Tag: bjork

Bjork at FYF Fest

Three Nights of Bjork CORNUCOPIA at the Shrine

It’s been years since the last time I saw Bjork perform in Los Angeles. I’ll never forget it, it was FYF fest 2017, the most stacked lineup this city has seen in years, with Frank Ocean’s last LA performance headlining one night, Nine Inch Nails closing out the fest, but Bjork and Missy Elliot reigning supreme on the opening Friday night festivities. Simply hearing “Joga” live was a life altering musical experience. Bjork’s vocals cut right through to people’s hearts so after two years of living in a covid hellscape, I have no doubt she will make every audience of her upcoming three night stint at the Shrine Auditorium cry their eyes out. related content: FYF Fest 2017 Steals Coachella’s Throne As So-Cal’s Premiere Festival These three Shrine performances won’t simply be Bjork shows, these are CORNUCOPIA shows, some of the avant-garde and inspiring live music you could ever experience, especially if you’re a creative yourself. Fantasy becomes a force for change with visuals co-directed by Bjork and Argentine genius, Lucrecia Marartel and co-creative directed by James Merry. You’ll see images of foreign worlds straight out of the queen’s mind. The visuals are so animated and vibrant they feel like

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FYF Fest Crowd

FYF Fest 2017 Steals Coachella’s Throne As So-Cal’s Premiere Festival

My bones are still rattling and recovering from Capn’ Jazz’s sold out set at The Echo Thursay night. So much so that I limp across the edges of Exposition Park, and marvel at the crowd as I walk into my first FYF fest. The festival has grown dramatically since it’s early days as a showcase for DIY and up and coming local punk acts in 2004. It’s so comfortably warm walking through the LA coliseum on the outskirts circling the festival that I skip my normal routine of stealing water bottles and go straight to the pit. Related Content: FYF Presents: The Glorious Return of Cap’n Jazz At The Echo In an impromptu pow wow we map out our weekend and get ready to go watch Badbadnotgood- a band I’ve been following since their second album BBNG2 began getting the well-deserved buzz it received nearly five years ago. The band has carved a niche identity as mainstays in these large festivals.  The crowd sways through their set, flexing their youthful energy that will be gone by day’s end but for now the band invites special guest Denzel Curry onto the stage and finishes the set with people pogoing to Trap Jazz

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Aphex Twin by Julian Bajsel

Day For Night Fest: Futurists Of Audio & Visual Converge In Houston

Shadowy figures traverse dimly lit concrete walkways, gliding past “High Voltage” warning signs that adorn massive steel boxes hanging from the ceiling. A chain link-fence houses what appears to be some sort of parasitic mass of hair, the fibers hovering above curious crowds of observers like a space creature. A neo-futuristic looking couple decked out in silver metallic platforms, all black skintight clothing and bondage style leather harnesses hold hands as they navigate the industrial landscape and make their way toward the Blue stage. Had I taken the red pill and woken up in the goth haunt Club Hel from the film The Matrix?  It certainly felt that way, but I was in fact partying inside Houston’s premier winter music and arts festival, Day for Night. Taking residence in a vacant post office building in the heart of downtown the second edition of the gathering boasted an exclusive Bjork digital exhibit, a highly-anticipated headlining appearance from Aphex Twin (his first set in the U.S. since Coachella 2008), 3 outdoor stages and a multitude of thought provoking light installations. The event is the product of the minds that organize Houston’s Free Press Summer Fest, yet Day for Night offers an experience that

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