, Anzano is dressed in a sequin cape, chain mail cap
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